Allan Dwan: Difference between revisions
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{{Short description|American film director & screenwriter (1885–1981)}} |
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{{Use American English|date=June 2021}} |
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{{Infobox person |
{{Infobox person |
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| name = Allan Dwan |
| name = Allan Dwan |
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| image = Allan Dwan 1920.jpg |
| image = Allan Dwan - Sep 1920 EH.jpg |
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| alt = |
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| caption = Dwan in 1920 |
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|birth_name=Joseph Aloysius Dwan |
| birth_name = Joseph Aloysius Dwan |
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| birth_date = {{Birth date |
| birth_date = {{Birth date|1885|4|3}} |
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| birth_place = [[Toronto]], Canada |
| birth_place = [[Toronto]], [[Ontario]], Canada |
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| death_date = {{Death date and age |
| death_date = {{Death date and age|1981|12|28|1885|4|3}} |
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| death_place = Los Angeles, United States |
| death_place = [[Los Angeles]], [[California]], United States |
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| spouse = [[Pauline Bush (actress)|Pauline Bush]] |
| spouse = {{marriage|[[Pauline Bush (actress)|Pauline Bush]]|1915|1919|end=divorce}}<br/>{{marriage|Marie Shelton|1927|1949|end=divorce}} |
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| occupation = Film director<br>Film producer<br>Screenwriter |
| occupation = Film director<br />Film producer<br />Screenwriter |
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| years_active = 1911–1961 |
| years_active = 1911–1961; 1980 |
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}} |
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'''Allan Dwan''' ( |
'''Allan Dwan''' (born '''Joseph Aloysius Dwan'''; April 3, 1885 – December 28, 1981) was a pioneering Canadian-born American motion picture director, producer, and screenwriter. |
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==Early life== |
==Early life== |
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Born Joseph Aloysius Dwan in [[Toronto]], Ontario, Canada, Dwan was the younger son of commercial traveler of woolen clothing Joseph Michael Dwan (1857–1917) and his wife Mary Jane Dwan (née Hunt). The family moved to the United States when he was seven years old on December 4, 1892, by ferry from Windsor to Detroit, according to his [[naturalization]] petition of August 1939. His elder brother, Leo Garnet Dwan (1883–1964), became a physician. |
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⚫ | Allan Dwan studied engineering at the [[University of Notre Dame]] and then worked for a lighting company in Chicago. He had a strong interest in the fledgling motion picture industry, and when [[Essanay Studios]] offered him the opportunity to become a scriptwriter, he took the job.<ref name="Kevin Brownlow 1968">{{cite book|author=Brownlow, Kevin|author-link=Kevin Brownlow|title=The Parade's Gone By...|publisher=[[Ballantine Books|Ballantine Books, Inc.]]|location=New York|year=1969|page=111}}</ref> At that time, some of the [[East Coast of the United States|East Coast]] movie makers began to spend winters in California where the climate allowed them to continue productions requiring warm weather. Soon, a number of movie companies worked there year-round, and in 1911, Dwan began working part-time in [[Hollywood, Los Angeles|Hollywood]]. While still in New York, in 1917 he was the founding president of the East Coast chapter of the [[Motion Picture Directors Association]].<ref name="frankenstein">{{cite news|last=Fournier|first=Pierre|url=http://io9.gizmodo.com/5706057/the-first-frankenstein-of-the-movies|title=The first Frankenstein of the movies|work=[[io9]]|date=December 4, 2010|access-date=April 28, 2016}}</ref> |
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==Career== |
==Career== |
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Dwan started his directing career by accident in 1911, when he was sent by his employers to California, in order to locate a company that had vanished. Dwan managed to track the company down, and learned that they were waiting for a film director (who was an alcoholic) to return from a binge and allow them to resume their work. Dwan wired back to his employers in Chicago, informing them of the situation, and suggested that they disband the company. They wired back, instructing Dwan to direct the stalled film. When Dwan informed the company of the situation, and that their jobs were on the line, they responded: "You're the best damn director we ever saw".<ref name="HollywoodDoc">{{cite episode |title=The Man with the Megaphone |series=[[Hollywood (1980 TV series)|Hollywood]] |date=March 11, 1980 |number=10}}</ref> |
