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'''''All Day Long''''' is a jazz album by guitarist [[Kenny Burrell]] released in 1957 under [[Prestige Records|Prestige]] label, although it is nominally credited to the "Prestige All-Stars"<ref name="foo">[https://www.allmusic.com/artist/prestige-all-stars-mn0000359631/biography Prestige All-Stars: Allmusic biography by Ron Wynn], accessed July 7, 2019</ref>. This was one of the first albums in which Burrell was presented as a leader. It's characterized by up tempo pieces, all of which were composed by the members of the band.
'''''All Day Long''''' is a jazz album by guitarist [[Kenny Burrell]] released in 1957 under [[Prestige Records|Prestige]] label, although it is nominally credited to the "Prestige All-Stars". <ref name="foo">[https://www.allmusic.com/artist/prestige-all-stars-mn0000359631/biography Prestige All-Stars: Allmusic biography by Ron Wynn], accessed July 7, 2019</ref> This was one of the first albums in which Burrell was presented as a leader. It's characterized by up tempo pieces, all of which were composed by the members of the band.
Side A of the LP only included the blues ''"All Day Long"'' described by [[Dan Morgenstern]]<ref>Morgenstern, Dan (1963). All Day Long (album liner notes). Kenny Burrell. New York: Prestige Records Inc. Prestige 7277.</ref> as "A simple but effective structure" that "controls the performance and keeps it solidly together: each soloist enters with a break, plays 12 bars, and then breaks again before extemporizing at great length".
Side A of the LP only included the blues ''"All Day Long"'' described by [[Dan Morgenstern]]<ref>Morgenstern, Dan (1963). All Day Long (album liner notes). Kenny Burrell. New York: Prestige Records Inc. Prestige 7277.</ref> as "A simple but effective structure" that "controls the performance and keeps it solidly together: each soloist enters with a break, plays 12 bars, and then breaks again before extemporizing at great length".
1957 studio album by Kenny Burrell
All Day Long is a jazz album by guitarist Kenny Burrell released in 1957 under Prestige label, although it is nominally credited to the "Prestige All-Stars".[ 4] This was one of the first albums in which Burrell was presented as a leader. It's characterized by up tempo pieces, all of which were composed by the members of the band.
Side A of the LP only included the blues "All Day Long" described by Dan Morgenstern [ 5] as "A simple but effective structure" that "controls the performance and keeps it solidly together: each soloist enters with a break, plays 12 bars, and then breaks again before extemporizing at great length".
Ira Gitler in the original liner notes[ 6] points out that theme "A.T" is dedicated by Frank Foster to Art Taylor (hence the initials); "Say Listen" "derives its name from the attention calling phrase that [Byrd] often verbally employed".
Album design
The cover shows Verrazano-Narrows Bridge of New York in the daytime and by night.
Track listing
Title 1. "All Day Long" (Burrell) 18:18 2. "Slim Jim" (Byrd) 7:28 3. "Say Listen" (Byrd) 6:41 4. "A.T." (Foster) 6:40 5. "C.P.W.(*) " (Foster) 5:54
(*)Note:
Track 5 was not part of original vinyl and was initially issued on the LP compilation ¨The Best of Kenny Burrell¨ [ 7] (Prestige 1966). This is an additional track included in the CD version of 1990, digitally remastered by the engineer Phil De Lancie at Fantasy Studios in Berkeley (California).
Personnel
References
^ Billboard Apr 29, 1957
^ Allmusic Review , accessed July 7, 2019
^ [Cook, Richard; Brian Morton (2004)[1992]. "Kenny Burrell". The Penguin Guide to Jazz on CD". The Penguin Guide to Jazz (7th. ed.). Penguin Books Ltd, England. pp. 237-238. ISBN 0-141-01416-4 .]
^ Prestige All-Stars: Allmusic biography by Ron Wynn , accessed July 7, 2019
^ Morgenstern, Dan (1963). All Day Long (album liner notes). Kenny Burrell. New York: Prestige Records Inc. Prestige 7277.
^ Gitler, Ira (1957). All Day Long (CD booklet). Kenny Burrell. New York: Prestige. p. 4. OJC2O 456-2.
