Records Store Day 2025 at Sorry State
Sorry state newsletter: April 7, 2025
This week we have a smokin’ Record of the Week from Richmond’s Ultimate Disaster, two new blistering slabs of NYC punk from Nisemono and Headsplitters on Toxic State, a scorcher from the new band Axon on Not for the Weak Records, a giant stack of very cool 80s international punk reissues, and more.
New and Recommended Punk & Hardcore Ragers!
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Ultimate Disaster: For Progress... 12"
- Vendor
- Grave Mistake Records
- Regular price
- $22.00
- Sale price
- $22.00
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Prison Affair: Versiones Talegueras 7"
- Vendor
- Under The Gun Records
- Regular price
- $11.00
- Sale price
- $11.00
Recommended Reissues
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Zmiv: Zmiv: Banzai! Here's "Zmiv" Beware! 7" (Deluxe Edition - White Vinyl)
- Vendor
- Milkcow Records
- Regular price
- $18.00
- Sale price
- $18.00
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Product Assar: Livet Ar En Plaga 12"
- Vendor
- Puke N Vomit Records
- Regular price
- $25.00
- Sale price
- $25.00
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Various: Hardcore For The Masses 12"
- Vendor
- Puke N Vomit Records
- Regular price
- $25.00
- Sale price
- $25.00
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Public Disturbance: S&M 45 / Live at CBGB 1984 12"
- Vendor
- Puke N Vomit Records
- Regular price
- $25.00
- Sale price
- $25.00
recently restocked
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Hank Wood and the Hammerheads: Stay Home 12"
- Vendor
- Toxic State Records
- Regular price
- $20.00
- Sale price
- $20.00
New Releases on La Vida Es Un Mus up for pre-order
two new releases on Sorry State up for pre-order
Fugitive Bubble: What Will Happen If We Stop 12" (Sorry State Records) What Will Happen If We Stop is the second album from Olympia, Washington’s Fugitive Bubble. If you heard Fugitive Bubble’s first record for Sorry State, 2024’s Delusion, you won’t be surprised by the creative restlessness the band displays on their new record. While the core of Fugitive Bubble’s high-energy art punk style carries forward from Delusion, What Will Happen If We Stop expands and upgrades their sound. Harley’s vocals are recorded more clearly and delivered with even more power and authority. New drummer Typhoid Mary—whom you may know from their other band Physique—plays at even more blistering tempos, frequently laying down jaw-on-the-floor moments of percussive pyrotechnics. Fugitive Bubble’s songwriting has also grown more expansive and ambitious. On first listen, the speed and melody will floor you, but as your ear untangles these songs, you’ll notice how dense they are with ideas, each one overflowing with cool parts that flow seamlessly from one to the next. Other new wrinkles include sprinkles of acid country guitar a la Meat Puppets, the climactic CCR-ish rave-up “Ego Drip,” the two-part piano piece “Demodex in Situ,” and “Your Loyalty to the Flag Lies Beneath My Boot,” the solo guitar piece that ends the record on a meditative note. Throughout these twists and turns, Fugitive Bubble proves it’s still possible to make punk rock that’s politically relevant and musically ambitious without losing sight of the youthful energy at the genre’s core.
Plasma: Mua Et Voi Omistaa 12" (Sorry State Records) Sorry State is proud to present Mua Et Voi Omistaa, the debut vinyl from Helsinki, Finland’s Plasma, released in partnership with Nunchakapunk Records in Finland and Little Jan’s Hammer Records in Spain. Plasma carries forward the power, ferocity, and craftsmanship that has been Finnish punk’s calling card since the genre’s inception, fusing it with the bouncy energy and razor-sharp execution of modern hardcore punk. Songs like “Mata Pilvilinna,” “Satkynukke,” and “Mua Et Voi Omistaa” are full-bore, punk-as-fuck attacks, but the intensity belies how dialed-in everything is: the insanely catchy bass lines, the way the drummer perfectly balances building tension with eruptions of energy, the guitarist’s furious downpicking, and the vocalist’s ability to weave melody into a confrontational punk snarl. Meeting the high bar for musicianship set by contemporary Finnish groups like Kohti Tuhoa, Yleiset Syyt, and Foreseen, Plasma really shines on “uptempo mid-tempo” songs like “Ei Oikeutta” and “Syvemmalle Sisaan” that evoke (and will surely inspire) heaving masses of writhing, sweaty punk bodies. For what seems on the surface like a monolithic blast of punk fury, Mua Et Voi Omistaa is a varied, layered masterpiece of hardcore craftsmanship that sinks its hooks in quickly and refuses to let go.
