Richard Wagner: Difference between revisions

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Wagner had his own [[opera house]] built, the [[Bayreuth Festspielhaus]], which embodied many novel design features. The ''Ring'' and ''[[Parsifal]]'' were premiered here and his [[Bayreuth canon|most important stage works]] continue to be performed at the annual [[Bayreuth Festival]], which was galvanized by the efforts of his wife [[Cosima Wagner]] and the [[Wagner family|family's descendants]]. His thoughts on the relative contributions of music and drama in opera were to change again, and he reintroduced some traditional forms into his last few stage works, including ''[[Die Meistersinger von Nürnberg]]'' (''The Mastersingers of Nuremberg'').
 
Until his final years, Wagner's life was characterised by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His controversial writings on music, drama and politics have attracted extensive comment – particularly since the late 20th century, as they express [[antisemitic]] sentiments. The effect of his ideas can be traced in many of the arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre.
 
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