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Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome Hardcover – October 4, 2016

4.3 out of 5 stars 175 ratings

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A romp through the worlds of film, fashion, and titillating journalism that made 1950s Rome the sexiest city on the planet.

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made “Italian” a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci, whose use of color, line, and superb craftsmanship set the standard for women’s clothing for decades, and Brioni, whose confident and classy creations for men inspired the contemporary American suit. Rome’s huge movie studio, Cinecittà, also known as “Hollywood-on-the Tiber,” attracted a dizzying array of stars from Charleton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra to that stunning and combustible couple, Elizabeth Taylor and Richard Burton, who began their extramarital affair during the making of Cleopatra. And behind these stars trailed street photographers―Tazio Secchiarioli, Pierluigi Praturlon, and Marcello Gepetti―who searched, waited, and pounced on their subjects in pursuit of the most unflattering and dramatic portraits of fame.

Fashionistas, exiles, moguls, and martyrs flocked to Rome hoping for a chance to experience and indulge in the glow of old money, new stars, fast cars, wanton libidos, and brazen news photographers. The scene was captured nowhere better than in Federico Fellini’s masterpiece, La Dolce Vita, starring Marcello Mastroianni and the Swedish bombshell Anita Ekberg. It was condemned for its licentiousness, when in fact Fellini was condemning the very excess, narcissism, and debauchery of Rome’s bohemian scene.

Gossipy, colorful, and richly informed, Dolce Vita Confidential re-creates Rome’s stunning ascent with vivid and compelling tales of its glitterati and artists, down to every last outrageous detail of the city’s magnificent transformation.

8 pages of photographs
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Editorial Reviews

Review

""In a brisk, frothy narrative....Levy has a passion for mid-century Italian cinema and is at his best when writing about its giants.""
The Wall Street Journal

"Uproariously readable....[Levy] tells some terrific, if dreadful, stories about the convergence of noblemen and actresses....He is a master of the group biography, pacing his chapters for maximum suspense and revelation....The climactic story is a humdinger....Wickedly readable."
The Sunday Times

"Levy's absorbing, well-researched book exalts the intoxicating, beguiling dreaminess of Rome in its celluloid heyday."
Times Literary Supplement

"Levy recounts with enthusiasm and colour....the excitement of that time and place in a prose style that is teeming with satisfying gossipy details."
The Guardian

"
Dolce Vita Confidential is so much fun that after a few pages you’ll want to set it aside, tie on a chic little scarf, jump on a Vespa, and cry 'ciao' as you buzz past corner cafes and flower stands."
Portland Tribune

""Over 400 spirited and frothy pages, [Levy] carries us on a speedy Vespa ride....the book delights.""
Portland Mercury

"This is an exciting account of a revolution in art and society."
The Spectator

""Levy’s research is deep and his details are revealing....[he] chronicles Fellini and Mastroianni’s collaboration with insight and affection.""
Newsday

"Shawn Levy has composed an exuberant portrait of postwar Rome and the filmmakers, movie stars, fashion designers, journalists, and paparazzi whose supreme hunger, energy, and creativity transformed it into the most stylish city in the world. He brings an infectious and freewheeling enthusiasm to every page as he reintroduces us to the extravagant romanticism of fast cars, reckless hedonism, and beautiful people behind the resurrection of the Eternal City."
Glenn Frankel, author of The Seachers: The Making of an American Legend

About the Author

Shawn Levy is a former film critic for The Oregonian and the best-selling author of Rat Pack Confidential and Paul Newman: A Life. He reviews movies for KGW-TV and lives in Portland, Oregon.

Product details

  • Publisher ‏ : ‎ W. W. Norton & Company; 1st edition (October 4, 2016)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 480 pages
  • ISBN-10 ‏ : ‎ 0393247589
  • ISBN-13 ‏ : ‎ 978-0393247589
  • Item Weight ‏ : ‎ 1.54 pounds
  • Dimensions ‏ : ‎ 6.7 x 1.6 x 9.6 inches
  • Customer Reviews:
    4.3 out of 5 stars 175 ratings

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Shawn Levy
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Shawn Levy is the author of eleven books, including the bestsellers "Rat Pack Confidential," "Paul Newman: A Life," and "The Castle on Sunset." He served as film critic of The Oregonian from 1997 to 2012 and KGW-TV from 2009 to 2016. A former senior editor of American Film and a former associate editor of Box Office, he has published stories in the New York Times, the Los Angeles Times, the San Francisco Chronicle, The Guardian, The Black Rock Beacon, The Independent, Interview, Film Comment, Movieline, and Sight and Sound, among many other publications. He lives in Portland, Oregon, where he serves on the board of directors of Operation Pitch Invasion (www.pitch-invasion.org). To get a peak into his head, visit www.shawnlevy.com.