Record of the week: Ultimate Disaster: For Progress LP
Ultimate Disaster: For Progress... 12” (Grave Mistake Records) Richmond’s Ultimate Disaster released an excellent demo last year, but they really up the ante with For Progress…, their debut 12” on Grave Mistake Records. While there are plenty of reasons to compare Ultimate Disaster to Disclose—their heavily Discharge-inspired sound, their three-piece setup, and their strangled-sounding vocals—they don’t let that influence box them in, not so much expanding on Disclose’s sound as whittling it down to something even more elemental. It helps that Ultimate Disaster recorded at Minimum Wage Studios—the same spot as Richmond hardcore classics like Wasted Time’s Futility, Government Warning’s No Moderation, and Direct Control’s Farewell—which gives For Progress… a crispness you rarely hear on a raw punk record. Not only does the record sound huge, but also details like the furious guitar strumming really shine through and make the recording come alive. Typically, I like this sound when it’s flying off the rails, but everything feels very considered here… the drums stay locked in to the tempo, and even when something crazy happens like a paint-peeling guitar overdub, the tone of the guitar and the way it’s played feel very dialed in (there’s none of Kawakami’s trademark “nuclear rain”-style chaotic soloing). Ultimate Disaster’s riffing and songwriting is as elegant and uncluttered as a piece of Japanese calligraphy, where each brushstroke is deliberate and functional. For Progress... is also endowed with a hookiness that’s all but unparalleled for this style of music… I know I already mentioned it above, but the way Ultimate Disaster fuses building-leveling power with anthemic choruses is strongly reminiscent of Wasted Time’s Futility. This is a phenomenal hardcore punk record, and another jewel in the Richmond hardcore punk scene’s heavy crown.
Three new releases on La Vida Es Un Mus up for pre-order

- Regular price
- $10.00
- Sale price
- $10.00
The Hell's self-titled 7" out now
The Hell: S/T 7" (Sorry State Records/ Drunken Sailor Records) Sorry State Records (US) and Drunken Sailor Records (UK) present a new self-titled 5-song EP from Cleveland’s the Hell. The four to-the-point rippers on the a-side pick up where the Hell’s 2023 album left off, fusing big riffs (see: “Liabilities” and “Circling the Drain”) with agile rhythmic shifts (“Cut the Chord”) and executing all of it at hardcore tempos. While these tracks have a similar energy to nihilistic punk-on-the-edge-of-hardcore like the Lewd or the Zero Boys, “Dirt Nap,” which occupies the entire b-side, takes the Hell’s sound to new places, soaking in eerie tension for several minutes before erupting into a brilliant, Buzzcocks-esque chiming chorus. Atop it all, the Hell’s vocalist sneers like a weary, middle-aged Darby Crash whose woes have only compounded as life has unfurled. The Hell speaks to the dismay and cynicism we all feel as part of a species in decline, but they also deliver the jolt of energy we need to face another day.
more of this month's best sellers
new arrivals
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Charles Owens' Mother Lode: I Stand Alone 12" (Indie Exclusive)
- Vendor
- Vault Records
- Regular price
- $30.00
- Sale price
- $30.00
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Various: Hardcore For The Masses 12"
- Vendor
- Puke N Vomit Records
- Regular price
- $25.00
- Sale price
- $25.00
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Public Disturbance: S&M 45 / Live at CBGB 1984 12"
- Vendor
- Puke N Vomit Records
- Regular price
- $25.00
- Sale price
- $25.00
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Product Assar: Livet Ar En Plaga 12"
- Vendor
- Puke N Vomit Records
- Regular price
- $25.00
- Sale price
- $25.00
on sale
subculture's unreleased 1986 EP Fred out now
Sorry State Records is proud to present Fred, the unreleased 1986 EP from Winston-Salem, North Carolina’s Subculture. Recorded the year after their 1985 debut, I Heard a Scream, the six tracks that comprise Fred were left uncompleted and shelved when the band broke up later that year. While a rough mix has circulated among tape traders, Fred presents these songs in their finished form for the first time, remixed from the original multi-track tapes by John Pfiffner and mastered by Brent Lambert at the Kitchen. Compared to I Heard a Scream, the version of Subculture we hear on Fred features a fleshed-out lineup with nearly two years of additional musical (though not necessarily social) maturity. Subculture spent the time between IHAS and Fred rehearsing and gigging obsessively, and consequently Fred is a more ambitious and musically accomplished set of songs. Fred also reflects the influence of the crossover scene blossoming at the time with D.R.I. and (especially) hometown heroes and mentors Corrosion of Conformity. Fans of C.O.C.’s Animosity will flip for Fred’s lurching and lunging rhythms, and while “Bad Desperation” finds Subculture at their fastest and most vicious, the closing “KC Comes to Town” exhibits the sense of humor that made Subculture perfect touring companions for NOFX in the 80s.
latest used items
new on la vida es un mus
new on sorry state
Recommended books, zines, and other reads
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Love Letters 2 - From Christina's Flyer Collection zine
- Vendor
- zines
- Regular price
- $8.00
- Sale price
- $8.00
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Weird Music That Goes on Forever: A Punk's Guide to Loving Jazz book
- Vendor
- Microcosm Publishing
- Regular price
- $18.00
- Sale price
- $18.00
Who We Are and What We Do
Sorry State Records has the best selection of DIY punk and hardcore vinyl in the world, with well over 2,500 unique titles currently in stock. We're a great music discovery tool, with blogs and other features to help you discover great new music you'll love. We have the fastest, most professional mail order service in punk, with most orders shipping within 24 hours. We're also a great brick-and-mortar record shop based in Raleigh, NC, specializing in collectible and hard to find titles in all genres.