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* [[Matthew Broderick]]
* [[Matthew Broderick]]
* [[Christopher Walken]]
* [[Christopher Walken]]
* [[Casey Siemaszko]]
}}
}}
| music = [[Georges Delerue]]
| music = [[Georges Delerue]]
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| runtime = 107 minutes
| runtime = 107 minutes
| language = English
| language = English
| budget = $17 million<ref name=AFI>{{Cite web |url=https://catalog.afi.com/Catalog/moviedetails/55725 |title=Biloxi Blues |website=[[AFI Catalog of Feature Films|AFI Catalog]]}}</ref>
| budget = $17 million<ref name=AFI>{{Cite web |url=https://catalog.afi.com/Catalog/moviedetails/55725 |title=Biloxi Blues |website=[[AFI Catalog]] |access-date=2023-01-28 |archive-date=2023-01-26 |archive-url=https://web.archive.org/web/20230126134107/https://catalog.afi.com/Catalog/moviedetails/55725 |url-status=live }}</ref>
| gross = $51.7 million<ref name=Mojo>{{cite web|url=https://www.boxofficemojo.com/movies/?id=biloxiblues.htm|title=Biloxi Blues (1988) - Box Office Mojo|website=www.boxofficemojo.com}}</ref>
| gross = $51.7 million<ref name=Mojo>{{cite web|url=https://www.boxofficemojo.com/movies/?id=biloxiblues.htm|title=Biloxi Blues (1988) Box Office Mojo|website=www.boxofficemojo.com|access-date=2020-02-19|archive-date=2018-09-17|archive-url=https://web.archive.org/web/20180917105226/https://www.boxofficemojo.com/movies/?id=biloxiblues.htm|url-status=live}}</ref>
}}
}}

'''''Biloxi Blues''''' is a 1988 American [[Military fiction|military]] [[comedy-drama]] film directed by [[Mike Nichols]], written by [[Neil Simon]], and starring [[Matthew Broderick]] and [[Christopher Walken]].
'''''Biloxi Blues''''' is a 1988 American [[Military fiction|military]] [[comedy drama]] film directed by [[Mike Nichols]], written by [[Neil Simon]], and starring [[Matthew Broderick]] and [[Christopher Walken]].


Simon adapted his semi-autobiographical 1984 [[Biloxi Blues|play of the same title]], the second chapter in what is known as the ''[[Eugene trilogy]]'', the first being ''[[Brighton Beach Memoirs (film)|Brighton Beach Memoirs]]'' and the third being ''[[Broadway Bound (film)|Broadway Bound]]''.
Simon adapted his semi-autobiographical 1984 [[Biloxi Blues|play of the same title]], the second chapter in what is known as the ''[[Eugene trilogy]]'', the first being ''[[Brighton Beach Memoirs (film)|Brighton Beach Memoirs]]'' and the third being ''[[Broadway Bound (film)|Broadway Bound]]''.