Customer reviews

4.3 out of 5 stars
175 global ratings

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Customers say

Customers find the book enjoyable, describing it as a delicious slice of the sweet life. The writing style receives positive feedback, with one customer noting it's easy to read. They appreciate the informative content, with one review mentioning how it presents facts from multiple perspectives.

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8 customers mention "Enjoyment"8 positive0 negative

Customers find the book enjoyable and brilliant, describing it as a delicious slice of the sweet life.

"Shawn Levy, you are one brilliant, empathic, mesmerizing writer. I am so glad to have ordered Dolce Vita Confidential...." Read more

"...And it was indeed educational, since I knew so little about the fashion world...." Read more

"...It's a fun romp through places the bodyguards and set security wouldn't let you go even if you can afford a trip in the wayback machine...." Read more

"...A true test of a good writer is making history come alive. This book makes Rome of the 1950s come alive and roaring to life." Read more

5 customers mention "Writing style"5 positive0 negative

Customers praise the writing style of the book, with one noting it is easy to read, while another describes it as a well-written account of Rome.

"Shawn Levy, you are one brilliant, empathic, mesmerizing writer. I am so glad to have ordered Dolce Vita Confidential...." Read more

"...Levy’s writing is easy to read. You think you’re just taking in a history of the scandals...." Read more

"A well written account of Rome in the early 1950s and 1960s. I read it with joy. I found myself smiling at some of the accounts in the book...." Read more

"...this I followed up with more by this author precisely because of the masterful and entertaining writing style." Read more

3 customers mention "Enlightened content"3 positive0 negative

Customers find the book informative, with one mentioning how it presents facts from multiple perspectives.

"...It is informative, enlightening, but most of all fun!" Read more

"...It's a delicious slice of the sweet life, entertaining, informative, and moving." Read more

"...Presents the facts from multiple sides of the equation which is something I can appreciate." Read more

Top reviews from the United States

  • Reviewed in the United States on January 24, 2017
    Shawn Levy, you are one brilliant, empathic, mesmerizing writer. I am so glad to have ordered Dolce Vita Confidential. I especially loved the closeness of Fellini and his alter ego, Mastroianni, in La Dolce Vita. I first saw La Dolce Vita in 1962. It remains the one film I have stood in a light drizzle for 2 hours to see. Nino Rota's score still is perfection, like this book. Last night, after (sadly) finishing my reading, I sat down and watched La Dolce Vita. It haunted me in 1962 and haunts me still in 2017. I finally got to Rome for the first time 20 years ago. Of course, I had to go to the Via Veneto - it was just as crowded with chain smoking Romans and tourists - only added were the egoistic young guys standing in the street, oblivious to the crazy Roman drivers in cars and on Vespas on their cell phones now! Three months later, Marcello, the heartthrob with pain behind his eyes, as Fellini's alter ego, was dead. The tribute the author writes of: the shutting off of Trevi Fountain, the covering of it with black cloth and dancing spotlights, was described in such an evocative way by Mr. Levy.

    I just started, Ready, Steady Go and am amazed by the same evocation of a city in its special time and place - but with much more "chipper" tone. I lived in Swinging London in the Carnaby Street years and am reliving the excitement of being young and bursting with the energy of the new young who were turning the world on its head.
    After this read, I will go on to Paul Neman: A Life. I know it will bring me once again the writing of a most gifted and insightful author. Mille grazie!
    10 people found this helpful
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  • Reviewed in the United States on November 21, 2016
    I’ve read several of Shawn Levy’s books, and I like every one I’ve gotten to, especially his first, King of Comedy: The Life and Art of Jerry Lewis. He has written about the Rat Pack ... he did one book on the Swinging Sixties in London. He doesn’t always choose topics I am passionate about, but he makes me interested, so I’ll start one of his books no matter the subject, knowing it will be worth it. Thus, I happily pre-ordered his latest, on Rome in the 1950s.

    I expected to find good stories about the big film names of the period, placed in a larger cultural context, and that is exactly what Levy delivers. Once again, he burrows into areas I hadn’t cared much about ... I should have been warned when Pucci’s name appeared in the subtitle. But you can trust Levy to make that larger context something you want to learn about, and so I read more than I ever thought I would about post-war fashion, in Italy and in Europe as a whole. And it was indeed educational, since I knew so little about the fashion world. The book convinces us that the big fashion names were integral to the creation of Italian culture after World War II.

