Three's a Crowd

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1mo

Robert Craig McMillan

a painting of people walking across a bridge with umbrellas in the rain and onlookers

Impressionist Artists

Under My Umbrella

Umbrellas Parasols

Post Impressionism

Umbrellas in the Rain . Maurice Brazil Prendergast . 1899

Title: Umbrellas in the Rain Artist: Maurice Brazil Prendergast (American (born in Canada), 1858–1924)1899 Medium/Technique: Watercolor over graphite pencil on paper; verso: pencil and watercolor sketch for arcade and lamp post. Dimensions: Sheet: 35.4 x 53 cm (13 15/16 x 20 7/8 in.) Framed: 61 x 78.4 cm (24 x 30 7/8 in.) Credit Line: The Hayden Collection—Charles Henry Hayden Fund Maurice Brazil Prendergast was an American Post-Impressionist artist who worked in oil, watercolor, and monotype. He exhibited as a member of The Eight, though the delicacy of his compositions and mosaic-like beauty of his style differed from the artistic intentions and philosophy of the group.

an artistic painting with people and animals on the ground in front of a circular object

Eve And Adam

Creation Of The World

Google Art Project

Illuminated Manuscripts

Adam And Eve

Illuminated Manuscript

Medieval Art

Art Google

Tempera

The Creation of the World and Expulsion from Paradise . Giovanni di Paolo di Grazia

Giovanni di Paolo, The Creation of the World and Expulsion from Paradise, c. 1445, tempera and gold on wood, 46, 4 x 52,1 cm, Metropolitan Museum of Art, New York Giovanni di Paolo di Grazia, one of the most important Italian painters of the 15th-century Sienese school. He is chiefly notable for carrying the brilliantly colourful vision of Sienese 14th-century paintings on into the Renaissance. His early works show the influence of previous Sienese masters, his landscapes and his figures still reverberate with echoes of Duccio's work, but his later style grew steadily more individualized, characterized by vigorous, harsh colors and elongated forms. His art most beautifully reflects the 15th-century artistic conservatism of a commercially declining city.

a painting of people standing in the grass with trees and flowers behind them, one man is holding a child

Ia Orana Maria (Hail Mary) . Paul Gauguin . 1891

Title: Ia Orana Maria (Hail Mary) Artist: Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands) Date: 1891 Medium: Oil on canvas Dimensions: 44 3/4 x 34 1/2 in. (113.7 x 87.6 cm) Classification: Paintings Credit Line: Bequest of Sam A. Lewisohn, 1951 Accession Number: 51.112.2 On view at The Met Fifth Avenue in Gallery 825

an old painting with people and dogs in the foreground

Dulwich Picture Gallery

Gypsies in Landscape . David Teniers the Younger

Artist: Teniers, David the younger (1610 - 1690) Title: Gypsies in a Landscape Object type: painting Genre: portrait Date: before 1690 Medium: Oil on panel Dimensions: height: 230 mm (9.05 in); width: 306 mm (12.04 in) Collection: Dulwich Picture Gallery Accession number: 31 Object history: Paris, M. La Prade, 1776; London, Christie's, 'a French Nobleman's' (Casanova) sale, 19 Feb. 1790, lot 81; London, Noel Desenfans, 1795-1807: London, Skinner and Dyke, Desenfans sale, 27 Feb. 1795, lot 22 ('A L'scape with Gypsies') but also 28 Feb. 1795, lot 88 ('A pair of Landscapes one with Gypsies telling fortunes, the other a man opening mussels, of the true silver tone of colouring and a magic pencil, fine. £82')

an oil painting of a landscape with people and animals

Landscape with a Calm . Nicolas Poussin

Artist: Nicolas Poussin Title: Landscape with a Calm (Un Tem[p]s calme et serein) Date: 1650-1. Medium: Oil on canvas Dimensions: 97 x 131 cm. Courtesy: J. Paul Getty Museum, Los Angeles Nicolas Poussin 1594 - 1665 Nicolas Poussin was born at Les Andelys in Normandy and first trained in Rouen. From 1612 he lived in Paris and in 1624 travelled via Venice to Rome, where he stayed for most of his life. His sensuous early canvases such as 'The Nurture of Bacchus', reflect 16th-century Venetian art, especially that of Titian. He studied antique remains and his art reflects both this and an appreciation of Raphael. Poussin read ancient writers such as Ovid and attempted to recreate ancient myth and history in his works.

