Osvaldo Pugliese

Osvaldo Pugliese
Osvaldo Pugliese
	Osvaldo Pugliese playing the piano
Background information
Birth name	Osvaldo Pedro Pugliese
Born	December 2, 1905; Buenos Aires, Argentina
Died	July 25, 1995 (aged 89); Buenos Aires, Argentina
Genres	Tango, milonga, vals
Occupation(s)	Musician, composer, arranger
Instrument	piano
Years active	1924–1995
Labels	EMI Odeon

Osvaldo Pedro Pugliese (Buenos Aires, December 2, 1905 – July 25, 1995, Buenos Aires) was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances. In Buenos Aires, Pugliese is often played later in the evening when the dancers want to dance more slowly, impressionistically and intimately.

Pugliese is a great choice for slower tango dance music, but the arrangements can be a bit more rhythmically challenging than those played by other orchestras.^{[citation needed]}

Personal life

His father, Don Adolfo Pugliese, pushed him to work harder; his mother, Aurelia Terragno, often whispered to her son while he was practicing, ¡Al Colón! (To the Colón!), referring to Buenos Aires' famous Teatro Colón, where only the country`s finest artists play. His other brothers Adolfo Vicente and Alberto Roque were violinists. He was married two times, to María Concepción Florio and to Lydia Elman. His first wife died in 1971, and he had one daughter, Lucela Delma "Beba" Pugliese (b. 1939), a pianist in her own right.

Orquesta Osvaldo Pugliese

In 1918 he left primary school to work as a print graphic artist. His father finally convinced him to take classes with the teacher Antonio D'Agostino, at the Conservatorio Odeon.

He wrote his first tango, Recuerdo, in 1924, when he was 19. Two years later, when it was finally recorded, it became a classic. 'La yumba' (1946) is another famous and most popular Pugliese's tangos compositions.

In 1939 he formed his orchestra as a cooperative and made his debut at Café El Nacional (980 Corrientes Avenue - "Cathedral of Tango") on the 11th of August, 1939.

The orchestra toured the former Soviet Union in 1959 (eighty cities in three months -- sometimes playing two or three shows a day) and also China (twenty-eight cities in another month), Chile (1990), Mexico, Columbia (1980), Peru, Cuba (1984, 1988, 1992), Japan (1965, 135 shows in five months; 1979, 1989), the U.S. (stopping in Chicago in 1979), the Middle East, France (1984), Portugal, Spain (1985; 1988 playing in Madrid, at Teatro Albéniz with the singer Joan Manuel Serrat, and Barcelona), Belgium, The Netherlands (with Astor Piazzolla in Amsterdam, 29th of June 1989), Finland and almost all South and Central American countries: Uruguay (1987, Solís Theatre in Montevideo). For his work the maestro received high cultural distinctions, including from the Argentine, French and Cuban governments.

Teatro Colón concert (1985)

At age 80, he was allowed on the 26th of December 1985 to give a concert at the Teatro Colón, in Buenos Aires. He received 5 standing ovations. With characteristic humility he said: “The truth is... it’s a night of the people, of the masses, lovers of our genre, our beloved genre, tango.” The ceremony was led by Luis Brandoni and Héctor Larrea. The orchestra's members that night were: Roberto Álvarez, Alejandro Previgniano, Fabio Lapinta (bandoneons), Osvaldo Montermi, Fernando Rodríguez, Diego Lerendegui, Gabriel Rivas (violins), Merei Brain (Viola), Amílcar Tolosa (double bass) and Osvaldo Pugliese (piano).

List of songs that were played:

“Arrabal”.
 “Los mareados”.
“Después” (Abel Cordoba).
“Quinto año” (Adrian Guida).
“Chacabuqueando”.
 “A Evaristo Carriego” .
“Melodía de arrabal” (Abel Cordoba).
 “Almagro” (Adrián Guida).
 “Recuerdo”.
 “Chiqué” .
 “Mala junta”.
“La canción de Buenos Aires” (Abel Cordoba).
“Contame una historia” (Adrián Guida).
“Copacabana” .
 “Protocoleando”.
 “Milonga para Gardel” (Adrián Guida, Abel Cordoba).
 “Desde el alma”.
 “La yumba”.
“La mariposa” .
"Toda mi vida".
"El encopao".

“La yumba” was played with his old orchestra members:

Oscar Herrero, violin (1943-1978).
Jorge Bruschi, violin (1980-1983).
Kike Lano, violocelist (1963-1973).
Silvio Pucci, violocelist (1973-1983).
Norberto Bernasconi, viola (1954-1978).
Alcides Rossi, contrabass (1970-1978).
Oscar Castagnaro, bandoneon (1943-1951).
Ismael Spitalnik, bandoneon (1956-1971).
Arturo Penón, bandoneon (1961-1984).
Julián Plaza, bandoneon (1959-1968).
Osvaldo Ruggiero, bandoneon (1939-1968).
Victor Lavallén, bandoneon (1959-1968).
Daniel Binelli, bandoneon (1968-1982).

Political views

Pugliese was outspoken in his political opinions. His communist sympathies, though never violent, at times earned him the hostility of those in power. Populist President Juan Perón is said to have had labor union heavies once intimidate Pugliese by locking him in a sinking boat, rescuing him at the last minute; though the alleged 1949 incident has never been proven (Pugliese, likewise, seldom spoke of it publicly), the day Pres. Perón awarded the great pianist the Order of May (Argentina's highest civilian award), he embraced Pugliese, saying: "Thank you, maestro, for forgiving".^[1] Pugliese reportedly responded, "Forgive what?".

He was a member of the Communist Party starting in 1936. He also managed to help create "Sociedad de Músicos y Artistas Afines" to increase job stability and wages for musicians.

In 1961, he wrote Milonga Para Fidel to show his support for the Cuban revolution. When he was in jail, he still wrote arrangements and the orchestra still performed, and placed a red carnation on the keyboard of the piano in his honor.

The 1960s government of the late General Juan Carlos Onganía (who had a deep fear of Peronists and communists alike) simply banned Pugliese from radio broadcasts and public places.

Pugliese was a man of integrity and humility. He spent years in jail due to his beliefs. The government also restricted his recordings to 10 per year. As a communist, he organised his orchestra as a cooperative and paid his members by their contribution, earning their loyalty. Quite rare, his core orchestra members (Osvaldo Ruggiero 1st bandoneon, Enrique Camerano 1st violin, Julio Carrasco and Oscar Herrero 2nd violins, Alcides Rossi on double bass) stayed with him nearly 30 years (1939-1968).

Death

He died after a short illness on the 25th of July 1995 at 89 years old. His remains are in Chacarita Cemetery in an imposing mausoleum, the work of Juan Carlos Ferraro (1997), which was made thanks to the generous contribution of his fans. His funeral received great attention with an impressive caravan that marched in reverse along Corrientes Avenue.

Filmography

He participated as an actor in the films:

Mis cinco hijos (1946).
Tango y tango (1984).
Coexistencia (1993).
Muchas gracias maestro (1993), unfinished documentary.

Awards

In 1986, during the tenure of Mayor Julio César Saguier, the Municipality of the City of Buenos Aires declared him Ciudadano Ilustre.
In 1988 he was awarded with the title of Commander of Ordre des Arts et des Lettres by the Ministry of Culture of France.
In 1992, on 11th of November he was awarded with the Alejo Carpentier medal, the most important cultural distinction by the Council of State of Cuba.