Dick Smith (born Richard Emerson Smith, June 26, 1922 in Larchmont, New York) is a make-up artist known for his work on such films as Little Big Man, The Godfather, The Exorcist, Taxi Driver, and Scanners. He won an Academy Award for Makeup for his work on Amadeus. He has been married to Jocelyn De Rosa since 1944, with whom he has two children.
Dick Smith | |
|---|---|
| Other names | Richard Emerson Smith |
| Occupation | makeup artist |
| Years active | 1948 – 1999 |
| Spouse | Jocelyn De Rosa (January 10, 1944-present) |
Smith attended the Wooster School and Yale University, the latter where he studied pre-med, with the intention of entering dentistry. After reading a book on Hollywood make-up techniques, he began administering make-up for the Yale drama group, and entered the field full-time after graduation. He served as NBC's make-up director for fourteen years, pioneering in the development of latex and plastics used in quick-change applications.[1]
Smith pioneered the method of applying prosthetics made from foam latex in small pieces as opposed to the standard of applying a latex mask as one solid piece.[2] Smith's technique allowed the actor to have a wide range of facial expressions, making the makeup appear more natural. Despite initial criticism from many professional makeup artists at the time, Smith's makeup techniques proved to be superior. Today, the standard of applying prosthetics are those that Smith invented.[3]
Early work by Smith was seen on a short lived syndicated supernatural "Twilight Zone' clone TV show produced by David Suskind out of New York in 1961 called "Way Out"m, hosted by Britisher Ronald Dahl. Most memorable was a make-up of a man who had half of his face suddenly erased by a spilled vial of photo retouching fluid that affected real people when merely applied to their photos. In another "Way Out" episode, a "Hunchback of Notre Dame" make-up created by Smith becomes permanently affixed to an evil actor who then became his character and could never remove his make-up. Smith contributed to other of the 14 memorable "Way Out" episodes, and other 60s TV shows as well.
Smith was also one of the early pioneers of combining make-up with on-set 'practical' special effects, starting mainly with "The Exorcist" in 1973, and was an artistic influence of later EFX-Make-up artists such as Rob Bottin. Though many of Smith's make-up effects were so well conceived as to go undetected, Smith's expertise gained prominence and acclaim through the variety and ingenuity of his many effects for The Exorcist. Some of his proteges have gone on to prominent success (e.g., Rick Baker), and Smith is generally considered to be the godfather of modern-day special make-up effects.
In the early-mid 60s, Smith has also published an instructional book, entitled Dick Smith's Do-It-Yourself Monster Make-up Handbook, a special edition of Forrest J. Ackerman's "Famous Monsters of Filmland" magazine series. The detailed techniques outlined in this 100-page photo-heavy magazine were a huge influence on younger make-up artists who later revolutionized the quality of make-up in the film industry.
Smith only has 4 fingers on his left hand. He is missing his ring finger which he lost due to an infection from an injury. He refers to it as his "Mickey Mouse hand"; he is not missing his pinky, as is commonly believed. The ring finger bones in the hand were removed to make it look more natural.
References
- ^ Dick Smith at IMDb
- ^ Nick Thomas (November 25, 2007). "Dick Smith, the Guy Who Changed the Face of Film". The Washington Post.
- ^ Nick Thomas (November 25, 2007). "Dick Smith, the Guy Who Changed the Face of Film". The Washington Post.
External links
- Dick Smith at IMDb
- Dick Smith's website
- 2007 Nick Thomas Interview in the Washington Post
- Dick Smith Legends of Makeup Scholarship at Cinema Makeup School