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The Dervish House Paperback – October 1, 2011

4.1 4.1 out of 5 stars 228 ratings

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It begins with an explosion. Another day, another bus bomb. Everyone it seems is after a piece of Turkey. But the shockwaves from this random act of 21st century pandemic terrorism will ripple further and resonate louder than just Enginsoy Square.

Welcome to the world of
The Dervish House—the great, ancient, paradoxical city of Istanbul, divided like a human brain, in the great, ancient, equally paradoxical nation of Turkey. The year is 2027 and Turkey is about to celebrate the fifth anniversary of its accession to the European Union.

This is the age of carbon consciousness: every individual in the EU has a card stipulating individual carbon allowance that must be produced at every CO2 generating transaction. For those who can master the game, who can make the trades between gas price and carbon trading permits, who can play the power factions against each other, there are fortunes to be made. The old Byzantine politics are back. They never went away.

The ancient power struggled between Sunni and Shia threatens like a storm: Ankara has watched the Middle East emerge from twenty-five years of sectarian conflict. So far it has stayed aloof. A populist Prime Minister has called a referendum on EU membership. Tensions run high. The army watches, hand on holster. And a Galatasary Champions’ League football game against Arsenal stokes passions even higher.

The Dervish House is seven days, six characters, three interconnected story strands, one central common core –the eponymous dervish house, a character in itself—that pins all these players together in a weave of intrigue, conflict, drama and a ticking clock of a thriller.


From the Hardcover edition.
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Editorial Reviews

Review

"McDonald creates a magnificent knot of intrigue, thrills, and daring adventures, with the flair for character and setting that makes his tales so satisfying to indulge in." 
-
Booklist

"An audacious look at the shift in the power centers of the world and an intense vision of one possible future." 
-
New York Times Book Review

"This twisting, turning, part futuristic fantasy, part intuitive prediction satisfies without divulging all its secrets, just like the city." 
-
Time Out Istanbul

"As close to perfection as a book can get. . . . If you only have money to buy a single sci-fi novel this year, this has to be it. Impossible to put down." 
-
Pat's Fantasy Hotlist

“The complex plot and its unique characters make for an intriguing read. McDonald weaves several plotlines together with a whirling dervish house, a character in its own right, as the common denominator.”
-
RT Book Reviews, 4 stars  

“In the end, spending some time with these six characters in the fascinating city of Istanbul was pure enjoyment. Look for 
The Dervish House on the shortlists of the major SF&F awards next year. Highly recommended. 41/2 out of 5 stars”
-
Fantasy Literature 

The Dervish House cements Ian McDonald’s status as a first class talent, and one of my all-time favorite authors. He continues to depict the future of non-western cultures with creativity, depth, and verve. His prose is a delight to read, his characters are lively and authentic, and he can pull you in to a near-future setting like no one else I know. I’d recommend this book to pretty much everyone.”
-
SF Revu 

“A rich, accomplished portrait of near-future Istanbul that may be is the best thing McDonald has written—and that’s saying something. It is the product of a writer at the top of his game: beautifully styled, complexly characterized and plotted without ever feeling heavy or dull...half a dozen storylines are coiled together as neatly as DNA, each of them compelling and readable. McDonald manages to avoid the traps of condescension, or Orientalism, that lie in wait for the white Westerner writing about places that are neither of those things. A dervishly good book.”
-
 Locus 

“First, let's get one thing out of the way. Every book I’ve read in the last several months has been completely overshadowed — perhaps unfairly — by Ian McDonald’s
The Dervish House. He’s the kind of writer who has the power to alter your whole vision of what science fiction can be and do. Last year’s Cyberabad Days was among the most ferociously intelligent novels I’ve read in years, in any genre. And The Dervish House is even better. After reading a book like that, it’s hard to get excited about merely good sf novels. Or even genuinely excellent ones...This is what science fiction should be... McDonald has done the seemingly impossible. He has written a compelling, action-packed sf novel about the future of AI-based quantitative trading... But it’s no fantasy: it’s the reality that’s breathing down the backs of our necks every workday. And McDonald extrapolates from it with dizzying virtuosity...More than any other sf writer I can think of, McDonald has a complex, nuanced, fundamentally real vision of the way power works in the world.”
-
Fantasy & Science Fiction