==Plot==
==Plot==
During [[World War II]], [[Jewish]] teenager Eugene Jerome of [[Brooklyn]] is drafted into the [[United States Army]]. Jerome sets three goals—lose his virginity, survive the war, and become a writer. He is sent to basic training at [[Keesler Field]] near [[Biloxi, Mississippi]].<ref>{{cite news |last=Pettus |first=Gary |date=April 1, 1988 |title=Simon strikes winning chord with rendition of 'Biloxi Blues' |url=https://www.newspapers.com/clip/108681020/blues/ |work=[[The Clarion-Ledger]] |location=Jackson, MS |page=D-1 |via=[[Newspapers.com]]}}</ref> Jerome keeps a journal to record his impressions of his fellow draftees. The new privates are trained by Sergeant Toomey, a wounded veteran with a steel plate in his head. Toomey imposes arbitrary rules and metes out harsh punishments.
During [[World War II]], [[Jewish]] teenager Eugene Jerome of [[Brooklyn]] is drafted into the [[United States Army]]. Jerome sets three goals — lose his virginity, survive the war, and become a writer — and is sent to basic training at [[Keesler Field]] near [[Biloxi, Mississippi]].<ref>{{cite news |last=Pettus |first=Gary |date=April 1, 1988 |title=Simon strikes winning chord with rendition of 'Biloxi Blues' |url=https://www.newspapers.com/clip/108681020/blues/ |work=[[The Clarion-Ledger]] |location=Jackson, MS |page=D-1 |via=[[Newspapers.com]] |access-date=August 31, 2022 |archive-date=August 6, 2024 |archive-url=https://web.archive.org/web/20240806090053/https://www.newspapers.com/article/clarion-ledger-blues/108681020/ |url-status=live }}</ref> Jerome keeps a journal to record his impressions of his fellow draftees. The new privates are trained by Sergeant Toomey, a wounded veteran with a steel plate in his head. Toomey imposes arbitrary rules and metes out harsh punishments.


A recruit named Epstein refuses to accept Toomey's authority. Toomey imposes increasingly harsh punishments in an effort to break him, but Epstein refuses to compromise. While the other privates try to avoid Toomey's ire, they admire Epstein's determination. Toomey also eventually comes to respect Epstein's refusal to submit. One evening, Jerome proposes that each man share his fantasy of how he would spend his final days if he had only a week to live. They each pay five dollars, and Jerome agrees to judge the stories and pick a winner. Jerome chooses Epstein's fantasy of making Toomey do 200 push-ups. The men argue about Jerome's selection and Wykowski makes Anti-Semitic remarks, which leads to a confrontation between him and Epstein. Toomey ends it, but Jerome feels badly for not defending Epstein.
A recruit named Epstein refuses to accept Toomey's authority. Toomey imposes increasingly harsh punishments in an effort to break him, but Epstein refuses to compromise. While the other privates try to avoid Toomey's ire, they admire Epstein's determination. Toomey also comes to respect Epstein's refusal to submit. One evening, Jerome proposes that each man share his fantasy of how he would spend his final days if he had only a week to live. They each pay five dollars, and Jerome agrees to judge the stories and pick a winner. Epstein says he would make Toomey do 200 push-ups in front of them, and Jerome chooses him as the winner. Wykowski makes Anti-Semitic remarks, which leads to a confrontation between him and Epstein. Toomey ends it, but Jerome feels bad for not defending Epstein.


When the soldiers are about to go on a two-day leave, Wykowski reports that his money has been stolen. Toomey demands that the thief step forward and Epstein places money on Wykowski's footlocker. Toomey then reveals that he took Wykowski's money to teach Wykowski a lesson about securing his valuables. Epstein is confined to the barracks for having falsely confessed and tells Jerome that he did it because he was sure to be punished anyway, since Toomey wants to break him. Jerome accomplishes one goal when he has sex with Rowena, a prostitute. The platoon arrives back at the barracks before Jerome, where they discover his journal, take turns reading it aloud, and learn Jerome's private thoughts about them. When Jerome arrives, he realizes the journal is missing and Wykowski resumes reading from it. Epstein discovers that Jerome believes Epstein is gay.
When the soldiers are about to go on a two-day leave, Wykowski reports that his money has been stolen. Toomey demands that the thief step forward and Epstein places money on Wykowski's footlocker. Toomey then reveals that he took Wykowski's money to teach Wykowski a lesson about securing his valuables. Epstein is confined to the barracks for having falsely confessed and tells Jerome that he did it because he was sure to be punished anyway, since Toomey wants to break him. Jerome accomplishes one goal when he loses his virginity to Rowena, a prostitute. The platoon arrives back at the barracks before Jerome, where they discover his journal, take turns reading it aloud, and learn Jerome's private thoughts about them. When Jerome arrives, he realizes the journal is missing and Wykowski resumes reading from it. Epstein discovers that Jerome believes Epstein is gay.