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⚫ | Dwan operated [[Flying A Studios]] in [[La Mesa, California]] from August 1911 to July 1912.<ref>{{cite web|url=http://eastcountymagazine.org/node/6833|title=La mesa to honor its tinseltown roots aug. 12–13}}</ref><ref>{{cite web|url=http://lamesa.patch.com/articles/100-simple-melodramas-were-made-in-la-mesa-100-years-ago|title=Proto-Hollywood: 100 Melodramas Were Made In La Mesa 100 Years Ago}}</ref> Flying A was one of the first motion pictures studios in California history. On |
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⚫ | Dwan operated [[Flying A Studios]] in [[La Mesa, California]], from August 1911 to July 1912.<ref>{{cite web|url=http://eastcountymagazine.org/node/6833|title=La mesa to honor its tinseltown roots aug. 12–13}}</ref><ref>{{cite web|url=http://lamesa.patch.com/articles/100-simple-melodramas-were-made-in-la-mesa-100-years-ago|title=Proto-Hollywood: 100 Melodramas Were Made In La Mesa 100 Years Ago|date=August 10, 2011}}</ref> Flying A was one of the first motion pictures studios in California history. On August 12, 2011, a plaque was unveiled on the Wolff building at Third Avenue and La Mesa Boulevard commemorating Dwan and the [[Flying A Studios]] origins in [[La Mesa, California]]. |
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⚫ | After making a series of westerns and comedies, Dwan directed fellow Canadian-American [[Mary Pickford]] in several very successful movies as well as her husband, [[Douglas Fairbanks]], notably in the acclaimed 1922 ''[[Robin Hood (1922 film)|Robin Hood]]''. Around that time, he also directed [[Carole Lombard]] in [[A Perfect Crime (film)|''A Perfect Crime'']], her film debut. Dwan directed [[Gloria Swanson]] in eight feature films, and one short film made in the short-lived sound-on-film process [[Phonofilm]]. This short, also featuring [[Thomas Meighan]] and [[Henri de la Falaise]], was produced as a joke, for the April 26, 1925 "Lambs' Gambol" for [[The Lambs]], with the film showing Swanson crashing the all-male club. |
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⚫ | Dwan helped launch the career of two other successful Hollywood directors, [[Victor Fleming]], who went on to direct ''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'' and ''[[Gone with the Wind (film)|Gone With the Wind]]'', and [[Marshall Neilan]], who became an actor, director, writer and producer. Over a long career spanning almost 50 years, Dwan directed 125 motion pictures, some of which were highly acclaimed, such as the 1949 box office hit, ''[[Sands of Iwo Jima]]''. He directed his last movie in 1961.<ref>{{cite web|url=http://www.afi.com/members/catalog/SearchResult.aspx?s=&retailCheck=&Type=PN&CatID=DATABIN_DIRECTOR&ID=11207&AN_ID=&searchedFor=Allan_Dwan_|publisher=[[American Film Institute]]|title=Allan Dwan, Filmography|access-date=December 27, 2015}}</ref> |
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⚫ | After making a series of westerns and comedies, Dwan directed fellow Canadian-American [[Mary Pickford]] in several very successful movies as well as her husband, [[Douglas Fairbanks]], notably in the acclaimed 1922 ''[[Robin Hood (1922 film)|Robin Hood]]''. Dwan directed [[Gloria Swanson]] in eight feature films, and one short film made in the short-lived sound-on-film process [[Phonofilm]]. This short, also featuring [[Thomas Meighan]] and [[Henri de la Falaise]], was produced as a joke, for the |
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Being one of the last surviving pioneers of the cinema, he was interviewed at length for the 1980 documentary series ''[[Hollywood (British TV series)|Hollywood]]''.<ref name="HollywoodDoc"/> |
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⚫ | Dwan helped launch the career of two other |
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Daniel Eagan of ''[[Film Journal International]]'' described Dwan as one of the early pioneers of cinema, stating that his style "is so basic as to seem invisible, but he treats his characters with uncommon sympathy and compassion."<ref>{{cite web|last1=Eagan|first1=Daniel|title=MoMA's Republic Pictures series offers B-movie rediscoveries and restorations|url=http://www.filmjournal.com/momas-republic-pictures-series-offers-b-movie-rediscoveries-and-restorations|website=[[Film Journal International]]|publisher=[[Prometheus Global Media|Prometheus Global Media, LLC]]|access-date=February 1, 2018|date=January 31, 2018|archive-url=https://web.archive.org/web/20180131223908/http://www.filmjournal.com/momas-republic-pictures-series-offers-b-movie-rediscoveries-and-restorations|archive-date=January 31, 2018|url-status=dead}}</ref> |
