It Happens Every Spring (1949)
*** 1/2 (out of 4)
Hilarious baseball movie has chemist professor Vernon Simpson (Ray Milland) coming up with a formula that will repel wood. He then decides to fulfill a life long dream of playing professional baseball so he ends up pitching for the St. Louis Cardnials and plans on leading them to the World Series with his magic trick. This film has gotten pretty rave reviews all around but there was a part of me that felt a bit off going into the movie because I was curious to see how a comedy was going to work when the main guy was basically cheating at a sport. Well, purist will have no trouble because the fact that he's cheating never comes into play because the viewer will be too busy laughing. After watching this film I couldn't believe that it wasn't better known consider it's about baseball, features a wonderful, Oscar-winning actor and most importantly it's incredibly funny. You'd think the joke of a baseball magically moving around a bat would wear thin after the first time but it doesn't and in fact it keeps getting funnier as the movie moves along. I'm not too certain how they did the special effect of the baseball moving in all sorts of wacky directions but there's no doubt it's one of the funniest things in any sports movie. What also makes it work so well is that Milland is, as no shock, excellent in the role. He's a very serious actor and he plays the part here very seriously and this adds to the charm and even helps us believe the events that are going on. He doesn't look or feel like a baseball player but that's pretty much the point of the story as he walks off the streets and becomes the greatest pitcher in baseball history. Jean Peters does a nice job as his girlfriend with Paul Gouglas, Ed Begley, Ted de Corsia and Alan Hale, Jr. adding great support. Apparently MLB wouldn't allow any real teams or real player cameos in the film because of the cheating but it's their loss considering how wonderful the film turned out and in fact there's really no need for any famous faces to show up as the film is strong enough not to need them. Bacon's direction is top-notch throughout as he perfectly handles the rather screwball moments but most importantly is Milland and the fact that you like him and want to see this scheme work.