^ Discogs: Kenny Burrell - The Best of Kenny Burrell , accessed July 7, 2019
Years given are for the recording(s), not first release.
Leader or co-leader
All Night Long (1956)
Introducing Kenny Burrell (1956)
Kenny Burrell (Blue Note album, 1956)
Swingin' (1956–59)
All Day Long (Prestige All-Stars, 1957)
Earthy (1957)
John Jenkins with Kenny Burrell (with John Jenkins , 1957)
K. B. Blues (1957)
Kenny Burrell (aka Blue Moods , Prestige, 1957)
2 Guitars (with Jimmy Raney , 1957)
Blue Lights (1958)
Kenny Burrell & John Coltrane (1958)
Weaver of Dreams (1960–61)
Bluesin' Around (1961–62)
Bluesy Burrell (with Coleman Hawkins , 1962)
Crash (with Brother Jack McDuff , 1963)
Freedom (1963–64)
Midnight Blue (1963)
Guitar Forms (with Gil Evans , 1964–65)
Soul Call (1964)
Travelin' Light (and Shirley Scott , 1964)
A Generation Ago Today (1966–67)
Have Yourself a Soulful Little Christmas (1966)
The Tender Gender (1966)
Blues – The Common Ground (1967–68)
Ode to 52nd Street (1967)
Night Song (1968–69)
Asphalt Canyon Suite (1969)
God Bless the Child (1971)
'Round Midnight (1972)
Both Feet on the Ground (1973)
Sky Street (1974)
Stormy Monday (1974)
Up the Street, 'Round the Corner, Down the Block (1974)
Ellington Is Forever (1975)
Ellington Is Forever Volume Two (1975)
Tin Tin Deo (1977)
Handcrafted (1978)
When Lights Are Low (1978)
Moon and Sand (1979)
Heritage (1980)
Listen to the Dawn (1980)
Groovin' High (1981)
Togethering (1985)
Sunup to Sundown (1991)
Lotus Blossom (1995)
Live albums WithJohnny Hodges WithMilt Jackson WithJimmy Smith WithStanley Turrentine With others
Just Wailin' (Herbie Mann , Charlie Rouse and Mal Waldron , 1957)
Little Big Horn (Nat Adderley , 1963)
Funky (Gene Ammons , 1957)
Jammin' in Hi Fi with Gene Ammons (1957)
Bad! Bossa Nova (Gene Ammons, 1962)
My Kinda Swing (Ernestine Anderson , 1960)
Chet (Chet Baker , 1958–59)
Baby Breeze (Chet Baker, 1964)
West Side Story Bossa Nova (Bill Barron , 1963)
Tony Bennett at Carnegie Hall (Tony Bennett , 1962)
Dear Ella (Dee Dee Bridgewater , 1997)
Please Please Please (James Brown and The Famous Flames , 1959)
Try Me! (James Brown and The Famous Flames, 1959)
Motor City Scene (Donald Byrd , 1960)
A New Perspective (Donald Byrd, 1963)
Up with Donald Byrd (Donald Byrd, 1964)
'Round Midnight (Betty Carter , 1962–63)
Whims of Chambers (Paul Chambers , 1956)
Bass on Top (Paul Chambers, 1957)
Sonny Clark Quintets (Sonny Clark , 1958)
Blossom Dearie Sings Comden and Green (Blossom Dearie , 1959)
My Gentleman Friend (Blossomn Dearie, 1959)
'Round About Midnight at the Cafe Bohemia (Kenny Dorham , 1956)
Quintessence (Bill Evans , 1976)
The Individualism of Gil Evans (1964)
Ph.D. (Art Farmer , 1989)
Beyond the Blue Bird (Tommy Flanagan, 1990)
The Cats (Tommy Flanagan, John Coltrane and Idrees Sulieman , 1957)
No 'Count (Frank Foster , 1956)
Yeah!!! (Aretha Franklin , 1965)
Soul '69 (Aretha Franklin, 1968)
Red Garland Revisited! (Red Garland , 1957)
So Long Blues (Red Garland, 1979)
Stepping Out (Red Garland, 1979)