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==Partial filmography as director== |
==Partial filmography as director== |
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{{div col|colwidth=25em}} |
{{div col|colwidth=25em}} |
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*''[[The Restless Spirit]]'' (1913) |
*''[[The Restless Spirit]]'' (1913) |
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*''[[Back to Life (1913 film)|Back to Life]]'' (1913) |
*''[[Back to Life (1913 film)|Back to Life]]'' (1913) |
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*''[[The Lie (1914 film)|The Lie]]'' (1914) |
*''[[The Lie (1914 film)|The Lie]]'' (1914) |
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*''[[The Honor of the Mounted]]'' (1914) |
*''[[The Honor of the Mounted]]'' (1914) |
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* ''[[The Unwelcome Mrs. Hatch]]'' (1914) |
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*''[[Remember Mary Magdalen]]'' (1914) |
*''[[Remember Mary Magdalen]]'' (1914) |
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*''[[Discord and Harmony]]'' (1914) |
*''[[Discord and Harmony]]'' (1914) |
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*''[[The Lamb, the Woman, the Wolf]]'' (1914) |
*''[[The Lamb, the Woman, the Wolf]]'' (1914) |
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*''[[The End of the Feud]]'' (1914) |
*''[[The End of the Feud]]'' (1914) |
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*''[[The Test (1914 film)|The Test]]'' (1914) (*writer) |
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*''[[The Tragedy of Whispering Creek]]'' (1914) |
*''[[The Tragedy of Whispering Creek]]'' (1914) |
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*''[[The Unlawful Trade]]'' (1914) |
*''[[The Unlawful Trade]]'' (1914) |
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*''[[The Forbidden Room]]'' (1914) |
*''[[The Forbidden Room (1914 film)|The Forbidden Room]]'' (1914) |
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*''[[The Hopes of Blind Alley]]'' (1914) |
*''[[The Hopes of Blind Alley]]'' (1914) |
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*''[[Richelieu (film)|Richelieu]]'' (1914) |
*''[[Richelieu (1914 film)|Richelieu]]'' (1914) |
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* ''[[Wildflower (1914 film)|Wildflower]]'' (1914) |
* ''[[Wildflower (1914 film)|Wildflower]]'' (1914) |
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*''[[A Small Town Girl]]'' (1915) |
*''[[A Small Town Girl]]'' (1915) |
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*''[[A Girl of Yesterday]]'' (1915) |
*''[[A Girl of Yesterday]]'' (1915) |
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*''[[The Pretty Sister of Jose (1915 film)|The Pretty Sister of Jose]]'' (1915) |
*''[[The Pretty Sister of Jose (1915 film)|The Pretty Sister of Jose]]'' (1915) |
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*''[[Jordan Is a Hard Road]]'' |
* ''[[Jordan Is a Hard Road]]'' (1915) |
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*''[[The Habit of Happiness]]'' (1916) |
*''[[The Habit of Happiness]]'' (1916) |
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*''[[The Good Bad Man]]'' (1916) |
*''[[The Good Bad Man]]'' (1916) |
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*''[[An Innocent Magdalene]]'' (1916) |
*''[[An Innocent Magdalene]]'' (1916) |
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*''[[The Half-Breed (1916 film)|The Half-Breed]]'' (1916) |
*''[[The Half-Breed (1916 film)|The Half-Breed]]'' (1916) |
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*''[[Manhattan Madness]]'' (1916) |
*''[[Manhattan Madness (1916 film)|Manhattan Madness]]'' (1916) |
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*''[[Accusing Evidence]]'' (1916) |
*''[[Accusing Evidence]]'' (1916) |
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*''[[Panthea]]'' (1917) |
*''[[Panthea (1917 film)|Panthea]]'' (1917) |
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*''[[A Modern Musketeer]]'' (1917) |
*''[[A Modern Musketeer]]'' (1917) |
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*''[[Headin' South]]'' (1918) |
*''[[Headin' South]]'' (1918) |
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*''[[Mr. Fix-It (1918 film)|Mr. Fix-It]]'' (1918) |
*''[[Mr. Fix-It (1918 film)|Mr. Fix-It]]'' (1918) |
