Special Guest: Bennett Yellin Guest Co-Hosts: Ryan Luis Rodriguez, John Walker
Mike is joined by co-hosts Ryan Luis Rodriguez and John Walker to revisit Dumb and Dumber (1994), the oddball road movie that redefined gross-out comedy and became a surprise cultural touchstone. The trio unpacks the film’s absurdist tone, its unexpected structural tightness, and how it helped catapult the Farrenlly Brothers and Jim Carrey into the Hollywood mainstream.
Screenwriter Bennett Yellin stops by to reflect on the film’s long development process, the writing collaboration with the Farrenlly Brothers, and what it was like shaping one of the most quotable comedies of the decade.
Guest Co-Hosts: Jedidiah Ayres, Ryan Luis Rodriguez
The Projection Booth’s Patreon Picks series charges ahead with Blood and Diamonds (1977), a gritty crime saga from Fernando Di Leo. Claudio Cassinelli stars as Guido Mauri, a man fresh out of prison and ready to settle old scores in a world where loyalty is a fleeting illusion. As Guido cuts a ruthless path through former allies, betrayal and bloodshed go hand in hand.
Host Mike White is joined by crime fiction aficionado Jedidiah Ayres and podcast favorite Ryan Luis Rodriguez to dissect this pulpy revenge tale, discussing Di Leo’s signature style, the film’s place in the Eurocrime pantheon, and why Blood and Diamonds deserves a closer look.
Passions swirl and reality bends in Love Circle (1969), the intoxicating tale of desire, deception, and dangerous games from writer/director Giuseppe Patroni Griffi. Also known as Metti, una sera a cena (Suppose One Night at Dinner), this stylish drama follows a celebrated writer, Michele (Jean-Louis Trintignant), who concocts intricate fantasies about his wife Nina (Florinda Bolkan) and his best friend Max (Tony Musante). But what if his imaginings aren’t so imaginary?
Mike White, Spencer Parsons, and David A. Heath dissect this sultry, surreal web of passion, joined by Andrei Idu, who requested the film as part of our month of Patreon picks. With a screenplay co-written by Dario Argento and an unforgettable score by Ennio Morricone, Love Circle is a hypnotic blend of psychosexual intrigue and high-art aesthetics.
Mike welcomes Eric Hynes and Edo Choi, curators of First Look 2025 at the Museum of the Moving Image, running running March 12-16 in Astoria, New York. Now in its 14th year, the festival remains a vital showcase for bold, boundary-pushing cinema from around the world.
This year’s lineup includes 38 films—20 features and numerous shorts—spanning 21 countries, with three world premieres and 24 U.S. or North American premieres. Each evening culminates in a Showcase Screening at MoMI’s Sumner Redstone Theater. The festival opens with the U.S. premiere of Durga Chew-Bose’s Bonjour Tristesse, a contemporary take on the classic novel, and closes with Giovanni Tortorici’s Diciannove, an intimate portrait of a young man’s journey across Italy.
Mike, Eric, and Edo dive into the festival’s mission of discovery, its rigorous selection process, and the importance of in-person filmmaker appearances. They also highlight First Look’s unique inclusion of work-in-progress screenings and discussions, offering a behind-the-scenes look at emerging cinematic voices. Whether you’re attending or just love adventurous filmmaking, this episode provides an insightful preview of what makes First Look a can’t-miss event for cinephiles.
Mike kicks off a fresh month of Patreon picks alongside Cullen Gallagher and Rob St. Mary to unpack the satirical brilliance of Tomás Gutiérrez Alea's 1966 gem, Death of a Bureaucrat. When a revered Cuban sculptor invents a revolutionary bust-making machine only to meet his untimely demise at its mechanical hands, bureaucratic absurdity kicks into high gear. Buried proudly with his labor card, the sculptor inadvertently sparks a Kafkaesque quest as his widow and nephew wrestle hilariously with red tape, relentless officials, and ridiculous obstacles—all in pursuit of the one document standing between them and survival. Special thanks to Patreon supporter John Redford for this sharp, comedic dive into the madness of bureaucracy.
The shield is back in action! Mike is joined by Chris Stachiw of The Kulturecast to take on Captain America: Brave New World (2025), the latest chapter in the Marvel Cinematic Universe. With Anthony Mackie stepping into the role of Captain America, the film explores Sam Wilson’s challenges as he navigates political intrigue, old enemies, and new threats—including the return of Tim Blake Nelson’s Samuel Sterns, now fully embracing his role as The Leader.
Directed by Julius Onah, this entry also introduces Harrison Ford as President Thaddeus “Thunderbolt” Ross and teases the rise of the Serpent Society. But does Brave New World deliver a worthy continuation of the Captain America legacy, or is it another symptom of the MCU’s growing pains?
Special Guest: Jonathan Betuel Guest Co-Hosts: Brad Jones, Kevin Lehane
#Whoopbruary concludes with a look at Theodore Rex (1995), the buddy cop dino flick where Whoopi Goldberg stars as the cyber-enhanced supercop Katie Coltrane who gets begrudgingly partnered with the titular Theodore Rex -- an ambitious, wisecracking, impeccably dressed dinosaur with a badge and a dream.
Joining Mike to excavate this fossilized oddity are Brad Jones and Razzie-nominated screenwriter Kevin Lehane, who help unearth the film’s bizarre production history, its straight-to-video fate, and its legacy as one of Hollywood’s strangest contractual obligations. Plus, we hear from the mastermind himself, writer/director Jonathan Betuel, who sheds light on the film’s wild journey from concept to cult curiosity.
Special Guests: Bill Svanoe, Tom Holland Guest Co-Hosts: Kevin Lehane, Rob St. Mary
#Whoopbruary keeps the action rolling with Fatal Beauty (1987), a hard-hitting crime thriller starring Whoopi Goldberg as tough-talking detective Rita Rizzoli. Directed by Tom Holland and based on a script by Bill Svanoe, the film follows Rizzoli as she battles to keep a deadly designer drug off the streets. Co-hosts Rob St. Mary and Kevin Lehane join the discussion, and we’ve got exclusive interviews with writer Bill Svanoe and director Tom Holland to break down the film’s mix of action, comedy, and social commentary.