Benjamin Harjo, Jr., Honoring the Spirit of All Things, 2001, opaque watercolor, 39 ¾ in. x 27 inches. On loan from Oklahoma State University Museum of Art, Stillwater, Oklahoma. Image courtesy of Crystal Bridges Museum of American Art, Bentonville.
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Liz Toohey-Wiese, 2024.
“A sign installed in the largest wildfire burn I’ve ever seen, along the BC/YK border. Borrowing the aesthetics of BC Recreation Site signs, once again pointing to the overlaps of outdoor recreation, resource extraction, and the consequences of the climate crisis. Most recreation sites in BC exist along previously built logging and mining roads.
“Forced into a great and difficult transformation” was a line I heard in a lecture on Buddhist philosophy I was listening to on my drive up north. But it became another mantra I thought about while living in a place that’s been utterly transformed by resource extraction over the past century, and as I thought about the burnt landscapes I drove through.”
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Daniel Sharp, Prednisone (film, 17min 15sec), 2023. Installed at the Mike Kelley Homestead, 2024.
Martin Wong
1946 - 1999
Untitled
oil on canvas
22⅛ by 34⅛ in. (56.3 by 86.7 cm.)
Executed circa 1975-1976.
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Martin Wong, Untitled (Green Storefront), 1985. Courtesy: Martin Wong Foundation and P·P·O·W, New York.
Raphaël Matieu, CUIRS ET PEAUX (leather, staples, printing, 120 x 70cm), 2023.
Albano Hérnandez (b.1988, Ávila, Spain)
P.22.05, Air dry clay, waste materials, acrylic and nails, 2022, 53 x 53 x 4 cm.
Jordan Ann Craig, I Like That You are Soft (acrylic on canvas, 70 x 70 inches), 2022. Photo by JSP Art
Mario Ayala
Worship Friendship, Ambulance, 2022
acrylic and gold leaf on canvas
84 x 96 inches
(213.4 x 243.8 cm)