About the Author

Ian McDonald is the author of many science fiction novels, including Empress of the Sun, Planesrunner, and Be My Enemy (the Everness series); plus BrasylRiver of GodsCyberabad Days, Ares Express, Desolation RoadKing of Morning, Queen of Day, Out on Blue Six, Chaga, and Kirinya. He has won the Philip K. Dick Award and the BSFA Award, been nominated for a Hugo Award and a Quill Book Award, and has several nominations for the Arthur C. Clarke Award. The Dervish House is the the 2011 John W. Campbell Memorial Award winner for Best Novel. He lives in Belfast, Northern Ireland.

Product details

  • Publisher ‏ : ‎ Pyr (October 1, 2011)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 359 pages
  • ISBN-10 ‏ : ‎ 1616145455
  • ISBN-13 ‏ : ‎ 978-1616145453
  • Item Weight ‏ : ‎ 14.9 ounces
  • Dimensions ‏ : ‎ 6.03 x 0.96 x 8.97 inches
  • Customer Reviews:
    4.1 4.1 out of 5 stars 228 ratings

About the author

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Ian McDonald
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Ian McDonald was born in 1960 in Manchester, England, to an Irish mother and a Scottish father. He moved with his family to Northern Ireland in 1965. He used to live in a house built in the back garden of C. S. Lewis’s childhood home but has since moved to central Belfast, where he now lives, exploring interests like cats, contemplative religion, bonsai, bicycles, and comic-book collecting. He debuted in 1982 with the short story “The Island of the Dead” in the short-lived British magazine Extro. His first novel, Desolation Road, was published in 1988. Other works include King of Morning, Queen of Day (winner of the Philip K. Dick Award), River of Gods, The Dervish House (both of which won British Science Fiction Association Awards), the graphic novel Kling Klang Klatch, and many more. His most recent publications are Planesrunner and Be My Enemy, books one and two of the Everness series for younger readers (though older readers will find them a ball of fun, as well). Ian worked in television development for sixteen years, but is glad to be back to writing fulltime.

Customer reviews

4.1 out of 5 stars
228 global ratings

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Customers say

Customers praise the writing style as beautiful and a pleasure to read. They appreciate the vivid descriptions of Istanbul's sights, sounds, and smells. The book is described as an immersive setting that recalls the past and future of the city. Readers mention it's about religious belief and sacredness. However, some find the book slow to develop and frustrating to read in the early going. Opinions are mixed on the story quality, with some finding it compelling and intertwined, while others feel it lacks momentum.

AI-generated from the text of customer reviews

41 customers mention "Writing style"30 positive11 negative

Customers find the writing style beautiful and enjoyable to read. They describe the book as a solid, easy read by one of the finest writers of this generation.

"...The author has dutifully (and marvelously) captured the essence of this city in his novel...." Read more

"...Brasyl as I felt the plot was more interesting, but this was still a good read and our book club had a good discussion about it." Read more

"...McDonald asks a lot his readers, but he rewards them with a beautiful novel that I believe will appeal to traditional readers in some ways more than..." Read more

"...This is just brilliantly well done. The more I reflect on it, the more I love this book. I'll be re-reading it for years...." Read more

19 customers mention "Evocation"19 positive0 negative

Customers enjoy the vivid descriptions of Istanbul's sights, sounds, and smells. They find the book captures the city's vitality and the dangers and promises of technology. The characters are vibrant and the interweaving plots are engaging. The book is described as an artful homage to the beguiling city.