Reflections (Stan Getz , 1963)
Getz Au Go Go (Stan Getz , 1964)
What the World Needs Now: Stan Getz Plays Burt Bacharach and Hal David (Stan Getz, 1968)
Take It from Me (Terry Gibbs , 1964)
Dee Gee Days: The Savoy Sessions (Dizzy Gillespie , 1951)
Cleopatra Feelin' Jazzy (Paul Gonsalves , 1963)
Soul (Coleman Hawkins , 1958)
The Hawk Relaxes (Coleman Hawkins, 1961)
Cool Sax from Hollywood to Broadway (Eddie Harris , 1964)
I Just Dropped by to Say Hello (Johnny Hartman, 1963)
On the Trail (Jimmy Heath , 1964)
Lady Sings the Blues (Billie Holiday , 1956)
Loads of Love (Shirley Horn , 1962)
Stormy Weather (Lena Horne , 1956–57)
Bossa Nova Plus (Willis Jackson , 1962)
The Message (Illinois Jacquet , 1963)
Desert Winds (Illinois Jacquet, 1964)
French Cookin' (Budd Johnson , 1963)
Broadway Express (J.J. Johnson , 1965)
Hollar! (Etta Jones , 1960–62)
Love Shout (Etta Jones, 1962–63)
Etta Jones Sings (Etta Jones, 1965)
Porgy and Bess (Hank Jones , 1958)
Here's Love (Hank Jones, 1963)
Ain't Misbehavin' (Hank Jones, 1978)
The Birth of a Band! (Quincy Jones , 1959)
Quincy Plays for Pussycats (Quincy Jones, 1959–65)
Detroit – New York Junction (Thad Jones , 1956)
After Hours (Thad Jones, 1957)
Piano (Wynton Kelly , 1958)
Comin' in the Back Door (Wynton Kelly, 1963)
It's All Right! (Wynton Kelly, 1964)
Live at the Apollo (B.B. King , 1991)
The Blue Yusef Lateef (1968)
Laws' Cause (Hubert Laws , 1966–68)
Melba Liston and Her 'Bones (1958)
I'm Shooting High (Gildo Mahones , 1963)
The Great Gildo (Gildo Mahones, 1963)
Steppin' Out ("Brother" Jack McDuff , 1961–66)
Screamin' ("Brother" Jack McDuff, 1962)
Somethin' Slick! ("Brother" Jack McDuff, 1963)
The Jazz Version of "How to Succeed in Business without Really Trying" (Gary McFarland , 1961)
Soft Samba (Gary McFarland, 1964)
The In Sound (Gary McFarland, 1965)
The Big Band (Jimmy McGriff , 1966)
A Little Juicy (Billy Mitchell , 1963)
Fusion! Wes Montgomery with Strings (1963)
Sweet Harmony (Maria Muldaur , 1976)
Bossa Nova Carnival (Dave Pike , 1962)
Interplay for 2 Trumpets and 2 Tenors (The Prestige All-Stars, 1957)
Soul Samba (Ike Quebec , 1962)
Midnight Oil (Jerome Richardson , 1958)
Down to Earth (Freddie Roach , 1962)
Mo' Greens Please (Freddie Roach, 1963)
Alfie (Sonny Rollins , 1966)
Bossa Nova Bacchanal (Charlie Rouse , 1962–65)
Stable Mates (A.K. Salim , 1957)
Once a Thief and Other Themes (Lalo Schifrin , 1965)
Sylvia Is! (Sylvia Syms , 1965)
Out of the Storm (Ed Thigpen , 1966)
Soul Sauce (Cal Tjader , 1964)
Warm Wave (Cal Jjader, 1964)
What a Diff'rence a Day Makes! (Dinah Washington , 1959)
Trombone Four-in-Hand (Dicky Wells , 1959)
North, South, East....Wess (Frank Wess , 1956)
Uhuru Afrika (Randy Weston , 1960)
Soul Surfin' (Kai Winding , 1963)
Rainy Day (Kai Winding, 1964–65)
More Brass (Kai Winding, 1966)
Baby, Baby, Baby (Jimmy Witherspoon , 1963)
Blue Spoon (Jimmy Witherspoon, 1964)
Suddenly the Blues (Leo Wright , 1962)
Soul Talk (Leo Wright, 1963)
Years indicated are for the recording(s), not first release .