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*''[[He Comes Up Smiling]]'' (1918) |
*''[[He Comes Up Smiling]]'' (1918) |
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*''[[Cheating Cheaters (1919 film)|Cheating Cheaters]]'' (1919) |
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*''[[The Dark Star (1919 film)|The Dark Star]]'' (1919) |
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*''[[Getting Mary Married]]'' (1919) |
*''[[Getting Mary Married]]'' (1919) |
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*''[[Soldiers of Fortune (1919 film)|Soldiers of Fortune]]'' (1919) |
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*''[[In The Heart of a Fool]]'' (1920) also producer |
*''[[In The Heart of a Fool]]'' (1920) also producer |
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*''[[The Forbidden Thing]]'' (1920) also producer |
*''[[The Forbidden Thing]]'' (1920) also producer |
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*''[[A Splendid Hazard (1920)|A Splendid Hazard]]'' (1920) |
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*''[[A Perfect Crime (film)|A Perfect Crime]]'' (1921) |
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* ''[[A Broken Doll]]'' (1921) |
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*''[[Robin Hood (1922 film)|Robin Hood]]'' (1922) |
*''[[Robin Hood (1922 film)|Robin Hood]]'' (1922) |
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*''[[Zaza (1923 film)|Zaza]]'' (1923) |
*''[[Zaza (1923 film)|Zaza]]'' (1923) |
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*''[[Big Brother (1923 film)|Big Brother]]'' (1923) |
*''[[Big Brother (1923 film)|Big Brother]]'' (1923) |
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*''[[Manhandled (1924 film)|Manhandled]]'' (1924) |
*''[[Manhandled (1924 film)|Manhandled]]'' (1924) |
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*''[[Argentine Love]]'' (1924) |
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*''[[Night Life of New York]]'' (1925) |
*''[[Night Life of New York]]'' (1925) |
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*''[[Stage Struck (1925 film)|Stage Struck]]'' (1925) |
*''[[Stage Struck (1925 film)|Stage Struck]]'' (1925) |
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*''[[Padlocked]]'' (1926) |
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*''[[Gloria Swanson Dialogue]]'' (1925) short film made in [[Phonofilm]] for [[The Lambs]] annual "Gambol" held at [[Metropolitan Opera House (39th Street)|Metropolitan Opera House]] |
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*''[[Summer Bachelors]]'' (1926) |
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*''[[Tin Gods]]'' (1926) |
*''[[Tin Gods]]'' (1926) |
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*''[[French Dressing (1927 film)|French Dressing]]'' (1927) |
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*''[[The Joy Girl]]'' (1927) |
*''[[The Joy Girl]]'' (1927) |
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*''[[East Side, West Side (1927 film)|East Side, West Side]]'' (1927) |
*''[[East Side, West Side (1927 film)|East Side, West Side]]'' (1927) |
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*''[[The Big Noise]]'' (1928) |
*''[[The Big Noise (1928 film)|The Big Noise]]'' (1928) |
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*''[[Frozen Justice]]'' (1929) |
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*''[[The Iron Mask]]'' (1929) |
*''[[The Iron Mask]]'' (1929) |
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*''[[Tide of Empire]]'' (1929) |
*''[[Tide of Empire]]'' (1929) |
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*''[[The Far Call]]'' (1929) |
*''[[The Far Call]]'' (1929) |
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*''[[What a Widow!]]'' (1930) |
*''[[What a Widow!]]'' (1930) |
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*''[[Man to Man (1930 film)|Man to Man]]'' |
*''[[Man to Man (1930 film)|Man to Man]]'' (1930) |
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*''[[Wicked (1931 film)|Wicked]]'' (1931) |
*''[[Wicked (1931 film)|Wicked]]'' (1931) |
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*''[[While Paris Sleeps (1932 film)|While Paris Sleeps]]'' (1932) |
*''[[While Paris Sleeps (1932 film)|While Paris Sleeps]]'' (1932) |
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*''[[Counsel's Opinion]]'' (1933) |
*''[[Counsel's Opinion]]'' (1933) |
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*''[[Black Sheep (1935 film)|Black Sheep]]'' (1935) |
*''[[Black Sheep (1935 film)|Black Sheep]]'' (1935) |
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*''[[ |
*''[[Navy Wife (1935 film)|Navy Wife]]'' (1935) |