Toomey enters the barracks in the middle of the night and reports that two soldiers were caught having sex in the latrine, but one escaped. Toomey wants the guilty party to step forward. When no one does, he suspends everyone's privileges and weekend leave. The soldiers believe the man who got away was Epstein, giving Jerome a lesson in the power of the written word. The next morning, Toomey reports that the man who escaped was Hennesey, whom everyone likes, and no one suspected was gay. The platoon later learns that Hennesey was sentenced to three months confinement, followed by a dishonorable discharge.
Toomey enters the barracks in the middle of the night and reports that two soldiers were caught having sex in the latrine, but one escaped. Toomey wants the guilty party to step forward. When no one does, he suspends everyone's privileges and weekend leave. The soldiers believe the man who got away was Epstein, giving Jerome a lesson in the power of the written word. The next morning, Hennesey is revealed as the man who escaped, and Jerome realizes he was the only person to stand up for him and Epstein.


Jerome meets Daisy Hannigan, a beautiful, smart Catholic girl from [[Gulfport, Mississippi|Gulfport]]. He leaves camp whenever he can so they can see each other, and he confesses his love right before leaving Camp Shelby for his first duty assignment. Jerome admits to the audience that the chances of seeing Daisy again after the war are slim, but that knowing he has a girl waiting back home motivates him to survive the war.
Jerome meets Daisy Hannigan, a beautiful, smart Catholic girl from [[Gulfport, Mississippi|Gulfport]]. He leaves camp whenever he can so they can see each other, and he confesses his love right before leaving for his first duty assignment. Jerome admits to the audience that the chances of seeing Daisy again after the war are slim, but that knowing he has a girl waiting back home motivates him to survive the war.


Near the end of the platoon's training, Toomey gets drunk because he has an upcoming appointment at a veterans hospital and believes he will be discharged for disability. Preferring prison to being discharged, he calls for Jerome, whom he holds at gunpoint in a final effort to compel him to follow orders by making Jerome turn him in for his misdeeds. Jerome calls in the rest of the platoon to serve as witnesses. Toomey is aware of the story contest Epstein won and accepts Epstein's offer not to press charges in exchange for Toomey completing 200 push-ups.
Near the end of the platoon's training, Toomey gets drunk because he has an upcoming appointment at a veterans hospital and believes he will be discharged for disability. Preferring prison to being discharged, he calls for Jerome, whom he holds at gunpoint in a final effort to compel him to follow orders by making Jerome turn him in for his misdeeds. Jerome calls in the rest of the platoon to serve as witnesses. Toomey is aware of the story contest Epstein won and accepts Epstein's offer not to press charges in exchange for Toomey completing 200 push-ups.


As his fellow privates sleep on a train while ''en route'' to their next duty stations, Jerome informs the audience of the destiny of each. He concludes by telling the audience that he accomplished his second goal of surviving the war and his third goal of becoming an author, although his path to success was different than what he expected.
As his fellow privates sleep on a train while ''en route'' to their next duty stations, Jerome informs the audience of the destiny of each. He concludes by telling the audience that he accomplished his third goal of becoming an author, although his path to success was different from what he expected.


