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Bryan Reeseman of ''[[Mix (magazine)|Mix]]'' described "Bring Me to Life" as "grandiose and moody".<ref name="mix" /> Nick Catucci of ''[[The Village Voice]]'' deemed it a "fabulous breakthrough single" that sounds like "church-burning, brain-eating European dark metal."<ref name="sillytitle" /> Writing for ''[[Kerrang!]]'', Mike Rampton found the "manly rap" forced by their label to be "not good".<ref>{{cite web|url=https://www.kerrang.com/the-13-most-nu-metal-moments-of-all-time|title=The 13 most nu-metal moments of all time|work=[[Kerrang!]]|date=October 11, 2019|accessdate=June 1, 2023|first=Mike|last=Rampton|archive-url=https://web.archive.org/web/20231215212614/https://www.kerrang.com/the-13-most-nu-metal-moments-of-all-time|archive-date=December 15, 2023|url-status=live}}</ref> John Hood of the ''[[Miami New Times]]'' said it is a "huge, heavy, and mightily histrionic" track that pits Lee's "soaring voice both with and against the rap-infused gruff of McCoy".<ref name="miami">{{cite web|url=https://www.miaminewtimes.com/music/through-the-open-door-6333275|title=Through the Open Door|work=[[Miami New Times]]|date=October 18, 2007|accessdate=October 18, 2022|archive-url=https://web.archive.org/web/20170802164937/https://www.miaminewtimes.com/music/through-the-open-door-6333275|archive-date=August 2, 2017|url-status=live}}</ref> In his review of Evanescence's second album, Don Kaye of [[Blabbermouth.net]] criticized the song for containing "annoying faux-rapping" as a "key component".<ref name="blab">{{cite web|url=https://blabbermouth.net/reviews/the-open-door|archive-url=https://web.archive.org/web/20221028090656/https://blabbermouth.net/reviews/the-open-door|url-status=live|archive-date=October 28, 2022|title=Evanescence – The Open Door |work=[[Blabbermouth.net]] |first=Don |last=Kaye |date=October 2, 2006 |access-date=August 24, 2011}}</ref> For [[NPR]], Suzy Exposito wrote that McCoy "came in to insulate chauvinistic rock listeners from Lee's operatic subjectivity".<ref name="NPR 18">{{cite web|url=https://www.npr.org/2018/07/30/627397206/turning-the-tables-the-200-greatest-songs-by-21st-century-women-part-6|publisher=[[NPR]]|title=The 200 Greatest Songs By 21st Century Women+|date=July 30, 2018|access-date=September 29, 2023|archive-url=https://web.archive.org/web/20230129155549/https://www.npr.org/2018/07/30/627397206/turning-the-tables-the-200-greatest-songs-by-21st-century-women-part-6|archive-date=January 29, 2023|url-status=live}}</ref> Melissa Maerz of ''[[Spin (magazine)|Spin]]'' said that Lee thematically tackles death on the song with "grandeur".<ref name="spinreview">{{cite magazine |url=https://books.google.com/books?id=iemUgvxmQcYC&pg=PA67 |title=She sold more than 15 million albums with Evanescence, only to find herself in abusive relationships |magazine=[[Spin (magazine)|Spin]] |date=October 2006 |first=Melissa |last=Maerz |volume=22 |number=10 |page=70 |issn=0886-3032 |via=[[Google Books]]}}</ref> ''[[Rolling Stone]]'' called it "haunting, moody and cinematic".<ref>{{cite magazine |url=https://www.rollingstone.com/music/music-lists/the-100-greatest-metal-albums-of-all-time-113614/evanescence-fallen-2003-117450/|title=The 100 Greatest Metal Albums of All Time |magazine=[[Rolling Stone]] |access-date=November 5, 2022|archive-url=https://web.archive.org/web/20220324164553/https://www.rollingstone.com/music/music-lists/the-100-greatest-metal-albums-of-all-time-113614/evanescence-fallen-2003-117450/|archive-date=March 24, 2022|url-status=live}}</ref>
"Bring Me to Life" won the [[Grammy Award for Best Hard Rock Performance]] at the [[46th Grammy Awards]], where it was also nominated in the category [[Grammy Award for Best Rock Song|Best Rock Song]].<ref>{{cite web|url=https://www.grammy.com/awards/46th-annual-grammy-awards|title=46th Annual Grammy Awards|publisher=[[The Recording Academy]]|access-date=July 20, 2024|archive-url=
== Chart performance ==
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