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*''[[High Tension (1936 film)|High Tension]]'' (1936) |
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*''[[15 Maiden Lane]]'' (1936) |
*''[[15 Maiden Lane]]'' (1936) |
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*''[[One Mile |
*''[[One Mile from Heaven]]'' (1937) |
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*''[[Heidi (1937 film)|Heidi]]'' (1937) |
*''[[Heidi (1937 film)|Heidi]]'' (1937) |
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*''[[Rebecca of Sunnybrook Farm (1938 film)|Rebecca of Sunnybrook Farm]]'' (1938) |
*''[[Rebecca of Sunnybrook Farm (1938 film)|Rebecca of Sunnybrook Farm]]'' (1938) |
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*''[[Look Who's Laughing]]'' (1941) also producer |
*''[[Look Who's Laughing]]'' (1941) also producer |
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*''[[Rise and Shine (film)|Rise and Shine]]'' (1941) |
*''[[Rise and Shine (film)|Rise and Shine]]'' (1941) |
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*''[[Friendly Enemies]]'' (1942) |
*''[[Friendly Enemies (1942 film)|Friendly Enemies]]'' (1942) |
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*''[[Around the World (1943 film)|Around the World]]'' (1943) also producer |
*''[[Around the World (1943 film)|Around the World]]'' (1943) also producer |
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*''[[Up in Mabel's Room (1944 film)|Up in Mabel's Room]]'' (1944) |
*''[[Up in Mabel's Room (1944 film)|Up in Mabel's Room]]'' (1944) |
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*''[[Abroad with Two Yanks]]'' (1944) |
*''[[Abroad with Two Yanks]]'' (1944) |
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*''[[Getting Gertie's Garter]]'' (1945) also screenwriter |
*''[[Getting Gertie's Garter (1945 film)|Getting Gertie's Garter]]'' (1945) also screenwriter |
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*''[[Brewster's Millions (1945 film)|Brewster's Millions]]'' (1945) |
*''[[Brewster's Millions (1945 film)|Brewster's Millions]]'' (1945) |
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*''[[Rendezvous with Annie]]'' (1946) |
*''[[Rendezvous with Annie]]'' (1946) |
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*''Driftwood'' (1947) |
*''[[Driftwood (1947 film)|Driftwood]]'' (1947) |
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*''[[Calendar Girl (1947 film)|Calendar Girl]]'' (1947) |
*''[[Calendar Girl (1947 film)|Calendar Girl]]'' (1947) |
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*''[[Northwest Outpost]]'' (1947) also associate producer |
*''[[Northwest Outpost]]'' (1947) also associate producer |
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*''[[The Inside Story (film)|The Inside Story]]'' (1948) |
*''[[The Inside Story (film)|The Inside Story]]'' (1948) |
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*''[[Angel in Exile]]'' (1948) (with [[Philip Ford (film director)|Philip Ford]]) |
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*''[[Sands of Iwo Jima]]'' (1949) |
*''[[Sands of Iwo Jima]]'' (1949) |
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*''[[Surrender]]'' (1950) |
*''[[Surrender (1950 film)|Surrender]]'' (1950) |
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*''[[Belle Le Grand]]'' (1951) |
*''[[Belle Le Grand]]'' (1951) |
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*''[[Wild Blue Yonder (film)|Wild Blue Yonder]]'' (1951) |
*''[[Wild Blue Yonder (film)|Wild Blue Yonder]]'' (1951) |
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*''[[Montana Belle]]'' (1952) |
*''[[Montana Belle]]'' (1952) |
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*''[[Woman They Almost Lynched]]'' (1953) |
*''[[Woman They Almost Lynched]]'' (1953) |
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* ''[[Sweethearts on Parade]]'' (1953) |
* ''[[Sweethearts on Parade (1953 film)|Sweethearts on Parade]]'' (1953) |
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*''[[Silver Lode (1954 film)|Silver Lode]]'' (1954) |
*''[[Silver Lode (1954 film)|Silver Lode]]'' (1954) |
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*''[[Passion (1954 film)|Passion]]'' (1954) |
*''[[Passion (1954 film)|Passion]]'' (1954) |
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==References== |
==References== |
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{{reflist |
{{reflist}} |
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==Further reading== |
==Further reading== |
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* Brownlow, Kevin, ''The Parade's Gone By...'' (1968) ISBN |
*[[Kevin Brownlow|Brownlow, Kevin]], ''The Parade's Gone By...'' (1968) {{ISBN|0520030680}} {{ISBN|978-0520030688}} |