==Cast==
==Cast==
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* [[Penelope Ann Miller]] as Daisy Hannigan
* [[Penelope Ann Miller]] as Daisy Hannigan
* [[Park Overall]] as Rowena
* [[Park Overall]] as Rowena
Reprising their stage roles in the movie were Broderick, Miller, Mulhern, and Overall.<ref>{{cite web |url=https://www.derekwinnert.com/biloxi-blues-1988-matthew-broderick-christopher-walken-matt-mulhern-classic-movie-review-1998/ |title=Biloxi Blues – Classic Movie Review 1998 |last=Winnert |first=Derek |date=December 20, 2014 |website=Derek Winnert.com}}</ref><ref name="Kempley">{{cite web|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/biloxibluespg13kempley_a0ca27.htm|title='Biloxi Blues'|first=Rita|last=Kempley|website=www.washingtonpost.com}}</ref>
Reprising their stage roles in the movie were Broderick, Miller, Mulhern, and Overall.<ref>{{cite web |url=https://www.derekwinnert.com/biloxi-blues-1988-matthew-broderick-christopher-walken-matt-mulhern-classic-movie-review-1998/ |title=Biloxi Blues – Classic Movie Review 1998 |last=Winnert |first=Derek |date=December 20, 2014 |website=Derek Winnert.com |access-date=November 12, 2021 |archive-date=November 12, 2021 |archive-url=https://web.archive.org/web/20211112144913/https://www.derekwinnert.com/biloxi-blues-1988-matthew-broderick-christopher-walken-matt-mulhern-classic-movie-review-1998/ |url-status=live }}</ref><ref name="Kempley">{{cite web|url=https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/biloxibluespg13kempley_a0ca27.htm|title='Biloxi Blues'|first=Rita|last=Kempley|website=www.washingtonpost.com|access-date=2017-09-20|archive-date=2020-09-25|archive-url=https://web.archive.org/web/20200925051220/https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/biloxibluespg13kempley_a0ca27.htm|url-status=live}}</ref>


==Soundtrack==
==Soundtrack==
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* "[[Blue Moon (1934 song)|Blue Moon]]" by [[Richard Rodgers]] and [[Lorenz Hart]]
* "[[Blue Moon (1934 song)|Blue Moon]]" by [[Richard Rodgers]] and [[Lorenz Hart]]
* "Marie" by [[Irving Berlin]]
* "Marie" by [[Irving Berlin]]
* "Solitude" by [[Duke Ellington]], [[Irving Mills]], and [[Edgar DeLange]],
* "Solitude" by [[Duke Ellington]], [[Irving Mills]], and [[Edgar DeLange]]
* "[[Chattanooga Choo Choo]]" by [[Harry Warren]] and [[Mack Gordon]]
* "[[Chattanooga Choo Choo]]" by [[Harry Warren]] and [[Mack Gordon]]
* "[[Don't Sit Under the Apple Tree (With Anyone Else but Me)]]" by [[Sam H. Stept]], [[Charles Tobias]], and [[Lew Brown]].
* "[[Don't Sit Under the Apple Tree (with Anyone Else but Me)]]" by [[Sam H. Stept]], [[Charles Tobias]], and [[Lew Brown]]
* "Goodbye Dear, I'll Be Back in a Year" by Mack Kay
* "Goodbye Dear, I'll Be Back in a Year" by Mack Kay
* "[[Memories of You]]" performed by [[Benny Goodman]]
* "[[Memories of You]]" performed by [[Benny Goodman]]


==Reception==
==Reception==

=== Critical response===
=== Critical response===
On [[Rotten Tomatoes]] the film has an approval rating of 75% based on reviews from 28 critics.<ref>{{cite web |title=Biloxi Blues (1988) |url=https://www.rottentomatoes.com/m/biloxi_blues |website=[[Rotten Tomatoes]] |access-date=2022-05-04}}</ref> On [[Metacritic]] the film has a score of 61% based on reviews from 15 critics, indicating "generally favorable reviews".<ref>{{cite web |title=Biloxi Blues |url=https://www.metacritic.com/movie/biloxi-blues |website=[[Metacritic]] |access-date=2020-05-04 }}</ref> <!-- CinemaScore BILOXI BLUES (1988) A- -->
On [[Rotten Tomatoes]], the film has an approval rating of 76% based on reviews from 29 critics, with an average rating of 6.5/10.<ref>{{cite web |title=Biloxi Blues (1988) |url=https://www.rottentomatoes.com/m/biloxi_blues |website=[[Rotten Tomatoes]] |access-date=2024-07-26 |archive-date=2024-08-06 |archive-url=https://web.archive.org/web/20240806090154/https://www.rottentomatoes.com/m/biloxi_blues |url-status=live }}</ref> On [[Metacritic]], the film has a score of 61% based on reviews from 15 critics, indicating "generally favorable reviews".<ref>{{cite web |title=Biloxi Blues |url=https://www.metacritic.com/movie/biloxi-blues |website=[[Metacritic]] |access-date=2020-05-04 |archive-date=2020-10-22 |archive-url=https://web.archive.org/web/20201022155344/https://www.metacritic.com/movie/biloxi-blues |url-status=live }}</ref> Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.<ref>{{Cite web |title=Home |url=https://www.cinemascore.com/ |access-date=2023-02-14 |website=[[CinemaScore]] |language=en-US}}</ref>