    As for the dolce vita, it’s all here. Fellini and Loren make the subtitle, but Anita Ekberg deserves special mention. She comes across as much more interesting than her public image ... in fact, we learn that she was more than her image, which seems like a small point until you realize that image is pretty much all we ever knew, or cared about.

    Levy devotes a lot of time to Fellini, and rightly so ... La Dolce Vita is his movie, after all. I don’t think I needed convincing about the importance of Fellini to Italian film and culture. I’m not his biggest fan, and I would have enjoyed a more detailed description of the making of Antonioni’s L’Avventura, my favorite Italian film of all time. But the truth is, Antonioni’s film speaks to a general malaise ... it isn’t specific to its time, which is why the story of upper-middle class people speaks to us, no matter our own class position. Fellini, though, in films like La Dolce Vita, managed to make movies that were intensely personal yet also very much of their moment. If you want to see a great film, L’Avventura is the choice. But if you want to see Rome in the 50s, filtered through the lens of Fellini the showman, La Dolce Vita is where you’d look. Which is why it’s a great place for Levy to spend time.

    Levy’s writing is easy to read. You think you’re just taking in a history of the scandals. But when you finish the book, you realize you’ve actually gotten a clear vision of a specific time and place. By blending movies and fashion and celebrity and paparazzi, Levy makes all of the aspects of that life more interesting. Dolce Vita Confidential is another success for Shawn Levy.
    6 people found this helpful
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  • Reviewed in the United States on November 23, 2016
    If you can't afford a trip to 1950's Rome for Christmas Break this year, Dolce Vita Confidential is the next best thing. With the added benefit that your feet won't get tired. It's a fun romp through places the bodyguards and set security wouldn't let you go even if you can afford a trip in the wayback machine. It is informative, enlightening, but most of all fun!
    2 people found this helpful
    Report
  • Reviewed in the United States on December 7, 2016
    A well written account of Rome in the early 1950s and 1960s. I read it with joy. I found myself smiling at some of the accounts in the book. A true test of a good writer is making history come alive. This book makes Rome of the 1950s come alive and roaring to life.
    3 people found this helpful
    Report
  • Reviewed in the United States on January 8, 2017
    Levy takes us on a dizzying Vespa (or is Lambretta?) ride through 1950s and early 1960s Rome, where we meet the movie stars, the directors and producers, the fashion designers, the aristocrats, the criminals, and the paparazzi who buzzed about them all capturing their triumphs and tragedies. It's a delicious slice of the sweet life, entertaining, informative, and moving.
    2 people found this helpful
    Report
  • Reviewed in the United States on July 7, 2018
    Ciao Bella! You will truly be immersed in another world-the intrigue, history and romance of a golden era for Rome. Mr. Levy gives up the glamorous and gritty details that "enquiring minds" want to know! LOL! After reading this I followed up with more by this author precisely because of the masterful and entertaining writing style.
    One person found this helpful
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  • Reviewed in the United States on January 1, 2017
    Very well written as the author addresses the rise of Italy from post-war activity and the contributions made by a rising Hollywood lifestyle. Presents the facts from multiple sides of the equation which is something I can appreciate.
    3 people found this helpful
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  • Reviewed in the United States on March 29, 2017
    I love Shawn Levy's books and this one is no exception. Exploring Rome' cultural explosion of fashion, film , and excess through the prism of the paparazzi produces a fascinating glimpse into the recent past and explains a little how we got where we are now. Mini biographies of Fellini, Loren, and Pucci are delightful. Highly recommended.
    3 people found this helpful
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Top reviews from other countries