"...The science fiction elements of the story are well written and thought provoking...." Read more

"...McDonald can slip from detailed description to magical realism to action/thriller mode at a moment's notice, and it all seamlessly flows like the..." Read more

"...I say this tongue in cheek, but Dervish House is a beautiful homage to one of most unique cities on earth. "..." Read more

"...'ve been to Istanbul, that's a bonus, as you'll be able to picture the streets and neighborhoods...." Read more

12 customers mention "Evocation of istanbul"12 positive0 negative

Customers enjoy the book's vivid portrayal of Istanbul. They find it a captivating story that vividly depicts the city's past, present, and future. The immersive setting and exploration of Turkish culture and politics are also appreciated by readers. Overall, the book captures the city's ancient wisdom and culture.

"...It is about religious belief. But more than anything, it is a book about Istanbul, and the deep connection that its inhabitants share with it...." Read more

"...The city came alive for me and that was a treat. Another strength of the novel was the writing in general...." Read more

"...The mood was almost hallucinogenic is its evocation of both old and new Istanbul...." Read more

"...This book makes you want to drop everything and go to Istanbul...." Read more

7 customers mention "Religion"7 positive0 negative

Customers find the book about religious beliefs and sacredness. They describe the city as beguiling and familiar. The book is described as humane science fiction with an Orwellian touch. Readers appreciate the creativity and originality of the book.

"...It is about religious belief...." Read more

"Like most people, I admire creativity and originality in books (and most other things)...." Read more

"...If you're looking for something very cosmopolitan and yet strangely familliar, then this book is definitely worth finding...." Read more

"...Nothing is sacred; everything is for sale. And yet everything is sacred; nothing escapes an encoded meaning, from the micrographic calligraphy of..." Read more

27 customers mention "Story quality"17 positive10 negative

Customers have mixed opinions about the story quality. Some find it engaging with compelling story arcs that intertwine well, and praise the writing style and storytelling. However, others feel some stories seem unrelated to the main plot and lack grip. The narrative jumps around quickly and the view points are scattered across the plot.

"...The characters are sufficiently engaging that their stories are a pleasure to read, even if the reader spends a long time wondering the reason these..." Read more

"...and was able to appreciate the magnificent writing style and story telling...." Read more

"...to one character's story, and for most of the book the stories do not interconnect so it might be fifty pages before you re-encounter one of the..." Read more

"...Suffice it that all these threads get woven together to tell a really great story...." Read more

13 customers mention "Character development"9 positive4 negative

Customers have different views on the character development. Some find the characters well-developed and interesting, while others find them confusing and lacking a central character. The book follows several different plotlines.

"...The characters are sufficiently engaging that their stories are a pleasure to read, even if the reader spends a long time wondering the reason these..." Read more

"...Characters were incredibly drawn and yet the book suffered slightly from the lack of a central character...." Read more

"...It chops around a bit. It has too many points of view too early. Too many characters, perhaps...." Read more

"...This is an awesomely well-crafted book. The characters are full and vibrant; the interweaving plots are all interesting; the future tech is *just*..." Read more

10 customers mention "Enjoyment"4 positive6 negative

Customers have mixed opinions about the book. Some find it enjoyable and interesting, while others feel it's boring and hardly worth the time. The writing is good, but some readers feel the book lacks a clear point and motivation.

"...The book is not motivating me. It takes place in Turkey, so the character names are difficult to keep track of for English speakers...." Read more

"...Well written, challenging, enjoyable, and highly recommended!" Read more

"Sorry... nothing ever happens in this book. And if it does, why do we care? It's good writing, but seemingly without a point...." Read more

"I rarely give up on books. This is beautifully written and definitely interesting, but so so tedious and boring...." Read more

4 customers mention "Readability"0 positive4 negative

Customers find the book difficult to read. They mention it's a slow, detailed read that takes longer than its 410 pages. The novel also seems to lack momentum in the beginning, making it frustrating to read.