[[Vincent Canby]] of ''[[The New York Times]]'' called the film "a very classy movie, directed and toned up by Mike Nichols so there's not an ounce of fat in it." He added, "Mr. Nichols keeps the comedy small, precise and spare. Further, the humor is never flattened by the complex logistics of movie making, nor inflated to justify them."<ref>{{cite news|url=https://www.nytimes.com/1988/03/25/movies/review-film-film-simon-s-biloxi-blues-coming-of-age-in-the-army.html|title=Review/Film; Film: Simon's 'Biloxi Blues,' Coming of Age in the Army|first=Vincent|last=Canby|website=[[The New York Times]] |date=25 March 1988 }}</ref> Rita Kempley of ''[[The Washington Post]]'''' thought the film was "an endearing adaptation" and "overall Nichols, Simon and especially Broderick find fresh threads in the old fatigues" despite some "fallow spells and sugary interludes."<ref name="Kempley"/>
[[Vincent Canby]] of ''[[The New York Times]]'' called the film "a very classy movie, directed and toned up by Mike Nichols so there's not an ounce of fat in it. Mr. Nichols keeps the comedy small, precise and spare. Further, the humor is never flattened by the complex logistics of movie making, nor inflated to justify them".<ref>{{cite news|url=https://www.nytimes.com/1988/03/25/movies/review-film-film-simon-s-biloxi-blues-coming-of-age-in-the-army.html|title=Review/Film; Film: Simon's 'Biloxi Blues,' Coming of Age in the Army|first=Vincent|last=Canby|website=[[The New York Times]]|date=25 March 1988|access-date=6 February 2017|archive-date=12 June 2018|archive-url=https://web.archive.org/web/20180612225004/https://www.nytimes.com/1988/03/25/movies/review-film-film-simon-s-biloxi-blues-coming-of-age-in-the-army.html|url-status=live}}</ref> Rita Kempley of ''[[The Washington Post]]'' thought the film was "an endearing adaptation" and "overall Nichols, Simon and especially Broderick find fresh threads in the old fatigues" despite some "fallow spells and sugary interludes".<ref name="Kempley"/>


''[[Variety (magazine)|Variety]]'' called it "an agreeable but hardly inspired film" and added, "Even with high-powered talents Mike Nichols and Matthew Broderick aboard, [the] World War II barracks comedy provokes just mild laughs and smiles rather than the guffaws Simon's work often elicits in the theater."<ref>{{cite web |url=https://www.variety.com/review/VE1117789275.html?categoryid=31&cs=1&p=0 |title=''Variety'' review |work=Variety |archive-url=https://web.archive.org/web/20121114082334/http://www.variety.com/review/VE1117789275?refcatid=31 |archive-date=November 14, 2012 |via=Wayback Machine}}</ref>
''[[Variety (magazine)|Variety]]'' called it "an agreeable but hardly inspired film" and added: "Even with high-powered talents Mike Nichols and Matthew Broderick aboard, [the] World War II barracks comedy provokes just mild laughs and smiles rather than the guffaws Simon's work often elicits in the theater".<ref>{{cite web |url=https://www.variety.com/review/VE1117789275.html?categoryid=31&cs=1&p=0 |title=''Variety'' review |work=Variety |archive-url=https://web.archive.org/web/20121114082334/http://www.variety.com/review/VE1117789275?refcatid=31 |archive-date=November 14, 2012 |via=Wayback Machine}}</ref>


