Christy, Carol, and I piled into the RobertsMobile and Carol blasted us to Browne's Addition in Spokane.
Today we enjoyed our next monthly sibling outing.
Carol was in charge of our April trip and decided we'd go to the Northwest Museum of Arts and Culture (MAC).
My first impression (and all the rest of them!) was joyously positive.
MAC is a modest sized, even small museum.
Granted, I have enjoyed the mammoth museums I've visited over the course of my life whether in London, New York City, Washington, DC, San Francisco, or elsewhere.
But, I have a limited museum/art gallery viewing capacity mentally.
I loved going to the National Gallery in DC, for example, but I always limited myself to visiting, at most, four or five rooms or focused on displays of a single style of art.
If I tried to take in more than that, I was running on empty.
Today, my ability to focus and enjoy the museum was spent after visits to two superb exhibitions.
First, I slowly made my way through "Fire: Rebirth and Resilience", an exploration of the paradox of fire, its life giving qualities, like heat, and its destructive capabilities.
The exhibition featured recent greedy fires in Washington state in Mabden and Medical Lake, for example.
It also featured multiple displays of the savage fire that ripped through Spokane in 1889.
2. I reached a point where I couldn't absorb any more fire destruction, photographs, maps, written commentary, and human heroics and left the fire room.
I then entered the gallery featuring Andrea Joyce Heimer's unusual and unsettling paintings.
Heimer paints large pictures with long, narrative titles. Her paintings are not naturalistic, not in any way photographic.
Rather, she presents collages of scenes, often from her memories of being raised an orphan in Great Falls, MT, that are a mixture of dreams, fantasies, hopes, and events from her life, combining darkness with humor, all done in overwhelming detail. Sometimes her painting style struck me as prehistoric, like cave drawings, but in color, and each of her works was like looking at visual novel.
I couldn't begin to take it all in, but the slow survey I did of Heimer's paintings transported me into experiences with life, death, wonder, memories, and all the thoughts and feelings these experiences called up inside me.
3. The three of us met up again near the museum's gift shop and strolled a short ways to the Helen South Alexander Gallery in the Cheney Cowles Center to enjoy the Spokane Watercolor Society's National Juried Show of thirty watercolor paintings.
I'm not positive, but I think what I enjoy most in paintings took shape back in 1975 (fifty years ago!) when I first stood in front of the huge dramatic paintings of J. M. W. Turner in London at an exhibition in either the Tate or the National Gallery focused on his work.
I guess the best way to say it is that I became enamored with subjective paintings, like the French Impressionists, that were less concerned with painting objective portrayals of the world (resembling photographic likeness), but more with the inner experience one has with the outer world.
It was the impact of Turner's paintings that also made abstract art wondrous to me.
Watercolors seem to me to be a perfect medium for subjective renderings of subjects, whether still life paintings, landscapes, cityscapes, portraits, or anything else.
In the paintings we viewed today, those painting which were, to me, more dream like, where objects almost seemed to blur into one another, were the ones I enjoyed most.
Some of the watercolors were more objective, more like photographs, requiring a tremendous amount of skill. The skill astonished me, but the paintings didn't stir me the way the more subjective ones did, where I thought color choices, presentation of scene, and degree of sharpness seemed much more determined by feeling than by objective observation.
We closed out our visit to MAC by admiring the handsomely preserved Campbell House, built in 1898, for mining magnate Amasa B. Campbell. One of the Campbell House's architect, Kirtland Cutter, is well-known in the Inland Northwest for many of his designs, including the Davenport Hotel. In designing the Campbell House, Cutter partnered with Karl Malmgren. As of now, I don't know anything about Malmgren. And, for now, I'm wanting to finish this blog post, not look into the career of Karl Malmgren! Sorry, Karl....
We ended our outing to Spokane at Frank's Diner where I threw all concern about weight loss out of one of the vintage railcar's windows (the diner is housed in a railcar) and ordered a terrific Creole Bay Benedict, a lobster, crab, and hollandaise sauce entree, with hash browns. I said YES! when our server asked if I'd like my hash browns with grilled onions and gravy.
What a fun meal, made a little more saucy by transgressing my weight loss project.