"...The novel is slow to develop leading to a frustrating read in the early going. McDonald throws a dozen balls into the air at the outset...." Read more

"...through spacing, margins and chapter breaks, this book reads far longer than its 410 pages...." Read more

"...So it was not a smoothly flowing easy read, but a rich and active journey that left me feeling I had been there and wanted very much to return both..." Read more

"...It's a very slow read cause the author spends too much time describing things that aren't really important...." Read more

Top reviews from the United States

  • Reviewed in the United States on January 7, 2011
    "The Dervish House" is a book about many things. It is a book about technology and the way that it can change a society. It is about religious belief. But more than anything, it is a book about Istanbul, and the deep connection that its inhabitants share with it.

    The book follows several different characters along several different plotlines. In the beginning, the only thing they have in common is the setting: an old building, the titular Dervish House, where most of the characters work or live. The connection between these different plotlines is almost nonexistent until 3/4 of the way through the book, but it never feels as if the novel is unfocused. The characters are sufficiently engaging that their stories are a pleasure to read, even if the reader spends a long time wondering the reason these characters are important.

    The science fiction elements of the story are well written and thought provoking. The future Istanbul that the author has concocted for this novel is fleshed-out, and the science fictional elements are presented realistically. New forms of technology are presented, yes, but the real-life implications of their implementation are just as important as their scientific justification, something many author fail to see, and in this sense the author does not disappoint. The Istanbul of "The Dervish House" feels feasible and real because the way the future affects Istanbul is specific to that city.

    However, inspired though the science fiction may be, the most important part of this novel is the way it recalls the Istanbul of the past. Istanbul is an old city, and it pulses with ancient wisdom and culture. The author has dutifully (and marvelously) captured the essence of this city in his novel. The citizens of Istanbul don't just live there; they are deeply connected to its every nook and cranny. One of the characters states that she would evaporate outside of Istanbul, and this can be taken as the mantra of most of the characters in the book. They need Istanbul almost as much as Istanbul needs them. The city is alive, and the characters are alive for being there. They ache for Istanbul, and by the end of the book, the reader does to.

    In fact, this feeling of yearning is so pervasive that at some points, the science fiction elements disappear altogether, or at least fade into the background. The author could remove them and still have a great, robust story to tell. This isn't to say that the sci-fi elements are bad (they're not), but this serves as a testament to the fact that the novel's setting, a character in and of itself, is well put together.

    This book is highly recommended, even to people who normally don't read Science Fiction. Now, if you'll excuse me, I have to start looking up flights to Turkey,,,
    7 people found this helpful
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  • Reviewed in the United States on August 4, 2012
    Having read and enjoyed Brasyl, our book club decided to read this novel by the same author. Many of the same things I liked about Brasyl, I also liked about The Dervish House, the non-European, non-Western setting, chief among them. In The Dervish House, the descriptions of Istanbul were so real I could taste the tea the characters were drinking, hear the traffic they were hearing, and feel the heat they were feeling. The city came alive for me and that was a treat. Another strength of the novel was the writing in general. McDonald can slip from detailed description to magical realism to action/thriller mode at a moment's notice, and it all seamlessly flows like the waters of the Bosphorus. What was a bit harder to follow was the enormous cast of characters and the intricate plot. As I learned from reading Brasyl, one must pay attention from the very beginning. There are six main characters, each spinning his/her own web, and countless minor characters. Each chapter is dedicated to one character's story, and for most of the book the stories do not interconnect so it might be fifty pages before you re-encounter one of the major characters. And they all have names that were difficult to remember, and to make matters worse, apparently in Turkey all men can be called "Bey."