As leader WithPepper Adams WithThe Jazz Messengers WithGigi Gryce WithJackie McLean WithHank Mobley With others
Discoveries /Presenting Cannonball Adderley (Cannonball Adderley , 1955)
Jammin' with Gene (Gene Ammons , 1956)
All Night Long (Kenny Burrell , 1956)
All Day Long (Kenny Burrell, 1957)
2 Guitars (Kenny Burrell & Jimmy Raney , 1957)
Whims of Chambers (Paul Chambers , 1956)
Paul Chambers Quintet (1957)
Sonny's Crib (Sonny Clark , 1957)
My Conception (Sonny Clark, 1959)
Bohemia After Dark (Kenny Clarke , 1955)
Lush Life (John Coltrane , 1957–58)
The Believer (John Coltrane, 1957–58)
The Last Trane (John Coltrane, 1957–58)
Black Pearls (John Coltrane, 1957–58)
Davis Cup (Walter Davis Jr. , 1959)
Wailing With Lou (Lou Donaldson , 1957)
Lou Takes Off (Lou Donaldson, 1957)
This Is New (Kenny Drew , 1957)
All Mornin' Long (Red Garland , 1957)
Soul Junction (Red Garland, 1957)
High Pressure (Red Garland, 1957)
One Flight Up (Dexter Gordon , 1964)
Ladybird (Dexter Gordon, 1965)
Snap Your Fingers (Al Grey , 1962)
Johnny Griffin Sextet (1958)
Jazzmatazz, Vol. 1 (Guru , 1993)
Jazzmatazz, Vol. 2: The New Reality (Guru, 1994–95)
My Point of View (Herbie Hancock , 1993)
Tone Tantrum (Gene Harris, 1977)
Swamp Seed (Jimmy Heath , 1963)
Informal Jazz (Elmo Hope , 1956)
African High Life (Solomon Ilori , 1963)
Big Byrd: The Essence Part 2 (Ahmad Jamal , 1994 or 1995)
Quartet-Quintet (Hank Jones , 1955)
Bluebird (Hank Jones, 1955)
TV Action Jazz! (Mundell Lowe , 1959)
The Thelonious Monk Orchestra at Town Hall (1959)
Goin' Out of My Head (Wes Montgomery , 1965)
Hush! (Duke Pearson , 1962)
Wahoo! (Duke Pearson, 1964)
Another One /Oscar Pettiford Volume 2 (1955)
Winner's Circle (Oscar Pettiford , et al, 1957)
Blues in Trinity (Dizzy Reece , 1958)
The Cool Voice of Rita Reys (1956)
Dimensions & Extensions (Sam Rivers , 1967)
Sonny Rollins, Volume 1 (1956)
Don't Stop the Carnival (Sonny Rollins , 1978)
Silver's Blue (Horace Silver , 1956)
6 Pieces of Silver (Horace Silver, 1956–58)
A Date with Jimmy Smith Volume One (1957)
A Date with Jimmy Smith Volume Two (1957)
Taylor's Wailers (Art Taylor , 1957)
Soul Sauce (Cal Tjader , 1964)
A Bluish Bag (Stanley Turrentine , 1967)
Top Brass (Ernie Wilkins , 1955)
Pairing Off (Phil Woods , 1956)
Years given are for the recording(s), not first release, except where noted.