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* Bogdanovich, Peter, ''Allan Dwan: The Last Pioneer'' (1971) ISBN |
*[[Peter Bogdanovich|Bogdanovich, Peter]], ''Allan Dwan: The Last Pioneer'' (1971) {{ISBN|0289701228}} {{ISBN|978-0289701225}} |
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* Foster, Charles, ''Stardust and Shadows: Canadians in Early Hollywood'' (2000) ISBN |
*[[Charles Foster (writer)|Foster, Charles]], ''Stardust and Shadows: Canadians in Early Hollywood'' (2000) {{ISBN|1-55002-348-9}} |
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==External links== |
==External links== |
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{{ |
{{Commons category|Allan Dwan}} |
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*{{IMDb name| |
*{{IMDb name|0245385|Allan Dwan}} |
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*[http://www.virtual-history.com/movie/person/2643/allan-dwan Allan Dwan profile], |
*[http://www.virtual-history.com/movie/person/2643/allan-dwan Allan Dwan profile], virtual-history.com; accessed June 16, 2014 |
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{{Allan Dwan}} |
{{Allan Dwan}} |
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{{Authority control}} |
{{Authority control}} |
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{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]] --> |
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|NAME= Dwan, Allan |
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|ALTERNATIVE NAMES= Dwan, Joseph Aloysius |
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|SHORT DESCRIPTION= Film director, film producer, screenwriter |
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|DATE OF BIRTH= 3 April 1885 |
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|PLACE OF BIRTH= Toronto, Ontario, Canada |
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|DATE OF DEATH= 28 December 1981 |
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|PLACE OF DEATH= Los Angeles, California, U.S.}} |
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{{DEFAULTSORT:Dwan, Allan}} |
{{DEFAULTSORT:Dwan, Allan}} |
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[[Category:1885 births]] |
[[Category:1885 births]] |
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[[Category:1981 deaths]] |
[[Category:1981 deaths]] |
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[[Category:American |
[[Category:20th-century American male writers]] |
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[[Category: |
[[Category:20th-century American screenwriters]] |
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[[Category:Film producers from Los Angeles]] |
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[[Category:American male screenwriters]] |
[[Category:American male screenwriters]] |
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[[Category: |
[[Category:Burials at San Fernando Mission Cemetery]] |
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[[Category:Canadian emigrants to the United States]] |
[[Category:Canadian emigrants to the United States]] |
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[[Category:Film directors from Toronto]] |
[[Category:Film directors from Toronto]] |
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[[Category: |
[[Category:Western (genre) film directors]] |
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[[Category: |
[[Category:Screenwriters from Toronto]] |
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[[Category: |
[[Category:People from La Mesa, California]] |
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[[Category:Writers from San Diego]] |
Latest revision as of 09:49, 14 November 2024
Allan Dwan | |
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Born | Joseph Aloysius Dwan April 3, 1885 |
Died | December 28, 1981 Los Angeles, California, United States | (aged 96)
Occupation(s) | Film director Film producer Screenwriter |
Years active | 1911–1961; 1980 |
Spouse(s) |
Marie Shelton
(m. 1927; div. 1949) |
Allan Dwan (born Joseph Aloysius Dwan; April 3, 1885 – December 28, 1981) was a pioneering Canadian-born American motion picture director, producer, and screenwriter.
Early life
[edit]Born Joseph Aloysius Dwan in Toronto, Ontario, Canada, Dwan was the younger son of commercial traveler of woolen clothing Joseph Michael Dwan (1857–1917) and his wife Mary Jane Dwan (née Hunt). The family moved to the United States when he was seven years old on December 4, 1892, by ferry from Windsor to Detroit, according to his naturalization petition of August 1939. His elder brother, Leo Garnet Dwan (1883–1964), became a physician.