    I actually took notes on the different characters, and it helped me immensely. I felt the book could have benefitted from a list of characters, so here's a short list for you: Necdet Hasguler - Is a recent arrival in Istanbul, living at Dervish House with his brother Ismet Shayk (also called Dede). At the very beginning of the book, Necdet witnesses a woman blow herself up in an apparent terrorist attack on a bus. Can Durukan - 9-year-old boy with a heart condition that could be triggered by loud noises - therefore he lives a tightly controlled life to isolate him from sound. He spends much of his time sending robot toys he has programmed out into the city and tracking their movements on his computer. Ayse Erkoc - Owns an antique store in the Dervish House. Adnan Serioglu - A trader in gas futures, married to Ayse. Georgios Ferentinou - Greek, has lived in Istanbul his whole life. Retired economist/mathematician. Leyla Gultasli - Young woman who recently graduated from college with a marketing degree. She is living in Dervish House and looking for a job. Ultimately, I preferred Brasyl as I felt the plot was more interesting, but this was still a good read and our book club had a good discussion about it.
    3 people found this helpful
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Top reviews from other countries

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  • Burger
    3.0 out of 5 stars Gewöhnungsbedürftig aber lohnend
    Reviewed in Germany on January 2, 2012
    Konventionelle Transkription türkischer Eigennamen hätte dem Buch nicht, aber vielleicht den Ambitionen des Verfassers geschadet. Wirtschaftskriminalität und Bio-Terrorismus ins Zentrum eines in naher Zukunft angesiedelten "SF" Romans zu stellen, ist eine gute Idee, ebenso die Art, in der "der tödliche Anschlag" letztlich zum Scheitern gebracht wird. Die Charaktere sind glaubwürdig und dreidimensional.

    takes some getting used to, but worth the effort

    Transcribing Turkish proper names conventionally might have served the book, if not the author's ambition. Centering a "SF" book set in the near future around eco-crime and bio-terrorism is a good idea, and so is the solution - how "the deadly attack" is eventually foiled. Characters are believable and nicely fleshed-out.
  • Robert
    5.0 out of 5 stars A novel rich in ideas and atmosphere and emotions
    Reviewed in the United Kingdom on August 29, 2011
    The Dervish House starts with a bang: a suicide bomber blows up her own head on a tram in Istanbul. The rest of the novel tells the stories of a wide variety of characters who either live or work in the Dervish House. One of the characters was a witness to the bombing, but the others are simply people who share a common geography.

    It is a novel about many things: science fiction (nanotechnology is a big part of this novel, as are designer drugs), interconnectivity, myths, stories, history, Istanbul - above all, Istanbul. There is fascination in this novel - fascination with a city that squats right across a natural funnel for trade and ideas and peoples, that has a rich history and atmosphere unlike any other. The novel is deeply atmospheric, beautifully written, and captures Istanbul very well.

    The characters, meanwhile, have different plots and stories. There's the little boy with a heart condition who explores the world through his robots and dreams of having big adventures - and who starts investigating the bombing and its aftermath. There's the old Greek professor of economics, a friend to the boy and a forgotten, sidelined academic, who tries to see the bigger picture, and who is asked to help out with a security think tank. There's the woman owning a gallery and antique shop who is asked to source a legendary relic for a million Euros - a relic that may just be a myth. There's her husband, a cocky trader on the stock market, dealing in options and doing exactly the sort of business deals that are currently on the brink of bringing capitalism to its knees. He's planning a major deal to smuggle (illegal) gas into Europe. Finally, there's the witness to the bombing, a man with a gruesome history, who starts seeing supernatural beings...

