Jump to content

Milton Sills: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
No edit summary
Tags: Mobile edit Mobile web edit
 
(24 intermediate revisions by 16 users not shown)
Line 1: Line 1:
{{short description|American actor}}
{{short description|American actor}}
{{Refimprove|date=October 2007}}
{{Use mdy dates|date=November 2021}}
{{Infobox person
{{Infobox person
| name = Milton G. G. Sills
| name = Milton Sills
| image = Milton Sills.jpg
| image = Milton Sills, stage actor (SAYRE 9440).jpg
| caption = Sills in 1920
| caption = Sills {{circa}} 1910
| birth_date = {{birth date|1882|1|12}}
| birth_date = {{birth date|1882|1|12}}
| birth_place = [[Chicago, Illinois]], U.S.
| birth_place = [[Chicago, Illinois]], U.S.
| death_date = {{Death date and age|1930|9|15|1882|1|12}}
| death_date = {{Death date and age|1930|9|15|1882|1|12}}
| death_place = [[Los Angeles, California]], U.S.
| death_place = [[Los Angeles, California]], U.S.
| burial_place = [[Rosehill Cemetery]], Chicago
| occupation = Actor
| occupation = Actor
| yearsactive = 1906&ndash;1914 (stage)<br>1914&ndash;1930 (film)
| yearsactive = 1906&ndash;1914 (stage)<br>1914&ndash;1930 (film)
| spouse = {{marriage|Gladys Edith Wynne|1910|1925|end=divorced}}<br>{{marriage|[[Doris Kenyon]]|1926}}
| spouse = {{plainlist|
* {{marriage|Gladys Edith Wynne|1910|1925|end=divorced}}
* {{marriage|[[Doris Kenyon]]|1926}}
}}
| children = 2
}}
}}


Line 17: Line 22:


==Biography==
==Biography==
Sills was born in [[Chicago, Illinois]] into a wealthy family. He was the son of William Henry Sills, a successful mineral dealer, and Josephine Antoinette Troost Sills, an heiress from a prosperous banking family. Upon completing high school, Sills was offered a one-year scholarship to the [[University of Chicago]], where he studied psychology and philosophy. After graduating, he was offered a position at the university as a researcher and within several years worked his way up to become a professor at the school.
Sills was born in [[Chicago, Illinois]], into a wealthy family. He was the son of William Henry Sills, a successful mineral dealer, and Josephine Antoinette Troost Sills, an heiress from a prosperous banking family.<ref name=Dies>{{Cite news |url=https://www.newspapers.com/clip/88645480/milton-sills-film-star-dies-of-heart/ |title=Milton Sills, Film Star, Dies of Heart Attack |newspaper=[[Los Angeles Times]] |pages=1, [https://www.newspapers.com/clip/88645540/milton-sills-film-star-dies-of-heart/ 2] |date=1930-09-16 |access-date=2021-11-09 |via=Newspapers.com}}</ref> Upon completing high school, Sills was offered a one-year scholarship to the [[University of Chicago]], where he studied psychology and philosophy. After graduating, he was offered a position at the university as a researcher and within several years worked his way up to become a professor at the school.{{Citation needed |date=November 2021}}


In 1905, stage actor Donald Robertson visited the school to lecture on author and playwright [[Henrik Ibsen]] and suggested to Sills that he try his hand at acting. On a whim, Sills agreed and left his teaching career to embark on a stint in acting. Sills joined Robertson's stock theater company and began touring the country.
In 1905, stage actor Donald Robertson visited the school to lecture on author and playwright [[Henrik Ibsen]] and suggested to Sills that he try his hand at acting. On a whim, Sills agreed and left his teaching career to embark on a stint in acting. Sills joined Robertson's stock theater company and began touring the country.{{Citation needed |date=November 2021}}


In 1908, while Sills was performing in [[New York City]], he attracted the notice of [[Broadway theatre|Broadway]] producers such as [[David Belasco]] and [[Charles Frohman]]. That same year he made his Broadway debut in ''This Woman and This Man''.<ref name=Golden2000/> From 1908 to 1914, Sills appeared in about a dozen Broadway shows.
In 1908, while Sills was performing in New York City, he attracted the notice of [[Broadway theatre|Broadway]] producers such as [[David Belasco]] and [[Charles Frohman]]. That same year he made his Broadway debut in ''This Woman and This Man''.<ref name=Golden2000/> From 1908 to 1914, Sills appeared in about a dozen Broadway shows.