a painting of a man being tended to by two women

The Wedding At Cana

Wedding At Cana

Greek And Roman Mythology

Venus and Mars United by Love . Paolo Veronese . c.1570

Artist: Paolo Veronese Year: 1570s Medium: Oil paint Movement: Mannerism Dimensions: 205.7 cm (81.0 in) × 161 cm (63 in) Location: Metropolitan Museum of Art Accession No. 10.189 Venus and Mars is an oil painting on canvas painted in the 1570s by the Italian Renaissance artist Paolo Veronese. The painting was commissioned by Emperor Rudolph and was one of three mythological and love-themed works commissioned by the artist. The other two are at the Frick Collection in New York: The Allegory of Virtue and Performance and Allegory of the Source of Wisdom and Power. It deals with the romantic love of the Roman goddess of love Venus and the god of war Mars, as described in Ovid's Metamorphoses.

this is an image of a room with paintings on the walls and people in it

Ancient Rome Paintings

Ancient Rome Art

Giovanni Paolo Panini

Neoclassical Painting

Imaginary Gallery of Ancient Roman Art . Giovanni Paolo Panini . 1757

Artist: Giovanni Paolo Panini Year: 1757 Medium: Oil on canvas Dimensions: 172.1 cm × 229.9 cm (67.75 in × 90.5 in) Location: Metropolitan Museum of Art, New York Ancient Rome is a trio of almost identical paintings by Italian artist Giovanni Paolo Panini, produced as pendant paintings to Modern Rome for his patron, the comte de Stainville, in the 1750s.

a painting of people and animals in the snow

Moody Paintings

Painting Horror

Landscape With Figures

Horror Painting

Dutch Paintings

Famous Artists Paintings

Classic Landscape

Artwork Landscape

Winter Landscape Painting

Winter Landscape with Figures . George Morland . ca. 1785

Creator: George Morland, 1763–1804 Title: Winter Landscape with Figures Former Title(s): Winter landscape with Skaters, Winter Scene Date: ca. 1785 Materials & Techniques: Oil on canvas Dimensions: 28 1/2 x 36 1/2 inches (72.4 x 92.7 cm) Inscription(s)/Marks/Lettering: Signed, lower right: "G Morland~ [underlined]" Credit Line: Yale Center for British Art, Paul Mellon Collection Copyright Status: Public Domain Accession Number: B1993.30.23 Classification: Paintings Collection: Paintings and Sculpture Link to Frame: B1993.30.23FR

an image of a painting with people in it

Landscape with Nymph and Satyr Dancing . Claude Lorrain . 1641

Landscape with Nymph and Satyr Dancing . Claude Lorrain . 1641 Landscape with Nymph and Satyr Dancing Artist: Claude Lorrain (French (active Rome), 1604-1682) Date: 1641 Dimensions Painting: 39 1/4 × 52 3/8 in. (99.7 × 133 cm) Frame: 50 1/4 × 64 3/4 × 5 in. (127.6 × 164.5 × 12.7 cm) Medium: Oil on canvas Classification: Paintings Credit Line: Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey Object number: 1949.170

an image of a painting with animals in the foreground and people on the other side

Modern Art Living Room

Landscape with Cattle and Figures . Aelbert Cuyp

Artist: Aelbert Cuyp Date: c. 1640–41 Location: Gallery 4 Dimensions: 40 x 59 cm Materials: Oil on panel Inscription: Signed, lower right: 'A cuӱp' Acquisition: Bourgeois Bequest, 1811 Accession number: DPG348 Notes: Conserved by means of a generous grant from the Getty Grant Program, 2004

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Fine art

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Post impressionists

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Metropolitan Museum Of Art

Vintage Wall Art

Metropolitan Museum

Allegory of America, from "The Four Continents" . Adriaen Collaert . After Maerten de Vos

Title: Allegory of America, from "The Four Continents" Series/Portfolio: The Four Continents Artist: Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp) Artist: After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp) Date: 1580–1600 Medium: Engraving; second state Dimensions: 8 3/8 x 10 1/16 in. (21.3 x 25.6 cm) (clipped) Classification: Prints Credit Line: Gift of the Estate of James Hazen Hyde, 1959 Object Number: 59.654.10 This late sixteenth-century engraving made in Antwerp became an emblematic image of the New World. Series representing the "four continents" were a popular conceit during the European age of exploration, when atlases were in high demand. New World themes from other prints—cannibalism, conquest, and a female native—repeat here.

