Cinecom Pictures was an independent film company founded in 1982 by Ira Deutchman (a former member of United Artists Classics), Amir Malin and John Ives.[1] Its first release was Robert Altman's Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean.[2]
Industry | Independent film production and distribution |
---|---|
Founded | 1982[1] |
Defunct | 1991 |
Fate | Bankruptcy |
Headquarters | New York City |
Key people | Founders Ira Deutchman, Amir Malin and John Ives[1] |
In 1985, Cinecom decided to terminate its pact with film producer Filmvest, which the six-picture agreement would start in 1984.[3] That year, Cinecom received deals with independent producers, like Lucasfilm, Goldcrest, M&R Amusement, the National Film Board of Canada and Merchant Ivory Productions, and decided to acquire twelve motion pictures that were designed to distribute over the next twelve months of its existence.[4]
In 1986, Merchant Ivory Productions and Cinecom International Films partnered to co-produce films, such as The Deceivers.[5] That year, on June 18, 1986, Cinecom inked a co-production deal with film producers Peter Newman and Lewis Allen to start production on Gris Gris, to be directed by Stuart Gordon, but it was never materialized.[6]
On October 22, 1986, Cinecom International Films decided to anticipate its foreign sales hum on in-house productions, which executive Amir Malin says it would be more significant to the agreement, and Gris Gris was planned on to be shooting in New Orleans as an in-house production of Cinecom, but the film went unreleased.[7] In December 1986, the company was renamed to Cinecom Entertainment Group in order to expand its holdings, and had completed what it calls a "significant private placement" and added three new directors to its board, as part of the independent film director's expansion plans, and financing agreements were handled on the investment banking of various companies.[8]
In 1987, after a four-picture agreement with CBS/Fox Video, Cinecom inked a partnership with Lorimar Home Video to handle seven features, in order to prevail in a spirited bidding battle for the willingness that gave Cinecom themselves to Lorimar Home Video, a "distribution-fee agreement" that also included a substational upfront advance.[9]
The company also distributed The Brother from Another Planet and Salaam Bombay!. Its highest-grossing release was 1985's A Room with a View.[10] It closed down in 1991 after it filed for bankruptcy and sold to PolyGram Filmed Entertainment.
Selected films released
- 1982: Come Back to the Five and Dime, Jimmy Dean Jimmy Dean (Robert Altman)
- 1982: Starstruck (Gillian Armstrong)
- 1983: Angelo My Love (Robert Duval)
- 1983: City News (David Fishelson)
- 1983: El Norte (Gregory Nava)
- 1983: L'Argent (Robert Bresson)
- 1984: 1918 (Ken Harrison)
- 1984: Boy Meets Girl (Leos Carax)
- 1984: The Brother From Another Planet (John Sayles)
- 1984: Last Night at the Alamo (Eagle Pennell)
- 1984: Metropolis (Fritz Lang)
- 1984: Secret Honor (Robert Altman)
- 1984: Stop Making Sense (Jonathan Demme)
- 1984: The Times of Harvey Milk (Robert Epstein)
- 1984: Burroughs (Howard Brookner)
- 1984 The Revolt of Job (Imre Gyongyossy and Barna Kabay)
- 1985: The Coca-Cola Kid (Dusan Makavejev)
- 1985: Latino (Haskell Wexler)
- 1985: Pumping Iron 2 (George Butler)
- 1985 Let Ye Inherit (Imre Gyongyossy, Barna Kabay, atalin Petenyi)
- 1985 Tom Goes to the Bar (Dean Prisot)
- 1986: Home of the Brave (Laurie Anderson)
- 1986: Menage (Bertrand Blier)
- 1986: Native Son (Jerrold Freeman)
- 1986: Parting Glances (Bill Sherwood)
- 1986: A Room With A View (James Ivory)
- 1987: Julia and Julia (Peter Del Monte)
- 1987: The Lighthorsemen (Simon Wincer)
- 1987: A Man in Love (Diane Kurys)
- 1987: Matewan (John Sayles)
- 1987: Maurice (James Ivory)
- 1987: Sammy and Rosie Get Laid (Stephen Frears)
- 1987: Swimming to Cambodia (Jonathan Demme)
- 1988: The Deceivers (Nicholas Meyer)
- 1988: Miles from Home (Gary Sinise)
- 1988: Salaam Bombay (Mira Nair)
- 1989: Last Exit to Brooklyn (Uli Edel)
- 1989: Queen of Hearts (Jon Amiel)
- 1989: Scenes from the Class Struggle in Beverly Hills (Paul Bartel)
- 1990: The Handmaid's Tale (Volker Schlondorff)
- 1990: Rosencrantz & Guildenstern Are Dead (Tom Stoppard)
- 1990: Tune in Tomorrow (Jon Amiel)
- 1991: Mississippi Masala (Mira Nair)
References
- ^ a b c Biskind, Peter (2004). Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. New York City: Simon and Schuster. p. 17. ISBN 0-684-86259-X.
- ^ Pierson, John; Smith, Kevin (1997). Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. Miramax Books/Hyperion. p. 38. ISBN 0-7868-8222-0.
- ^ "Cinecom Terminates Pact to Handle Filmvest Pics". Variety. 1985-11-06. p. 38.
- ^ Robbins, Jim (1985-11-13). "Cinecom Handling Release Of 12 Pics Over Next Several Months". Variety. p. 6.
- ^ Cohn, Lawrence (1986-03-12). "Merchant Ivory, Cinecom Teaming On Coproductions". Variety. p. 5.
- ^ "Cinecom To Coproduce 'Gris Gris' With Newman And Allen; January Start". Variety. 1986-06-18. p. 7.
- ^ Robbins, Jim (1986-10-22). "Cinecom Anticipates Foreign Sales Hum For In-House Pics". Variety. pp. 80, 140.
- ^ "Cinecom Makes Finance Move, Adds Directors". Variety. 1986-12-24. p. 7.
- ^ "K/L Snags Cinecom Seven-Pack Via Sweetened Fee Agreement". Variety. 1987-03-11. p. 91.
- ^ "All-Time Grosses for Cinecom". Box Office Mojo. Retrieved 2010-05-20.