In 1912, Sills joined the summer stock cast at the [[Elitch Theatre]]. Owner and producer of the theatre, [[Mary Elitch Long]], reported: "Milton Sills, one of the most charming young men I ever knew, came as my leading man, and Louise Woods as leading lady, for a limited engagement."<ref>{{Cite book|last=Dier|first=Caroline Lawrence|url=http://worldcat.org/oclc/21432197|title=The lady of the Gardens: Mary Elitch Long.|date=1932|publisher=Saturday Night Pub. Co|pages=120|oclc=21432197}}</ref>
⚫
In 1910, Sills married English stage actress Gladys Edith Wynne, a niece of actress [[Edith Wynne Matthison]]. The union produced one child, Dorothy Sills; Gladys filed for divorce in 1925.<ref name=Vty100725/> In 1926, Sills married silent film actress [[Doris Kenyon]] with whom he had a son, Kenyon Clarence Sills, born in 1927.

⚫
In 1910, Sills married English stage actress Gladys Edith Wynne, a niece of actress [[Edith Wynne Matthison]]. The union produced one child, Dorothy Sills; Gladys filed for divorce in 1925.<ref name=Vty100725/> In 1926, Sills married silent film actress [[Doris Kenyon]] with whom he had a son, Kenyon Clarence Sills, born in 1927.{{Citation needed |date=November 2021}}


==Motion pictures==
==Motion pictures==
Line 30: Line 37:
In 1914, Sills made his film debut in the big-budget drama ''The Pit'' for the [[World Film Company]] and was signed to a contract with film producer [[William A. Brady]]. Sills made three more films for the company, including ''[[The Deep Purple (1915 film)|The Deep Purple]]'' opposite [[Clara Kimball Young]].<ref name=Golden2000/>
In 1914, Sills made his film debut in the big-budget drama ''The Pit'' for the [[World Film Company]] and was signed to a contract with film producer [[William A. Brady]]. Sills made three more films for the company, including ''[[The Deep Purple (1915 film)|The Deep Purple]]'' opposite [[Clara Kimball Young]].<ref name=Golden2000/>


By the early 1920s, Sills had achieved [[matinee idol]] status<ref name=Basinger2012/> and was working for various film studios, including [[Metro Pictures]], [[Famous Players-Lasky]], and [[Pathé Exchange]]. In 1923 he was [[Colleen Moore]]'s leading man in the very successful ''[[Flaming Youth (film)|Flaming Youth]]'',<ref name=DesserJowett2000/> but his biggest box office success was ''[[The Sea Hawk (1924 film)|The Sea Hawk]]'' (1924), the top-grossing film of that year. in 1925, Sills and her wife, [[Doris Kenyon]], starred ''[[The Unguarded Hour]]'' for First National Pictures. <ref name=Dirks/> In 1926 he wrote the screenplay for ''[[Men of Steel (1926 film)|Men of Steel]]'', also starring in it along with Kenyon.<ref name=AFImensteel/>
By the early 1920s, Sills had achieved [[matinee idol]] status<ref name=Basinger2012/> and was working for various film studios, including [[Metro Pictures]], [[Famous Players–Lasky]], and [[Pathé Exchange]]. In 1923 he was [[Colleen Moore]]'s leading man in the very successful ''[[Flaming Youth (film)|Flaming Youth]]'',<ref name=DesserJowett2000/> but his biggest box office success was ''[[The Sea Hawk (1924 film)|The Sea Hawk]]'' (1924), the top-grossing film of that year. In 1925, Sills and his wife, [[Doris Kenyon]], starred in ''[[The Unguarded Hour (1925 film)|The Unguarded Hour]]'' for First National Pictures.<ref name=Dirks/> In 1926 he wrote the screenplay for ''[[Men of Steel (1926 film)|Men of Steel]]'', also starring in it along with Kenyon.<ref name=AFImensteel/>