an old painting with people sitting on the ground and one person holding an umbrella in front of them

Tapestry Clothing

Neoclassical Furniture

The Collation from a set of the Italian Village Scenes

Title: The Collation from a set of the Italian Village Scenes Designer: Designed by François Boucher (French, Paris 1703–1770 Paris) Manufactory: Beauvais Workshop director: André Charlemagne Charron (French, active 1754–80) Patron: Commissioned for Boulard de Gatellier (Château de Gatellier (Loire)) Date: designed 1734–36, woven 1762 Culture: French, Beauvais Medium: Wool, silk (21-23 warps per inch, 8-9 per cm.) Dimensions: 10 ft. 10 in. × 8 ft. 6 in. (330.2 × 259.1 cm) Classification: Textiles-Tapestries Credit Line: Gift of Ann Payne Robertson, 1964

The Mérode Altarpiece (or Annunciation Triptych) is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant. The three panels represent, from left to right, the donors kneeling in prayer in a garden, the moment of the Annunciation to Mary, which is set in a contemporary, domestic setting, and Saint Joseph, a carpenter with the tools of his trade. The many elements of religious symbolism include the lily and fountain (symbolising the purity of Mary), and the Holy Spirit represented by the rays of light coming through from the central panel's left hand window. David Hugo, Robert Campin, Europe History, Rogier Van Der Weyden, Ap Art History, Jan Van Eyck, The Annunciation, Van Eyck, Late Middle Ages

David Hugo

Robert Campin

Europe History

Rogier Van Der Weyden

The Mérode Altarpiece . Annunciation Triptych . Robert Campin

The Mérode Altarpiece (or Annunciation Triptych) is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant. The three panels represent, from left to right, the donors kneeling in prayer in a garden, the moment of the Annunciation to Mary, which is set in a contemporary, domestic setting, and Saint Joseph, a carpenter with the tools of his trade. The many elements of religious symbolism include the lily and fountain (symbolising the purity of Mary), and the Holy Spirit represented by the rays of light coming through from the central panel's left hand window.

Johann Peter Krafft (15 September 1780, Hanau - 28 October 1856, Vienna) was a German-born Austrian painter who specialized in portraits, historical works, and genre scenes.

His father was an enamel painter who originally came from a family of wine merchants in Alsace. His brother, Joseph Krafft (1786-1828), also became a painter of portrait miniatures. By the age of ten, Krafft was already attending a drawing school. Malacca Sultanate, Find Purpose, Warhammer 40k Art, 40k Art, Historical Painting, The Ottoman Empire, 40k Artwork, Oil Painting Reproductions, North Coast

Oil Painting Reproductions

North Coast

Zrinyi's Charge from the Fortress of Szigetvar . Johann Peter Krafft

Johann Peter Krafft (15 September 1780, Hanau - 28 October 1856, Vienna) was a German-born Austrian painter who specialized in portraits, historical works, and genre scenes. His father was an enamel painter who originally came from a family of wine merchants in Alsace. His brother, Joseph Krafft (1786-1828), also became a painter of portrait miniatures. By the age of ten, Krafft was already attending a drawing school.

a painting of people and animals by a fountain

Landscape With Fountain

Native American Wallpaper

Wounded Soldier

Francois Boucher

Native American Horses

Native American Images

Professional Painters

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Landscape with Fountain, Figures and Animals . Giacomo Francesco Zuccarelli

Artist: Zuccarelli, Francesco Date: Before 1788 Dimensions: 99 x 124 Medium: Oil on canvas Copyright: © Dulwich Picture Gallery Giacomo Francesco Zuccarelli (commonly known as Francesco Zuccarelli), was an Italian artist of the late Baroque or Rococo period. He is considered to be the most important landscape painter to have emerged from his adopted city of Venice during the mid-eighteenth century, and his Arcadian views became popular throughout Europe and especially in England where he resided for two extended periods. His patronage extended to the nobility, and he often collaborated with other artists such as Antonio Visentini and Bernardo Bellotto.