Allan Dwan studied engineering at the University of Notre Dame and then worked for a lighting company in Chicago. He had a strong interest in the fledgling motion picture industry, and when Essanay Studios offered him the opportunity to become a scriptwriter, he took the job.[1] At that time, some of the East Coast movie makers began to spend winters in California where the climate allowed them to continue productions requiring warm weather. Soon, a number of movie companies worked there year-round, and in 1911, Dwan began working part-time in Hollywood. While still in New York, in 1917 he was the founding president of the East Coast chapter of the Motion Picture Directors Association.[2]
Career
[edit]Dwan started his directing career by accident in 1911, when he was sent by his employers to California, in order to locate a company that had vanished. Dwan managed to track the company down, and learned that they were waiting for a film director (who was an alcoholic) to return from a binge and allow them to resume their work. Dwan wired back to his employers in Chicago, informing them of the situation, and suggested that they disband the company. They wired back, instructing Dwan to direct the stalled film. When Dwan informed the company of the situation, and that their jobs were on the line, they responded: "You're the best damn director we ever saw".[3]
Dwan operated Flying A Studios in La Mesa, California, from August 1911 to July 1912.[4][5] Flying A was one of the first motion pictures studios in California history. On August 12, 2011, a plaque was unveiled on the Wolff building at Third Avenue and La Mesa Boulevard commemorating Dwan and the Flying A Studios origins in La Mesa, California.
After making a series of westerns and comedies, Dwan directed fellow Canadian-American Mary Pickford in several very successful movies as well as her husband, Douglas Fairbanks, notably in the acclaimed 1922 Robin Hood. Around that time, he also directed Carole Lombard in A Perfect Crime, her film debut. Dwan directed Gloria Swanson in eight feature films, and one short film made in the short-lived sound-on-film process Phonofilm. This short, also featuring Thomas Meighan and Henri de la Falaise, was produced as a joke, for the April 26, 1925 "Lambs' Gambol" for The Lambs, with the film showing Swanson crashing the all-male club.
Following the introduction of the talkies, Dwan directed child-star Shirley Temple in Heidi (1937) and Rebecca of Sunnybrook Farm (1938).
Dwan helped launch the career of two other successful Hollywood directors, Victor Fleming, who went on to direct The Wizard of Oz and Gone With the Wind, and Marshall Neilan, who became an actor, director, writer and producer. Over a long career spanning almost 50 years, Dwan directed 125 motion pictures, some of which were highly acclaimed, such as the 1949 box office hit, Sands of Iwo Jima. He directed his last movie in 1961.[6]
Being one of the last surviving pioneers of the cinema, he was interviewed at length for the 1980 documentary series Hollywood.[3]
He died in Los Angeles at the age of 96, and is interred in the San Fernando Mission Cemetery, Mission Hills, California.
Dwan has a star on the Hollywood Walk of Fame at 6263 Hollywood Boulevard.
Daniel Eagan of Film Journal International described Dwan as one of the early pioneers of cinema, stating that his style "is so basic as to seem invisible, but he treats his characters with uncommon sympathy and compassion."[7]
Partial filmography as director
[edit]- The Restless Spirit (1913)
- Back to Life (1913)
- Bloodhounds of the North (1913)
- The Lie (1914)
- The Honor of the Mounted (1914)
- The Unwelcome Mrs. Hatch (1914)
- Remember Mary Magdalen (1914)
- Discord and Harmony (1914)
- The Embezzler (1914)
- The Lamb, the Woman, the Wolf (1914)
- The End of the Feud (1914)
- The Test (1914) (*writer)
- The Tragedy of Whispering Creek (1914)
- The Unlawful Trade (1914)
- The Forbidden Room (1914)
- The Hopes of Blind Alley (1914)
- Richelieu (1914)
- Wildflower (1914)
- A Small Town Girl (1915)
- David Harum (1915)
- A Girl of Yesterday (1915)
- The Pretty Sister of Jose (1915)
- Jordan Is a Hard Road (1915)
- The Habit of Happiness (1916)
- The Good Bad Man (1916)