Sills had begun to make the transition to sound pictures as early as 1928 with the part-talking ''[[The Barker]]''. His final appearance was in the title role of ''[[The Sea Wolf (1930 film)|The Sea Wolf]]'' (1930), a performance called "incisive" by the ''New York Times''.<ref name=NYTrvw/>
Sills had begun to make the transition to sound pictures as early as 1928 with the part-talking ''[[The Barker]]''. His final appearance was in the title role of ''[[The Sea Wolf (1930 film)|The Sea Wolf]]'' (1930), a performance called "incisive" by ''The New York Times''.<ref name=NYTrvw/>


==Death and legacy==
==Death and legacy==
[[File:Grave of Milton Sills (1882–1930) at Rosehill Cemetery, Chicago 1.jpg|thumb|right|180px|Sills' grave at Rosehill Cemetery]]
⚫
Sills died unexpectedly of a [[myocardial infarction|heart attack]] in 1930 while playing tennis with his wife at his [[Brentwood, Los Angeles|Brentwood]] home in Los Angeles, California at the age of 48. He was interred at the [[Rosehill Cemetery, Chicago|Rosehill Cemetery]] and Mausoleum in [[Chicago, Illinois]]. In December 1930, ''[[Photoplay]]'' published a poem found among his personal effects.<ref name=whois/>

⚫
Sills died of a [[myocardial infarction|heart attack]] in 1930 while playing tennis with his wife at his [[Brentwood, Los Angeles|Brentwood]] home at the age of 48.<ref name=Dies/> He was interred at [[Rosehill Cemetery, Chicago|Rosehill Cemetery]] and Mausoleum in Chicago. In December 1930, ''[[Photoplay]]'' published a poem found among his personal effects.<ref name=whois/>


He was a founding member in 1913 of [[Actors' Equity]].<ref name=Bloom2013/> On May 11, 1927, he was among the original 36 individuals in the film industry to found the [[Academy of Motion Picture Arts and Sciences]] (AMPAS), a professional honorary organization dedicated to the advancement of the arts and sciences of motion pictures.<ref name=Pawlak2012/>
He was a founding member in 1913 of [[Actors' Equity]].<ref name=Bloom2013/> On May 11, 1927, he was among the original 36 individuals in the film industry to found the [[Academy of Motion Picture Arts and Sciences]] (AMPAS), a professional honorary organization dedicated to the advancement of the arts and sciences of motion pictures.<ref name=Pawlak2012/>


Sills also wrote a book, published posthumously in 1932: ''Values: A Philosophy of Human Needs – Six Dialogues on Subjects from Reality to Immortality'', co-edited by Ernest Holmes.<ref name=Soister2012/>
Sills also wrote a book, published posthumously in 1932: ''Values: A Philosophy of Human Needs – Six Dialogues on Subjects from Reality to Immortality'', co-edited by Ernest Holmes.<ref name=Soister2012/>

In his time, his fame as an attractive movie star was such that his name was used in a 1928 Danish vaudeville revue song, with the idea that "modern girls find fault with almost everybody; unless a man is a Milton Sills, he doesn't stand a chance".<ref>{{cite web | url=https://www.youtube.com/watch?v=WDBFwtytdWY | title="En er for lille og en er for stor" - Liva Weel i Scala Revyen "Omkring hesten" 1928 | website=[[YouTube]] }}</ref>


