Robert Watts (artist): Difference between revisions

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Watts attended the [[duPont Manual High School]] in Louisville and earned a degree in [[mechanical engineering]] at the [[University of Louisville]] in 1944.
 
He served injoined the United States Navy fromin December 1942 towhile Maystill 1946,in college ad becomingbecame an ensign in 1945 after graduating from college. He served aboard the aircraft carriers [[USS Guadalcanal (CVE-60)]] and the [[USS Solomons (CVE-67)]], and left the Navy in May 1946.<ref>[http://www.artpool.hu/Fluxus/Watts/Friedman_e.html Flux Med Dr Bob]</ref> Watts left the Navy and

He moved to New York in 1948, where he studied art at the [[Art Students League]] and later at [[Columbia University]] from where he gained a degree in the History of Art in 1951, majoring in pre-Columbian and non-Western Art.<ref name=MailArt/> After becoming Professor of Art at Douglass College, Rutgers University, 1953, he started to exhibit works in a proto-pop style. He participated in Pop Art shows such as ''New Forms, New Media'' exhibition in 1960 at Martha Jackson's Gallery; the ''Popular Image'' exhibition at the Washington Gallery of Art in 1963; and the 1964 ''American Supermarket'' exhibition at New York's Bianchini Gallery, which also featured [[Andy Warhol]], [[Claes Oldenburg]] and [[Tom Wesselmann]].<ref name=MailArt>[http://www.mailartist.com/johnheldjr/RobertWatts.html Mail Art John Held Jr] {{webarchive|url=https://web.archive.org/web/20090405050332/http://www.mailartist.com/johnheldjr/RobertWatts.html |date=April 5, 2009}}</ref> After exhibiting at [[Leo Castelli|Leo Castelli's]] Gallery in 1964, Watts turned his back on the gallery system, and concentrated instead on the [[anti-art]] of the emerging New York avant-garde centred around George Maciunas.
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"[His] work obviously related to that of the Pop artists that I had discovered a few years before ... Watts' chromed objects closely related to [[Jasper Johns|Johns']] cast beer cans and flashlights, for instance. The 1964 exhibition also included Watts' sculpture of plaster cast loaves of bread on shelves. That work, in particular, I think of as one of his most important inventions. I'm also particularly fond of the chrome eggs and egg carton in my own collection which will appear in this [posthumous] show. The public will be surprised that an artist -so promising at such an early date- did not receive through the years the appreciation he deserved." Leo Castelli<ref name=MailArt/>