Albums as leader or co-leader WithPepper Adams WithKenny Burrell WithJohn Coltrane WithArt Farmer WithElla Fitzgerald WithCurtis Fuller WithColeman Hawkins WithMilt Jackson WithJ.J. Johnson WithSonny Rollins With others
Tentets (Franco Ambrosetti , 1985)
Boss Tenor (Gene Ammons , 1960)
Big Brass (Benny Bailey , 1960)
Bash! (Dave Bailey , 1961)
Who Is Gary Burton? (Gary Burton , 1962)
Jazz Lab (Donald Byrd , 1957)
Carter, Gillespie Inc. (Benny Carter and Dizzy Gillespie , 1976)
Paul Chambers Quintet (1957)
More Party Time (Arnett Cobb , 1960)
Movin' Right Along (Arnett Cobb, 1960)
Rhythm in Mind (Steve Coleman , 1991)
Sonny's Dream (Birth of the New Cool) (Sonny Criss , 1968)
Straight Ahead (Eddie "Lockjaw" Davis, 1976)
Collectors' Items (Miles Davis , 1956)
Quiet Kenny (Kenny Dorham , 1959)
The Kenny Dorham Memorial Album (1960 [1976])
Opening Remarks (Ted Dunbar , 1978)
Patented by Edison (Harry "Sweets" Edison , 1960)
The Book Cooks (Booker Ervin , 1960)
The Song Book (Booker Ervin, 1964)
Chromatic Palette (Tal Farlow , 1981)
The Dizzy Gillespie Big 7 (1975)
Gettin' with It (Benny Golson , 1959)
Free (Benny Golson, 1962)
The Panther! (Dexter Gordon , 1970)
The Swingin'est (Bennie Green and Gene Ammons, 1958)
Grey's Mood (Al Grey , 1973–75)
It's About Time (Jimmy Hamilton , 1961)
Can't Help Swinging (Jimmy Hamilton, 1961)
Drum Suite (Slide Hampton , 1962)
Out of the Afternoon (Roy Haynes and Roland Kirk , 1962)
Really Big! (Jimmy Heath , 1960)
New Picture (Jimmy Heath, 1985)
Porgy & Bess (Joe Henderson , released 1997)
The Artistry of Freddie Hubbard (1962)
Mirage (Bobby Hutcherson , 1991)
Bossa Nova Plus (Willis Jackson , 1962)
Desert Winds (Illinois Jacquet , 1962)
Budd Johnson and the Four Brass Giants (1960)
Let's Swing! (Budd Johnson , 1960)
Heart to Heart (Elvin Jones , 1980)
Blues for Dracula (Philly Joe Jones , 1958)
Detroit – New York Junction (Thad Jones , 1956)
Mad Thad (Thad Jones, 1956–57)
A Story Tale (Clifford Jordan and Sonny Red , 1961)
The Adventurer (Clifford Jordan, 1978)
Booker Little 4 and Max Roach (1958)
Booker Little (1960)
Vocalese (The Manhattan Transfer , 1985)
Flute Flight (Herbie Mann and Bobby Jaspar , 1957)
Flute Soufflé (Herbie Mann and Bobby Jaspar, 1957)
Dusty Blue (Howard McGhee , 1960)
Reincarnation of a Lovebird (Charles Mingus , 1960)
De Lawd's Blues (Billy Mitchell , 1980)
Smooth as the Wind (Blue Mitchell , 1960–61)
The Incredible Jazz Guitar of Wes Montgomery (1960)
Jeru (Gerry Mulligan , 1962)
Jive at Five (Joe Newman , 1960)
Good 'n' Groovy (Joe Newman with Frank Foster , 1960)
Joe's Hap'nin's (Joe Newman, 1961)
Straight Life (Art Pepper , 1979)
The Oscar Pettiford Orchestra in Hi-Fi (1956)
Limbo Carnival (Dave Pike , 1962)
Dave Pike Plays the Jazz Version of Oliver! (Dave Pike, 1962)
Pony's Express (Pony Poindexter , 1962)
Keep Swingin' (Julian Priester , 1960)
Wisteria (Jimmy Raney , 1985)
Swingin' with Pee Wee (Pee Wee Russell , 1960)
Stable Mates (A. K. Salim , 1957)
Here Comes Louis Smith (Louis Smith , 1958)
Roots (Idrees Sulieman , 1957)
Tate-a-Tate (Buddy Tate , 1960)
Color Changes (Clark Terry , 1960)
Lucky Thompson Plays Happy Days Are Here Again (1965)
Stan "The Man" Turrentine (1960)
ZT's Blues (Stanley Turrentine , 1961)
The Frank Wess Quartet (1960)
Southern Comfort (Frank Wess , 1962)
California Soul (Gerald Wilson , 1968)
Pairing Off (Phil Woods , 1956)
Rights of Swing (Phil Woods, 1961)