For his contribution to the motion picture industry, Milton Sills received a star on the [[Hollywood Walk of Fame]] at 6263 Hollywood Boulevard.<ref name=WofF/> Sills was the favorite actor of poet [[Weldon Kees]] as a child, and Sills' ''Men of Steel'' influenced Kees' poem "1926".<ref name=Reidel2007/>
For his contribution to the motion picture industry, Milton Sills received a star on the [[Hollywood Walk of Fame]] at 6263 Hollywood Boulevard.<ref name=WofF/> Sills was the favorite actor of poet [[Weldon Kees]] as a child, and Sills' ''Men of Steel'' influenced Kees' poem "1926".<ref name=Reidel2007/>
Line 68: Line 79:
*''[[The Stronger Vow]]'' (1919) as Juan Estudillo
*''[[The Stronger Vow]]'' (1919) as Juan Estudillo
*''[[The Hushed Hour]]'' (1919) as Luke Appleton
*''[[The Hushed Hour]]'' (1919) as Luke Appleton
*''[[The Woman Thou Gavest Me]]'' (1919) as Conrad
*''[[The Woman Thou Gavest Me (film)|The Woman Thou Gavest Me]]'' (1919) as Conrad
*''[[The Fear Woman]]'' (1919) as Robert Craig
*''[[The Fear Woman]]'' (1919) as Robert Craig
*''[[Eyes of Youth]]'' (1919) as Louis Anthony
*''[[Eyes of Youth]]'' (1919) as Louis Anthony
Line 78: Line 89:
*''[[Behold My Wife! (1920 film)|Behold My Wife!]]'' (1920) as Frank Armour
*''[[Behold My Wife! (1920 film)|Behold My Wife!]]'' (1920) as Frank Armour
*''[[Sweet Lavender (1920 film)|Sweet Lavender]]'' (1920) as Horace Weather Burn
*''[[Sweet Lavender (1920 film)|Sweet Lavender]]'' (1920) as Horace Weather Burn
*''[[The Furnace (film)|The Furnace]]'' (1920) as Keene Mordaunt
*''[[The Furnace (1920 film)|The Furnace]]'' (1920) as Keene Mordaunt
*''[[The Faith Healer]]'' (1921) as Michaelis
*''[[The Faith Healer]]'' (1921) as Michaelis
*''[[The Little Fool]]'' (1921) as Dick
*''[[The Little Fool]]'' (1921) as Dick
Line 133: Line 144:
{{div col end}}
{{div col end}}


== References ==
==References==
{{Reflist|refs=
{{Reflist|refs=
<ref name=Vty100725>{{cite magazine |title=News from the Dailies – Los Angeles |journal=Variety |date=October 7, 1925 |page=10 |url=https://archive.org/stream/variety80-1925-10#page/n8/mode/1up |via=Internet Archive}}</ref>
<ref name=Vty100725>{{cite magazine |title=News from the Dailies – Los Angeles |journal=Variety |date=October 7, 1925 |page=10 |url=https://archive.org/stream/variety80-1925-10#page/n8/mode/1up |via=Internet Archive}}</ref>
Line 146: Line 157:
<ref name=Reidel2007>{{cite book |last=Reidel |first=James |title=Vanished Act: The Life and Art of Weldon Kees |url=https://books.google.com/books?id=eV1AENEcMlAC&pg=PA20 |date=2007 |publisher=U of Nebraska Press |isbn=978-0-8032-5977-5 |page=20}}</ref>
<ref name=Reidel2007>{{cite book |last=Reidel |first=James |title=Vanished Act: The Life and Art of Weldon Kees |url=https://books.google.com/books?id=eV1AENEcMlAC&pg=PA20 |date=2007 |publisher=U of Nebraska Press |isbn=978-0-8032-5977-5 |page=20}}</ref>
<ref name=WofF>{{cite web |title=Milton Sills |work=Hollywood Walk of Fame |url=http://www.walkoffame.com/milton-sills |publisher=Hollywood Chamber of Commerce |access-date=2016-02-04}}</ref>
<ref name=WofF>{{cite web |title=Milton Sills |work=Hollywood Walk of Fame |url=http://www.walkoffame.com/milton-sills |publisher=Hollywood Chamber of Commerce |access-date=2016-02-04}}</ref>
<ref name=NYTrvw>{{cite news |title=Milton Sills's Last Film |newspaper=The New York Times |date=October 6, 1930 |url=https://www.nytimes.com/movie/review?res=9500E5D71E3AEE32A25755C0A9669D946194D6CF |access-date=2016-02-07}}</ref>
<ref name=NYTrvw>{{cite news |title=Milton Sills's Last Film |newspaper=The New York Times |date=October 6, 1930 |url=https://www.nytimes.com/1930/10/06/archives/milton-sillss-last-film-he-gave-incisive-performance-in-the-sea.html |access-date=2021-11-09}}</ref>
<ref name=AFImensteel>{{cite web |title=Men of Steel |work=Catalog of Feature Films |publisher=[[American Film Institute]] |url=http://www.afi.com/members/catalog/DetailView.aspx?s=1&Movie=10721}}</ref>
<ref name=AFImensteel>{{cite web |title=Men of Steel |work=Catalog of Feature Films |publisher=[[American Film Institute]] |url=http://www.afi.com/members/catalog/DetailView.aspx?s=1&Movie=10721}}</ref>
}}
}}