[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' called the film "pale, shallow, unconvincing and predictable" and added, "nothing in this movie seems fresh, well-observed, deeply felt or even much thought about ... It's just a series of setups and camera moves and limp dialogue and stock characters who are dragged on to do their business."<ref>{{cite web |url= https://www.rogerebert.com/reviews/biloxi-blues-1988 |title=Biloxi Blues Movie Review & Film Summary (1988) |first=Roger|last=Ebert |author-link=Roger Ebert |website=rogerebert.com }}</ref>
[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' called the film "pale, shallow, unconvincing and predictable" and added, "nothing in this movie seems fresh, well-observed, deeply felt or even much thought about ... It's just a series of setups and camera moves and limp dialogue and stock characters who are dragged on to do their business".<ref>{{cite web |url=https://www.rogerebert.com/reviews/biloxi-blues-1988 |title=Biloxi Blues Movie Review & Film Summary (1988) |first=Roger |last=Ebert |author-link=Roger Ebert |website=rogerebert.com |access-date=2021-02-16 |archive-date=2021-03-16 |archive-url=https://web.archive.org/web/20210316064018/https://www.rogerebert.com/reviews/biloxi-blues-1988 |url-status=live }}</ref>


===Box office===
===Box office===
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{{DEFAULTSORT:Biloxi Blues (film)}}
{{DEFAULTSORT:Biloxi Blues (film)}}
[[Category:1988 films]]
[[Category:1980s American films]]
[[Category:1980s English-language films]]
[[Category:1988 comedy-drama films]]
[[Category:1988 comedy-drama films]]
[[Category:1988 LGBT-related films]]
[[Category:1988 films]]
[[Category:1988 LGBTQ-related films]]
[[Category:American comedy-drama films]]
[[Category:American comedy-drama films]]
[[Category:American films based on plays]]
[[Category:American films based on plays]]
[[Category:American LGBTQ-related films]]
[[Category:English-language comedy-drama films]]
[[Category:Films about Jews and Judaism]]
[[Category:Films about Jews and Judaism]]
[[Category:Films about the United States Army]]
[[Category:Films about the United States Army]]
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[[Category:Films based on works by Neil Simon]]
[[Category:Films based on works by Neil Simon]]
[[Category:Films directed by Mike Nichols]]
[[Category:Films directed by Mike Nichols]]
[[Category:Films produced by Ray Stark]]
[[Category:Films scored by Georges Delerue]]
[[Category:Films scored by Georges Delerue]]
[[Category:Films set in Mississippi]]
[[Category:Films set in the 1940s]]
[[Category:Films set in the 1940s]]
[[Category:Films set in Mississippi]]
[[Category:Films set on the home front during World War II]]
[[Category:Films set on the home front during World War II]]
[[Category:Films shot in Arkansas]]
[[Category:Films shot in Arkansas]]
[[Category:Films shot in Kansas]]
[[Category:Films shot in Kansas]]
[[Category:Military humor in film]]
[[Category:Films with screenplays by Neil Simon]]
[[Category:Films with screenplays by Neil Simon]]
[[Category:Military comedy films]]
[[Category:Universal Pictures films]]
[[Category:Universal Pictures films]]
[[Category:Works about Mississippi]]
[[Category:1980s English-language films]]
[[Category:1980s American films]]

Latest revision as of 22:30, 9 October 2024

Biloxi Blues
Original poster
Directed byMike Nichols
Written byNeil Simon
Based onBiloxi Blues
1985 play
by Neil Simon
Produced byRay Stark
Starring
CinematographyBill Butler
Edited bySam O'Steen
Music byGeorges Delerue
Production
company
Distributed byUniversal Pictures
Release date
  • March 25, 1988 (1988-03-25)
Running time
107 minutes
CountryUnited States
LanguageEnglish
Budget$17 million[1]
Box office$51.7 million[2]

Biloxi Blues is a 1988 American military comedy drama film directed by Mike Nichols, written by Neil Simon, and starring Matthew Broderick and Christopher Walken.

