HELLO@EMMABUREL.STUDIO
HELLO@EMMABUREL.STUDIO
(2024)
from/toEDITORIAL / INSTALATION
«A silent conversation that mainly took place through gestures: the act of cooking, serving, and eating.
It seemed to be again and over again the same: From Monday to Friday / From 12:00 to 14:00 / From cooks to diners / From kitchen to canteen
And back again.»
This is what is left of instroom academy stay at the royal academy of fine arts antwerp‘s canteen during lunch break, between September 2023 and June 2024:
(1) an archive that attempts to frame time, space and correspondance, as prepositions do in a sentence [5 books: 140p, 89p, 123p, 105p, 133p]
(2) some notes on the in-between, borders, working, cooking, eating, the surface of the table, sharing, merging practices, representation through what is left, archiving, tracking process, the role of publishing ... [ booklet 24p]
(3) a set of 68 postcards of snippets from inside and outside the kitchen
(4) an invitation to check the project at the @graphicdesignantwerp 3BA EXPO —19/20/21.09.24–
(2024)
MANIFEST ( )GATHERED ANGRY WOMAN LOVING
COLLECTIVE PUBLICATION + INSTALATION + PERFORMANCE
together with chiara di luca, lille schid AND sophia Brinkmann – COLLECTIVE WRITING FROM snippets of various texts:
The Carrier Bag Theory of Fiction (ursula k. le guin, 1986), natural enemies of books (MMS, 2020), manifesto of The milan women’s bookstore collective (1975), dada manifesto (TRISTAN TZARA, 1918) AND WITCH (REBECCA TAMÁS, 2029)
OUTCOME OF THE RESEACH WORKSHOP «SEE WHAT I MEAN» BY PHIL BABER AT THE ROYAL ACADEMY OF FINE ARTS antwerp, OCTOBER 2024.
(2024)
counting twenty-fourEDITORIAL / OBJECT
COMING SOON WITH SORI-PUBLISHING
a Playfull eassy on how waffles seem to be all over the place when moving to Belgium.
(0) Plastic bag with stickers containing:
(1) Transcription of a conversation with waffle chef Zora Mitrovic, Waffeluis Huis (02/11/23, Nationalestraat, 2000 Antwerp). A1, DIGITAL PRINT
(2) Laser-cut PVC ruler scale 1:1 with waffle, 190x130mm
(3) Archive of 24 IMAGES found around Antwerp following the 4:6 (24 units), proportion of the waffle
(4) Tablets of stickers following the 4:6 (24 units) proportion of the waffle
(2024)
URGENT CALLS ONLYbussiness card
set of 50 cards
Format: 81 x 57 mm (DIN C8)
Paper: APLI A4 sticker white labels 02414
Outcome of the calling cards workshop «I sell the shadow to support the substance» by Ronja Andersen, Ine Meganck and Andrea di Serego Alighieri, during proyect week at the Royal Academy of Fine Arts of Antwerp.
(2024)
ESTABLISHING SYNCHRONISM.SYNCORAX VIDEO STYLE AND THE PLURAL INSTANT.
ANTHONY REEDEDITORIAL
Typesetting and envelope design for Anthony Reed’s essay delving into the work of the poet Kamau Brathwaite (1930-2020, Barbados).
This edition comes out as a result of exploring the relationship between the computer screen and the photocopy formats, as Barthwaite himself had to start transcribing and taking care of his archive, which marked a turning point on his writing style.
136 pages + envelope
128x200 mm
55gr/m2 Traccia Fabriano
(2024)
ONE DUCK, TWO SPOONS
EDITORIAL
Riso print Gold & Blue on Bio top paper off white 250g / 120g
10 x postcards 140x200 mm
1 x poster 200x297 mm
2 x stickers 63x38 mm
Edition of 40 copies
Printed at sori printstudio
«One day, I was on my way to get some groceries and stopped by the thrift store Kringwinkel on Kroonstraat (Borgerhout, Antwerp, BE). While looking for some pots, I stumbled upon a charming golden duck and didn’t hesitate to adopt him. Once in the waiting line for the checkout, there were two porcelaine spoons, one on top of the other: someone must have regretted getting them and just left both there. I immediately felt the duck and the spoons were meant for each other — and here they are.»
(2024)
MEDIOPÁNARTBOOK FAIR/FESTIVALVISUAL IDENTITY / WEBSITE / CO-ORGANIZATION
Graphic identity, website and co-organization of the Artbook Fair/Festival Mediopán, in Granada (ES) for la madraza, Contemporary Culture Center of the University of Granada.
(2024)
MUSICOLOÍA RADICAL.PEDRO ORÓÑEZ ESLAVAEDITORIAL
OUT now !
book desig for pedro ordóñez, professor and researcher in musicology at university of granada.
an exploration of the principles that determine the Humanities teaching and research activity in public institutions and some undisciplined lines of research in the field of experimental flamenco, cultural studies, artistic research in music or writing as an artistic practice.
(2024)
www.HODEIHERREROS.COMWEBSITEONLINE PORTFOLIO for contemporary emerging artist hodei herreros.
visit here
(2023)
PEGAMENTOCO-founder / editor / visual identity
collaborative editorial project that took place during 2023 between valencia (es) and london (uk).
«an editorial and visual art work-team that points to the simultaneity of interdisciplinary processes.»
(2023)
CAPAREDITORIAL«There is a direct correlation between the gesture of cutting the top off a tree and extracting its symbolic/cultural power. (...) From one assumed object such as the christmas tree, by an action —in this case to cut-, two new complex objects appear: a tree without its star and a star without its tree. This is an approach to subvert the effect of neuter and re-understand it as a duplication gesture of the aesthetic-symbolic power of an object. This, applied as an artistic methodology, leads to the use of the synecdoche or part by the whole of the same object (...)». PROJECT IN COLLABORATION W/ CARLOS MARTÍN.
Plastic bag + book (120x190 mm) + arbre magique cutt-off + poster (A3) + postcard (100 x 150 mm) + sticker.
(2022)
ALRASO22 art residencyco-coordination (open call, jury, workshop programme) / visual identity
22nd edition of the artistic residency alRaso, which takes place in the rural environment of Restábal (Granada, es)
Under the title f(olklore) · f(icción), we proposed as a common line the debates around folklore and heritage. Focusing on how the fictitious limits created from the study of PATRIMONY are overflowing and how concepts such as “rural” or “Spanish” are constantly resignified: Folklore does not only speak of the old, the pure or the foreign: folklore is also ours and is alive.
(2022)
APPARENT GARDENS
installation sculptures + drawings Bookmaking as a sculptural and methodological possibility to create parallel spaces beyond the two-dimensional, while understanding 'vegetal' as a concept through which the object can reconfigure its premise.
(1) instalation of a series of laser cut paper sculptures apparent gardens i-vii.
(2) mecanical drawings pello i-vii wit CAMM-1 PRO Roland CG Vinyl Cutter with Pilot V5 Hi-tecpoint 0.5.
(2022)
OPEN ARCHIVEEDITORIAL
archive Based on auto-ethnography, proposed as a research method and instrument that led to Apparent gardens – graduation project for fine arts degree, university of granada (es).
76 PAGES, 130 X 180 MM, DIGITAL PRINTING + RINGS