File:Coronation of Ahmad Khan Abdali in 1747.jpg
Coronation_of_Ahmad_Khan_Abdali_in_1747.jpg (569 × 365 pixels, file size: 73 KB, MIME type: image/jpeg)
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Summary
[edit]DescriptionCoronation of Ahmad Khan Abdali in 1747.jpg |
English: Figure 1. “Coronation” of Ahmad Khan Abdali. Translation of captions at top: No. 6. Drawing by Breshna, the famous contemporary Afghan artist. Sher-e Sorkh: The cluster of wheat is being placed on Ahmad Shah’s turban. Source: Mir Gholam Mohammad Ghobar, Ahmad Shah Baba-ye Afghan, facing page 90.
Since Saber Shah was a Sufi, he was respected by all leaders. Thus, Ahmad Khan was declared king of Afghanistan and the National Jerga of Sher-e Sorkh was adjourned after it accomplished an important historical task. Ahmad Khan left the Jerga as the king, wearing a gold-colored crown made of a cluster of wheat. This historic natural crown was placed on the corner of Ahmad Khan’s hat by Saber Shah. Ghobar’s text is accompanied by a colorful drawing by ’Abd al-Ghafur Breshna, a member of the royal lineage and a charter member of the Anjuman-e Adabi. This version of the accession of Ahmad Khan to the kingship of Afghanistan was included in many government cultural productions including the history textbook written by M. Osman Sedqi for grade 12 of Afghan high schools.(93) The Persian language textbook was first published in 1949 and was in use, at least through 1954, when I graduated from Ghazi High School. Sedqi was a member of Anjuman-e Tarikh (Persian: Historical Society), one of two successors. |
Date |
before 1943 date QS:P,+1943-00-00T00:00:00Z/7,P1326,+1943-00-00T00:00:00Z/9 |
Source |
1943 book Ahmad Shah Baba-ye Afghan by Mir Gholam Mohammad Ghobar, facing page 90. http://zeroanthropology.net/all-posts/m-jamil-hanifi-editing-the-past-colonial-production-of-hegemony-through-the-loya-jerga-in-afghanistan/ |
Author | Ustad Abdul Ghafur Breshna |
Other versions | File:Coronation of Ahmad Shah Durrani in 1747 by Breshna.jpg (color version) |
Licensing
[edit]Public domainPublic domainfalsefalse |
This work is in the public domain in Afghanistan according to The law on the support the right of authors, composers, artists and researchers (Copy Right Law). (unofficial English translation) because:
All works published using a pseudonym enter the public domain 50 years after publication, unless the author's identity subsequently becomes known. Afghan copyright law only protects “photographic works that have been created using an original mode” (Art. 6). Important note: Works of foreign (non-U.S.) origin must be out of copyright or freely licensed in both their home country and the United States in order to be accepted on Commons. Works of Afghan origin that were under copyright in Afghanistan on July 29, 2016 may be copyrighted in the U.S. under the URAA. For more information, see U.S. Copyright Office Circular 38A. Works of Afghan origin that were no longer under copyright in Afghanistan on July 29, 2016 are not copyrighted in the U.S. due to a previous lack of copyright relations between the U.S. and Afghanistan.You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that this work might not be in the public domain in countries that do not apply the rule of the shorter term and have copyright terms longer than life of the author plus 50 years. In particular, Mexico is 100 years, Jamaica is 95 years, Colombia is 80 years, Guatemala and Samoa are 75 years, Switzerland and the United States are 70 years, and Venezuela is 60 years.
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current | 03:40, 25 June 2012 | 569 × 365 (73 KB) | Officer (talk | contribs) | {{Information |Description={{en|Figure 1. “Coronation” of Ahmad Khan Abdali. Translation of captions at top: No. 6. Drawing by Breshna, the famous contemporary Afghan artist. Sher-e Sorkh: The cluster of wheat is being placed on Ahmad Shah’s turb... |
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