- An Innocent Magdalene (1916)
- The Half-Breed (1916)
- Manhattan Madness (1916)
- Accusing Evidence (1916)
- Panthea (1917)
- A Modern Musketeer (1917)
- Bound in Morocco (1918)
- Headin' South (1918)
- Mr. Fix-It (1918)
- He Comes Up Smiling (1918)
- Cheating Cheaters (1919)
- The Dark Star (1919)
- Getting Mary Married (1919)
- Soldiers of Fortune (1919)
- In The Heart of a Fool (1920) also producer
- The Forbidden Thing (1920) also producer
- A Splendid Hazard (1920)
- A Perfect Crime (1921)
- The Sin of Martha Queed (1921)
- A Broken Doll (1921)
- Robin Hood (1922)
- Zaza (1923)
- Big Brother (1923)
- Manhandled (1924)
- Argentine Love (1924)
- The Coast of Folly (1925)
- Night Life of New York (1925)
- Stage Struck (1925)
- Padlocked (1926)
- Sea Horses (1926)
- Summer Bachelors (1926)
- Tin Gods (1926)
- French Dressing (1927)
- The Joy Girl (1927)
- East Side, West Side (1927)
- The Big Noise (1928)
- Frozen Justice (1929)
- The Iron Mask (1929)
- Tide of Empire (1929)
- The Far Call (1929)
- What a Widow! (1930)
- Man to Man (1930)
- Wicked (1931)
- While Paris Sleeps (1932)
- Counsel's Opinion (1933)
- Black Sheep (1935)
- Navy Wife (1935)
- High Tension (1936)
- 15 Maiden Lane (1936)
- One Mile from Heaven (1937)
- Heidi (1937)
- Rebecca of Sunnybrook Farm (1938)
- Suez (1938)
- Josette (1938)
- The Three Musketeers (1939)
- The Gorilla (1939)
- Frontier Marshal (1939)
- Sailor's Lady (1940)
- Young People (1940)
- Trail of the Vigilantes (1940)
- Look Who's Laughing (1941) also producer
- Rise and Shine (1941)
- Friendly Enemies (1942)
- Around the World (1943) also producer
- Up in Mabel's Room (1944)
- Abroad with Two Yanks (1944)
- Getting Gertie's Garter (1945) also screenwriter
- Brewster's Millions (1945)
- Rendezvous with Annie (1946)
- Driftwood (1947)
- Calendar Girl (1947)
- Northwest Outpost (1947) also associate producer
- The Inside Story (1948)
- Angel in Exile (1948) (with Philip Ford)
- Sands of Iwo Jima (1949)
- Surrender (1950)
- Belle Le Grand (1951)
- Wild Blue Yonder (1951)
- I Dream of Jeanie (1952)
- Montana Belle (1952)
- Woman They Almost Lynched (1953)
- Sweethearts on Parade (1953)
- Silver Lode (1954)
- Passion (1954)
- Cattle Queen of Montana (1954)
- Tennessee's Partner (1955)
- Pearl of the South Pacific (1955)
- Escape to Burma (1955)
- Slightly Scarlet (1956)
- Hold Back the Night (1956)
- The Restless Breed (1957)
- The River's Edge (1957)
- Enchanted Island (1958)
- Most Dangerous Man Alive (1961)
See also
[edit]References
[edit]- ^ Brownlow, Kevin (1969). The Parade's Gone By... New York: Ballantine Books, Inc. p. 111.
- ^ Fournier, Pierre (December 4, 2010). "The first Frankenstein of the movies". io9. Retrieved April 28, 2016.
- ^ a b "The Man with the Megaphone". Hollywood. Episode 10. March 11, 1980.
- ^ "La mesa to honor its tinseltown roots aug. 12–13".
- ^ "Proto-Hollywood: 100 Melodramas Were Made In La Mesa 100 Years Ago". August 10, 2011.
- ^ "Allan Dwan, Filmography". American Film Institute. Retrieved December 27, 2015.
- ^ Eagan, Daniel (January 31, 2018). "MoMA's Republic Pictures series offers B-movie rediscoveries and restorations". Film Journal International. Prometheus Global Media, LLC. Archived from the original on January 31, 2018. Retrieved February 1, 2018.
Further reading
[edit]- Brownlow, Kevin, The Parade's Gone By... (1968) ISBN 0520030680 ISBN 978-0520030688
- Bogdanovich, Peter, Allan Dwan: The Last Pioneer (1971) ISBN 0289701228 ISBN 978-0289701225
- Foster, Charles, Stardust and Shadows: Canadians in Early Hollywood (2000) ISBN 1-55002-348-9
- Lombardi, Frederic, Allan Dwan and the Rise and Decline of the Hollywood Studios (2013)
Print ISBN 978-0-7864-3485-5 E-book ISBN 978-0-7864-9040-0
External links
[edit]- Allan Dwan at IMDb
- Allan Dwan profile, virtual-history.com; accessed June 16, 2014
- 1885 births
- 1981 deaths
- 20th-century American male writers
- 20th-century American screenwriters
- Film directors from Los Angeles
- Film producers from Los Angeles
- American male screenwriters
- Burials at San Fernando Mission Cemetery
- Canadian emigrants to the United States
- Film directors from Toronto
- Western (genre) film directors
- Screenwriters from Toronto
- People from La Mesa, California
- Writers from San Diego