Bat Boy: The Musical: Difference between revisions

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Awards and critical reception: url-access=subscription
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''Bat Boy: The Musical'' won the awards for best Off-Broadway musical including the [[Lucille Lortel]] Award, two Richard Rodgers Awards from the [[American Academy of Arts and Letters]], and the [[Outer Critics Circle Award]] in 2001.<ref name=lortel/> Regional productions of ''Bat Boy'' have been nominated for and won awards including the 2003 [[Elliot Norton Award]] (Boston, Massachusetts).<ref>{{cite web |title=21st Elliot Norton Awards: 2003 |url=http://www.stagesource.org/pages/1978_21st_elliot_norton_awards_2003.cfm |website=StageSource.org |access-date=February 25, 2009 |archive-url=https://web.archive.org/web/20090327172001/http://www.stagesource.org/pages/1978_21st_elliot_norton_awards_2003.cfm |archive-date=March 27, 2009}}</ref> and the 1998 [[Ovation Awards]] (Los Angeles).<ref>{{cite web |title=Ovation Awards nominations, 1998, Musical/smaller, Writing of a world premiere, Leading actor/musical, Leading actress/musical |url=https://www.allbusiness.com/services/amusement-recreation-services/4364318-1.html |website=AllBusiness.com |date=November 12, 1998}}{{Dead link|date=November 2021}}</ref>
 
The off-Broadway production received very positive reviews. In his review for ''[[The New York Times]]'', Bruce Weber wrote, "It's remarkable what [this show's] intelligent wit can accomplish".<ref>{{cite webnews |last=Weber |first=Bruce |title=THEATER REVIEW; Who's the Guy Who Ordered the Bloody Mary on the Rocks? |date=March 22, 2001 |work=[[The New York Times]] |url=https://www.nytimes.com/2001/03/22/theater/theater-review-who-s-the-guy-who-ordered-the-bloody-mary-on-the-rocks.html |work=[[The New York Times]] |access-date=November 27, 2021 |url-access=subscription |datearchive-url=March https://web.archive.org/web/20101031222139/https://www.nytimes.com/2001/03/22,/theater/theater-review-who-s-the-guy-who-ordered-the-bloody-mary-on-the-rocks.html 2001|archive-date=2010-10-31 |url-status=live}}</ref> [[John Lahr]] of ''[[The New Yorker]]'' called it "a giggling cult hit" and "the only play in the history of the theatre whose hero ends Act I with a rabbit in his mouth, and who moves on in Act II to an entire cow's head."<ref>{{cite web |last=Lahr |first=John |title=Bloodsucker's Ball: Camp, cult, and Complicite |url=https://www.newyorker.com/magazine/2001/04/09/bloodsuckers-ball |website=The New Yorker |archive-url=https://web.archive.org/web/20201031172400/https://www.newyorker.com/magazine/2001/04/09/bloodsuckers-ball |archive-date=October 31, 2020 |date=April 1, 2001 |url-status=live}}</ref> ''Curtain-Up'' praised : "Laurence O'Keefe's peppy and melodic pop-rock score... played by a five piece combo".<ref>{{cite web |last=Sommers |first=Elyse |title=New York Review of ''Bat Boy'' |url=http://www.curtainup.com/batboy.html |website=CurtainUp.com |date=March 22, 2001 |access-date=June 9, 2009}}</ref> [[Deven May]] received the [[Theatre World Award]] for his performance as Bat Boy.
 
The West End reviews were less positive. The ''CurtainUp'' reviewer wrote, "[U]nless ''Bat Boy The Musical'' gathers a cult audience, I fear it will not linger. The newspaper critics do sometimes get it wrong, ... but they have been less kind to ''Bat Boy'' than the [[West Virginia]]ns portrayed in the musical." The subsequent sell-out 2006 [[Edinburgh Festival]] production of the revised score used in the West End received very positive reviews, with many suggesting the show suited this more 'scaled-down' style.<ref name=albemarle/><ref name=curtain/>