  • Jane Westmacott
    5.0 out of 5 stars An Intriguing Read
    Reviewed in the United Kingdom on August 12, 2024
    As a long-time fan of Italian movies, I just had to buy this. Full of interesting facts, gossip, and details about Italian actors that were real eye-openers for me. The way the Italian film business was structured, what its aims were, and how the films were put together makes this an intriguing read, and a must for any fan of Italian films and film historians generally. Great.
  • D. Robinson
    4.0 out of 5 stars Good cover...
    Reviewed in the United Kingdom on October 15, 2021
    I didn’t realise when I bought this that I had previously read a ‘Confidential’ book by the same author, maybe slightly preferring the earlier ‘Rat Pack Confidential’. Both are well researched and well written - not a typo in sight (never a ‘given’ in the proofreading-averse 21st Century) – and both mix detailed facts with the author’s own creative embellishments.
    Some say we begin to forge our taste around age 12: if this is so, the period covered by this book falls just before that time (when ‘life was in black and white’), which is perhaps the only thing that made it appealing to me.
    Those looking for the kind of lurid new detail suggested by the ‘Confidential’ tag are likely to end up disappointed, the Aiche Nana segment being the only thing that comes close; but even this is comparatively soft by modern standards, and all of the stuff in this book was already in the public domain when it was written.
    Only recommended if you have a particular yen for 50s film and associated Italian culture. Good cover, though…
  • Geoffrey
    5.0 out of 5 stars Fascinating book about the glamour of postwar Rome
    Reviewed in the United Kingdom on August 10, 2017
    Incredibly detailed and enjoyable book. Looks at everything from great movies like La Dolce Vita to tabloid journalism, fashion and high society, Vespa scooters, etc. Really captures the moment of 1950s Rome.
  • Veronica Hotchkiss
    3.0 out of 5 stars A useful source
    Reviewed in the United Kingdom on April 7, 2018
    The quoted reviews for this book includes the Times' "...beautifully written". Well, I don't think so. I found the writing very pedestrian; however, there is no question that Shawn Levy knows his subject and any future writer researching this time - the 1950s - and this milieu - Roman café society - will find this account absolutely invaluable. If you want to know how La Dolce Vita - the film - was made, look no further. If you want to know how the paparazzi came about - and, indeed, how they acquired this designation - ditto. If you weren't aware how post-war Italian couture established itself - here you are. But if you want to really meet the stars, the photographers, the directors, the designers, and find out what made them what they were instead of just watching them whizz by on their Vespas or as they danced til dawn in the Café de Paris, this is not the book for you. Although Levy emphasises again and again how exciting and buzzy this time and place were, he just did not bring it to life for me and in the end, I got bored with the interminable lists of names and film credits which appear in the narrative as a means of moving the story along.
  • F.R. Jameson
    4.0 out of 5 stars Time to take your literary vespa to Rome
    Reviewed in the United Kingdom on September 11, 2018
    DOLCE VITA CONFIDENTIAL is a book which purports to be the story of Rome in the 1950s when it was the centre of the fashionable world. A city of impossible glamour that most of the world’s cities will never get within a whisker of. (The Last Shaun Levy book I read was about London in The Swinging Sixties, but even then London had the cool without the chic). However, despite its claims, I think - as the title suggests – what Levy is most interested in is detailing the making of Fellini’s LA DOLCE VITA, but putting it into full context of the time.

    So, we get the whirl of fashion and tabloid photography that inspired the film, characters sketches of the main players in the film (and the likes of Sophia Loren, who it would be impossible to ignore) and what comes from this is a great conjuring of a long lost beautiful black and white world.

    I like Levy’s prose style and its breeziness suits this subject perfectly. I have seen LA DOLCE VITA, but once and more than twenty years ago. (I’ll be honest with you, most of the Italian movies I’ve seen are Spaghetti Westerns or Giallo.) However, this is a book which seems to capture the essence Rome in the fifties, and in doing do makes me want me to ride a scooter, drink an expresso and start watching all the other Italian cultural milestones I haven’t seen but should have.
    Customer image
    F.R. Jameson
    4.0 out of 5 stars
    Time to take your literary vespa to Rome

    Reviewed in the United Kingdom on September 11, 2018
    DOLCE VITA CONFIDENTIAL is a book which purports to be the story of Rome in the 1950s when it was the centre of the fashionable world. A city of impossible glamour that most of the world’s cities will never get within a whisker of. (The Last Shaun Levy book I read was about London in The Swinging Sixties, but even then London had the cool without the chic). However, despite its claims, I think - as the title suggests – what Levy is most interested in is detailing the making of Fellini’s LA DOLCE VITA, but putting it into full context of the time.

    So, we get the whirl of fashion and tabloid photography that inspired the film, characters sketches of the main players in the film (and the likes of Sophia Loren, who it would be impossible to ignore) and what comes from this is a great conjuring of a long lost beautiful black and white world.

    I like Levy’s prose style and its breeziness suits this subject perfectly. I have seen LA DOLCE VITA, but once and more than twenty years ago. (I’ll be honest with you, most of the Italian movies I’ve seen are Spaghetti Westerns or Giallo.) However, this is a book which seems to capture the essence Rome in the fifties, and in doing do makes me want me to ride a scooter, drink an expresso and start watching all the other Italian cultural milestones I haven’t seen but should have.
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