In 1922, a would-be classical composer gets involved with people putting on a musical revue.In 1922, a would-be classical composer gets involved with people putting on a musical revue.In 1922, a would-be classical composer gets involved with people putting on a musical revue.
Paul Hurst
- Milkman
- (scenes deleted)
Maceo Anderson
- One of the Four Step Brothers
- (uncredited)
Charles Arnt
- Author with Letter
- (uncredited)
Buddy Banks
- Clarinet Player
- (uncredited)
Oliver Blake
- Bigelow - Author
- (uncredited)
David Bond
- Greenwich Villager
- (uncredited)
Tiny 'Bam' Brown
- Double Bass Player
- (uncredited)
Storyline
Did you know
- TriviaThe Revuers (Betty Comden, Adolph Green, Judy Holliday and Alvin Hammer) received billing (as a group), but their one musical number, "The Baroness Bazooka," was cut from the release print. Their remaining roles are little better than extras.
- GoofsThe opening narration on the bus claims that George Gershwin was one of those legendary talents who got his start in Greenwich Village, but in 1922, when this film supposedly takes place, Gershwin was just starting out.
- Quotes
Princess Querida O'Toole: Would you like to take advantage of me?
- ConnectionsEdited into Carmen Miranda (1969)
- SoundtracksI'm Just Wild About Harry
(uncredited)
Music by Eubie Blake
Lyrics by Noble Sissle
Performed by Carmen Miranda
Featured review
There are three excellent reasons to settle in with this Technicolor extravaganza: Carmen Miranda, Carmen Miranda, and Carmen Miranda! The "Brazilian Bombshell" is at the top of her dazzling talent and is featured in three production numbers, each with it's own nutty, colorful and surreal style--she never disappoints! The musical itself is a slight bauble about a classical pianist finding his heart in a speakeasy (Don Ameche has written a classical concerto with themes from the pop song "Whispering"!); Vivian Blaine, billed as the "Cherry Blonde," is so obviously an Alice Faye stand-in, doing her best to establish herself in the Fox Pantheon along with Faye and Grable; there is lots of dense color saturation in many scenes, making this a visual candy-colored treat, even if the material is lightweight wartime fluff. I never found it dull, and was always entertained; I gave it an "7" not because it's a deep or particularly thoughtful film, but because it accomplishes what it sets out to do perfectly. Entertain. Sometimes you just need a break
- museumofdave
- Mar 24, 2013
- Permalink
Details
- Runtime1 hour 22 minutes
- Aspect ratio
- 1.37 : 1
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