The Third Man: Difference between revisions

Six weeks of principal photography was shot on location in Vienna,<ref>[http://www.spectator.co.uk/print/the-magazine/features/3521266/i-half-expected-to-see-welles-run-towards-me.thtml I half expected to see Welles run towards me]{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }}, a 7 April 2009 article from ''[[The Spectator]]''</ref> ending on 11 December 1948. Some use was made of the [[Sievering Studios]] facilities in the city.<ref>Drazin, Charles. ''Korda: Britain's Movie Mogul''. I. B. Tauris, 2011. p. 320.</ref> Production then moved to the [[Worton Hall Studios]] in [[Isleworth]]<ref>[http://ftvdb.bfi.org.uk/sift/organisation/38034?view=credit Worton Hall Studios] {{Webarchive|url=https://web.archive.org/web/20090902212448/http://ftvdb.bfi.org.uk/sift/organisation/38034?view=credit |date=2 September 2009 }} from a [[British Film Institute]] website</ref> and [[Shepperton Studios]] near London and was completed in March 1949.<ref name="ccbehind">{{cite book |last=Drazin |first=Charles |url=https://www.criterion.com/current/posts/1020 |title=Carol Reed's ''The Third Man'' |date=21 May 2007 |publisher=[[Criterion Collection]] |section=Behind ''The Third Man'' |access-date=11 January 2024}}</ref> Thomas Riegler emphasises the opportunities for Cold War espionage that the Vienna setlocations made available, and notes that "the audio engineer Jack Davies noticed at least one mysterious person on the set."<ref>{{Cite journal|last=Riegler|date=2020|title=The Spy Story Behind The Third Man|url=https://www.jstor.org/stable/10.5325/jaustamerhist.4.0001|journal=Journal of Austrian-American History|volume=4|pages=1–37|doi=10.5325/jaustamerhist.4.0001|jstor=10.5325/jaustamerhist.4.0001|s2cid=226400749}}</ref>