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ORCIDEdgar Berdahl
Person information
- affiliation: Louisiana State University, School of Music, Baton Rouge, LA, USA
- affiliation: Technical University of Berlin, Audio Communication Group, Germany
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2020 – today
- 2021
[c41]Michael Blandino, Edgar Berdahl:
Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME Sensors. NIME 2021- [c40]William Thompson, Edgar Berdahl:
An Infinitely Sustaining Piano Achieved Through a Soundboard-Mounted Shaker . NIME 2021 - 2020
- [c39]Edgar Berdahl, Michael Blandino:
Modeling a Musician Performing on a Digital Musical Instrument as a Communications Channel. CHI Extended Abstracts 2020: 1-7
2010 – 2019
- 2019
- [c38]Michael Blandino, Edgar Berdahl, R. William Soukoreff:
An Estimation and Comparison of Human Abilities to Communicate Information Through Pursuit Tracking vs. Pointing on a Single Axis. AHFE (5) 2019: 247-257 - [c37]Anthony T. Marasco, Edgar Berdahl, Jesse T. Allison:
Bendit_I/O: A System for Networked Performance of Circuit-Bent Devices. NIME 2019: 331-334 - [c36]Edgar Berdahl, Austin Franklin, Eric Sheffield:
A Spatially Distributed Vibrotactile Actuator Array for the Fingertips. NIME 2019: 429-430 - 2018
- [c35]Edgar Berdahl:
Dipole Instruments for Sketching in Hardware with Embedded Acoustics. ICMC 2018 - [c34]Andrew Pfalz, Edgar Berdahl, Jesse T. Allison:
Using Recurrent Neural Networks to Dream Sequences of Audio. ICMC 2018 - [c33]Edgar Berdahl, Eric Sheffield, Andrew Pfalz, Anthony T. Marasco:
Widening the Razor-Thin Edge of Chaos Into a Musical Highway: Connecting Chaotic Maps to Digital Waveguides. NIME 2018: 390-393 - 2017
- [c32]Hye Yeon Nam, Zachary Berkowitz, Edgar Berdahl:
Invisible: A Critical Digital Artwork as Performance. CHI Extended Abstracts 2017: 1399-1404 - [c31]Edgar Berdahl, Zachary Berkowitz:
Portable modeling of virtual physics for audio and haptic interaction design. ICASSP 2017: 6568-6569 - [c30]Matthew Blessing, Edgar Berdahl:
The joystyx: a quartet of embedded acoustic instruments. NIME 2017: 271-274 - [c29]Edgar Berdahl, Matthew Blessing, Matthew Williams, Pacco Tan, Brygg Ullmer, Jesse T. Allison:
Spatial audio approaches for embedded sound art installations with loudspeaker line arrays. NIME 2017: 426-430 - [i1]Andrew Pfalz, Edgar Berdahl:
Toward Inverse Control of Physics-Based Sound Synthesis. CoRR abs/1706.09551 (2017) - 2016
- [c28]Edgar Berdahl, Michael Blandino, David Baker, Daniel Shanahan:
An Approach for Using Information Theory to Investigate Continuous Control of Analog Sensors by Humans. Audio Mostly Conference 2016: 85-90 - [c27]Edgar Berdahl, Matthew Blessing, Stephen David Beck
, Michael Blandino:
More Masses For The Masses. Audio Mostly Conference 2016: 105-110 - [c26]Edgar Berdahl, Andrew Pfalz, Michael Blandino:
Hybrid Virtual Modeling for Multisensory Interaction Design. Audio Mostly Conference 2016: 215-221 - [c25]Edgar Berdahl, Peter Vasil, Andrew Pfalz:
Automatic Visualization and Graphical Editing of Virtual Modeling Networks for the Open-Source Synth-A-Modeler Compiler. EuroHaptics (2) 2016: 490-500 - [c24]Zachary Berkowitz, Edgar Berdahl, Stephen David Beck:
Emphasizing Form in Virtual Reality-Based Music Performance. ICMC 2016 - [c23]Eric Sheffield, Edgar Berdahl, Andrew Pfalz:
The Haptic Capstans: Rotational Force Feedback for Music using a FireFader Derivative Device. NIME 2016: 1-2 - [c22]Edgar Berdahl, Danny Holmes, Eric Sheffield:
Wireless Vibrotactile Tokens for Audio-Haptic Interaction with Touchscreen Interfaces. NIME 2016: 5-6 - [c21]Edgar Berdahl, Andrew Pfalz, Stephen David Beck:
Very Slack Strings: A Physical Model and Its Use in the Composition Quartet for Strings. NIME 2016: 9-10 - 2015
- [c20]Edgar Berdahl, Denis Huber:
The haptic hand. NIME 2015: 32-33 - [c19]Matthew Blessing, Edgar Berdahl:
Textural crossfader. NIME 2015: 180-181 - [e1]Edgar Berdahl, Jesse T. Allison:
15th International Conference on New Interfaces for Musical Expression, NIME 2015, Baton Rouge, Louisiana, USA, May 31 - June 3, 2015. nime.org 2015 [contents] - 2014
- [c18]Edgar Berdahl:
Audio-Rate Modulation of Physical Model Parameters. ICMC 2014 - [c17]Edgar Berdahl:
How to Make Embedded Acoustic Instruments. NIME 2014: 140-143 - 2013
- [j3]Edgar Berdahl, Alexandros Kontogeorgakopoulos:
The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians. Comput. Music. J. 37(1): 23-34 (2013) - [j2]Edgar Berdahl, Julius O. Smith III, Stefan Weinzierl, Günter Niemeyer:
Force-Sensitive Detents Improve User Performance for Linear Selection Tasks. IEEE Trans. Haptics 6(2): 206-216 (2013) - [c16]Edgar Berdahl, Spencer Salazar, Myles Borins:
Embedded Networking and Hardware-Accelerated Graphics with Satellite CCRMA. NIME 2013: 325-330 - [c15]Edgar Berdahl, Quim Llimona:
Tangible embedded Linux. TEI 2013: 407-410 - 2012
- [j1]Edgar Berdahl, Claude Cadoz, Nicolas Castagné:
Force-feedback interaction with a neural oscillator model: for shared human-robot control of a virtual percussion instrument. EURASIP J. Audio Speech Music. Process. 2012: 9 (2012) - [c14]Edgar Berdahl, Alexandros Kontogeorgakopoulos:
Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance. ICMC 2012 - 2011
- [c13]Edgar Berdahl, Wendy Ju:
Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform. NIME 2011: 173-178 - [c12]Edgar Berdahl, Chris Chafe:
Autonomous New Media Artefacts (AutoNMA). NIME 2011: 322-323 - 2010
- [c11]Colin Raffel, Nick Kruge, Diane Douglas, Edgar Berdahl, Wendy Ju:
The Lattice Harp: A New Hybrid Instrument And Controller. ICMC 2010
2000 – 2009
- 2009
- [c10]Edgar Berdahl, Günter Niemeyer, Julius O. Smith III:
Using Haptics to Assist Performers in Making Gestures to a Musical Instrument. NIME 2009: 177-182 - [c9]Edgar Berdahl, Günter Niemeyer, Julius O. Smith III:
Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments. NIME 2009: 183-186 - [c8]Edgar Berdahl, Günter Niemeyer, Julius O. Smith III:
HSP: A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments. NIME 2009: 262-263 - 2008
- [c7]Edgar Berdahl, Hans-Christoph Steiner, Collin Oldham:
Practical Hardware and Algorithms for Creating Haptic Musical Instruments. NIME 2008: 61-66 - [c6]Edgar Berdahl, Julius O. Smith III:
A Tangible Virtual Vibrating String: A Physically Motivated Virtual Musical Instrument Interface. NIME 2008: 299-302 - 2007
- [c5]Edgar Berdahl, Julius O. Smith III:
Inducing Unusual Dynamics in Acoustic Musical Instruments. CCA 2007: 1336-1341 - [c4]Edgar Berdahl, Bill Verplank, Julius O. Smith III, Günter Niemeyer:
A Physically Intuitive Haptic Drumstick. ICMC 2007 - 2006
- [c3]Matthew Wright, Edgar Berdahl:
Towards Machine Learning of Expressive Microtiming in Brazilian Drumming. ICMC 2006 - 2005
- [c2]Edgar Berdahl, Steven Backer, Julius O. Smith III:
If I had a Hammer: Design and Theory of an Electromagnetically-prepared Piano. ICMC 2005 - 2003
- [c1]Hyoung-Gook Kim, Edgar Berdahl, Nicolas Moreau, Thomas Sikora:
Speaker recognition using MPEG-7 descriptors. INTERSPEECH 2003: 489-492
Coauthor Index
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