    There are lots of other characters, drawn in vivid colours and compelling detail, in the story only for moments and gone again, or recurring. Ultimately, the plot lines do interweave and pull together in an exciting finale. Regarding the plotlines - they are thrilling and exciting, by and large, though some can be quite slow to build up momentum. The quest for the Mellified Man has something grandiose about it, and it powers the interest for much of the early parts of the novel, while other plotlines are slower to build up to their grand adventures. Some of the characters are less than likeable - but it is clear that the author likes them a lot. I found the cocky trader immensely annoying: a sleazy, slick bag of slime, and yet the writer seems to be rather sympathetic to him. The tomato girl / marketeer is, like the trader, a shallow, slick person, and similarly difficult to like. There is a pattern here. The child dreams of adventure, the adults in their youth dream of money and power, the old dream of the lives they did not lead... in flashbacks, we see the older people in their youth, and they dreamt of revolution, making them eminently more likeable even in their foolish years than those who just dream of money and status. There is grand adventure in the novel, and melancholy, and sadness, and joy, and a lot of capitalist greed and confident swaggering. There are ideas about technology and the future. There is religious fervour, too, in some sub plots...

    It is a very good novel, a novel rich in ideas and emotions and atmosphere. I found it a very rewarding read and I would heartily recommend it to anyone.

    Some notes for Kindle readers: the spacing between paragraphs is almost as large as the spacing between scenes, making it more difficult than it should be to read the novel. As most scenes start with some description, I often struggled to notice when a previous scene had ended, and only understood I was following a different character when they appeared by name. This was especially frustrating at the start of the novel, when we meet all the characters: it took me quite a while to realise the scene changes were occurring.
  • M. Otten
    4.0 out of 5 stars Phantastisches Buch
    Reviewed in Germany on December 2, 2013
    Ian Mcdonald erweckt das Istanbul in einer nahen Zukunft zum Leben. Die Menschen in der Stadt Leben im Spagat zwischen Tradition und Moderne. Wunderschön geschrieben, jedoch hat das Buch zum Teil seine Längen. Es werden vielleicht ein wenig zu viele Charaktere eingeführt, die Zeit brauchen sich zu entwickeln. Auf jeden Fall empfehlenswert.
  • DB
    4.0 out of 5 stars Adventures of the (mostly) Young Turks
    Reviewed in the United Kingdom on December 13, 2012
    Ultra-near future science fiction carries with it an occupational hazard for the author - that of being overtaken by technological and social events. Think about "Snow Crash" - still a good book, but if you read it now you are immediately struck by the thought: "Interesting. But that's not how it turned out." The speculative parts of "The Dervish House" don't seem wildly unlikely, but nor are they banker certainties, and no doubt there will be other major changes in the next twenty years or so that nobody can currently see coming. So I wonder why Ian McDonald chose the science fiction genre here, when an equally good book could have been set in present day Istanbul?

    Anyway, "The Dervish House", with or without its SF veneer, is a cracking read - rather like a slightly more literary Len Deighton. I knew a bit about Constantinople, but next to nothing about modern Istanbul, so I found the book admirably researched (even though the review by "ZdeMC" in August this year suggests that the author should have delved even deeper). I hadn't read any Ian McDonald before - I'm going to have to read his earlier books now!
  • VINCE MILLETT
    5.0 out of 5 stars Awesome!
    Reviewed in the United Kingdom on September 17, 2011
    I gave up on a previous title by this author - too convoluted, too many characters introduced too quickly. Too hard to follow. However, this one intrigued me as it was set in Istanbul, a city I've visited a few times and that I love. The Dervish House introduces a cast of characters who are mostly likeable and their stories gradually connect up as the plot develops, the common point of linkage being the Dervish House referred to in the title. The evocation of Istanbul is superb - this is the city I know and several scenes happen in places I know quite well. The plot is intricate enough to keep the attention all the way through; anything involving terrorism, geopolitics, shape-shifting police and spy robots, nanotechnology, underground Islamic religious orders, ancient artifacts, secret government organisations and the architect Sinan has me liking it before I've even read a word! It's a romp of a read but you'll need to pay attention to remember who's who. In some ways it's an Islamic version of The Da Vinci Code, but as if the Da Vinci Code had been written by someone literate and it wasn't aimed at morons with no knowledge of history. It's a far higher quality piece of literature than that. The pace is just right, though, the detail evocative and satisfying and the ending bang on the nail. I loved it!