Simon adapted his semi-autobiographical 1984 play of the same title, the second chapter in what is known as the Eugene trilogy, the first being Brighton Beach Memoirs and the third being Broadway Bound.

Plot

[edit]

During World War II, Jewish teenager Eugene Jerome of Brooklyn is drafted into the United States Army. Jerome sets three goals — lose his virginity, survive the war, and become a writer — and is sent to basic training at Keesler Field near Biloxi, Mississippi.[3] Jerome keeps a journal to record his impressions of his fellow draftees. The new privates are trained by Sergeant Toomey, a wounded veteran with a steel plate in his head. Toomey imposes arbitrary rules and metes out harsh punishments.

A recruit named Epstein refuses to accept Toomey's authority. Toomey imposes increasingly harsh punishments in an effort to break him, but Epstein refuses to compromise. While the other privates try to avoid Toomey's ire, they admire Epstein's determination. Toomey also comes to respect Epstein's refusal to submit. One evening, Jerome proposes that each man share his fantasy of how he would spend his final days if he had only a week to live. They each pay five dollars, and Jerome agrees to judge the stories and pick a winner. Epstein says he would make Toomey do 200 push-ups in front of them, and Jerome chooses him as the winner. Wykowski makes Anti-Semitic remarks, which leads to a confrontation between him and Epstein. Toomey ends it, but Jerome feels bad for not defending Epstein.

When the soldiers are about to go on a two-day leave, Wykowski reports that his money has been stolen. Toomey demands that the thief step forward and Epstein places money on Wykowski's footlocker. Toomey then reveals that he took Wykowski's money to teach Wykowski a lesson about securing his valuables. Epstein is confined to the barracks for having falsely confessed and tells Jerome that he did it because he was sure to be punished anyway, since Toomey wants to break him. Jerome accomplishes one goal when he loses his virginity to Rowena, a prostitute. The platoon arrives back at the barracks before Jerome, where they discover his journal, take turns reading it aloud, and learn Jerome's private thoughts about them. When Jerome arrives, he realizes the journal is missing and Wykowski resumes reading from it. Epstein discovers that Jerome believes Epstein is gay.

Toomey enters the barracks in the middle of the night and reports that two soldiers were caught having sex in the latrine, but one escaped. Toomey wants the guilty party to step forward. When no one does, he suspends everyone's privileges and weekend leave. The soldiers believe the man who got away was Epstein, giving Jerome a lesson in the power of the written word. The next morning, Hennesey is revealed as the man who escaped, and Jerome realizes he was the only person to stand up for him and Epstein.

Jerome meets Daisy Hannigan, a beautiful, smart Catholic girl from Gulfport. He leaves camp whenever he can so they can see each other, and he confesses his love right before leaving for his first duty assignment. Jerome admits to the audience that the chances of seeing Daisy again after the war are slim, but that knowing he has a girl waiting back home motivates him to survive the war.

Near the end of the platoon's training, Toomey gets drunk because he has an upcoming appointment at a veterans hospital and believes he will be discharged for disability. Preferring prison to being discharged, he calls for Jerome, whom he holds at gunpoint in a final effort to compel him to follow orders by making Jerome turn him in for his misdeeds. Jerome calls in the rest of the platoon to serve as witnesses. Toomey is aware of the story contest Epstein won and accepts Epstein's offer not to press charges in exchange for Toomey completing 200 push-ups.

As his fellow privates sleep on a train while en route to their next duty stations, Jerome informs the audience of the destiny of each. He concludes by telling the audience that he accomplished his third goal of becoming an author, although his path to success was different from what he expected.

Cast

[edit]

Reprising their stage roles in the movie were Broderick, Miller, Mulhern, and Overall.[4][5]

Soundtrack

[edit]

Period songs heard on the soundtrack include:

Reception

[edit]

Critical response

[edit]

On Rotten Tomatoes, the film has an approval rating of 76% based on reviews from 29 critics, with an average rating of 6.5/10.[6] On Metacritic, the film has a score of 61% based on reviews from 15 critics, indicating "generally favorable reviews".[7] Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.[8]

Vincent Canby of The New York Times called the film "a very classy movie, directed and toned up by Mike Nichols so there's not an ounce of fat in it. Mr. Nichols keeps the comedy small, precise and spare. Further, the humor is never flattened by the complex logistics of movie making, nor inflated to justify them".[9] Rita Kempley of The Washington Post thought the film was "an endearing adaptation" and "overall Nichols, Simon and especially Broderick find fresh threads in the old fatigues" despite some "fallow spells and sugary interludes".[5]

Variety called it "an agreeable but hardly inspired film" and added: "Even with high-powered talents Mike Nichols and Matthew Broderick aboard, [the] World War II barracks comedy provokes just mild laughs and smiles rather than the guffaws Simon's work often elicits in the theater".[10]

Roger Ebert of the Chicago Sun-Times called the film "pale, shallow, unconvincing and predictable" and added, "nothing in this movie seems fresh, well-observed, deeply felt or even much thought about ... It's just a series of setups and camera moves and limp dialogue and stock characters who are dragged on to do their business".[11]

Box office

[edit]

The film opened on 1,239 screens in the US and earned $7,093,325 on its opening weekend, ranking No. 1 at the box office. It eventually grossed $43,184,798 in the US and $8,500,000 in other markets for a total worldwide box office of $51,684,798.[2]

References

[edit]
  1. ^ "Biloxi Blues". AFI Catalog. Archived from the original on 2023-01-26. Retrieved 2023-01-28.
  2. ^ a b "Biloxi Blues (1988) – Box Office Mojo". www.boxofficemojo.com. Archived from the original on 2018-09-17. Retrieved 2020-02-19.
  3. ^ Pettus, Gary (April 1, 1988). "Simon strikes winning chord with rendition of 'Biloxi Blues'". The Clarion-Ledger. Jackson, MS. p. D-1. Archived from the original on August 6, 2024. Retrieved August 31, 2022 – via Newspapers.com.
  4. ^ Winnert, Derek (December 20, 2014). "Biloxi Blues – Classic Movie Review 1998". Derek Winnert.com. Archived from the original on November 12, 2021. Retrieved November 12, 2021.
  5. ^ a b Kempley, Rita. "'Biloxi Blues'". www.washingtonpost.com. Archived from the original on 2020-09-25. Retrieved 2017-09-20.
  6. ^ "Biloxi Blues (1988)". Rotten Tomatoes. Archived from the original on 2024-08-06. Retrieved 2024-07-26.
  7. ^ "Biloxi Blues". Metacritic. Archived from the original on 2020-10-22. Retrieved 2020-05-04.
  8. ^ "Home". CinemaScore. Retrieved 2023-02-14.
  9. ^ Canby, Vincent (25 March 1988). "Review/Film; Film: Simon's 'Biloxi Blues,' Coming of Age in the Army". The New York Times. Archived from the original on 12 June 2018. Retrieved 6 February 2017.
  10. ^ "Variety review". Variety. Archived from the original on November 14, 2012 – via Wayback Machine.
  11. ^ Ebert, Roger. "Biloxi Blues Movie Review & Film Summary (1988)". rogerebert.com. Archived from the original on 2021-03-16. Retrieved 2021-02-16.
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