== External links ==
==External links==
{{commons category|Milton Sills}}
{{commons category|Milton Sills}}
*{{IMDb name|0798130}}
*{{IMDb name|0798130}}

Latest revision as of 22:31, 24 July 2024

Milton Sills
Sills c. 1910
Born(1882-01-12)January 12, 1882
Chicago, Illinois, U.S.
DiedSeptember 15, 1930(1930-09-15) (aged 48)
Los Angeles, California, U.S.
Burial placeRosehill Cemetery, Chicago
OccupationActor
Years active1906–1914 (stage)
1914–1930 (film)
Spouses
Gladys Edith Wynne
​
​
(m. 1910; div. 1925)​
​
(m. 1926)​
Children2

Milton George Gustavus Sills (January 12, 1882 – September 15, 1930) was an American stage and film actor of the early twentieth century.

Biography

[edit]

Sills was born in Chicago, Illinois, into a wealthy family. He was the son of William Henry Sills, a successful mineral dealer, and Josephine Antoinette Troost Sills, an heiress from a prosperous banking family.[1] Upon completing high school, Sills was offered a one-year scholarship to the University of Chicago, where he studied psychology and philosophy. After graduating, he was offered a position at the university as a researcher and within several years worked his way up to become a professor at the school.[citation needed]

In 1905, stage actor Donald Robertson visited the school to lecture on author and playwright Henrik Ibsen and suggested to Sills that he try his hand at acting. On a whim, Sills agreed and left his teaching career to embark on a stint in acting. Sills joined Robertson's stock theater company and began touring the country.[citation needed]

In 1908, while Sills was performing in New York City, he attracted the notice of Broadway producers such as David Belasco and Charles Frohman. That same year he made his Broadway debut in This Woman and This Man.[2] From 1908 to 1914, Sills appeared in about a dozen Broadway shows.

In 1912, Sills joined the summer stock cast at the Elitch Theatre. Owner and producer of the theatre, Mary Elitch Long, reported: "Milton Sills, one of the most charming young men I ever knew, came as my leading man, and Louise Woods as leading lady, for a limited engagement."[3]

In 1910, Sills married English stage actress Gladys Edith Wynne, a niece of actress Edith Wynne Matthison. The union produced one child, Dorothy Sills; Gladys filed for divorce in 1925.[4] In 1926, Sills married silent film actress Doris Kenyon with whom he had a son, Kenyon Clarence Sills, born in 1927.[citation needed]

Motion pictures

[edit]
Milton Sills on the cover of The Silver Sheet, studio publication promoting Skin Deep (1922)

In 1914, Sills made his film debut in the big-budget drama The Pit for the World Film Company and was signed to a contract with film producer William A. Brady. Sills made three more films for the company, including The Deep Purple opposite Clara Kimball Young.[2]

By the early 1920s, Sills had achieved matinee idol status[5] and was working for various film studios, including Metro Pictures, Famous Players–Lasky, and Pathé Exchange. In 1923 he was Colleen Moore's leading man in the very successful Flaming Youth,[6] but his biggest box office success was The Sea Hawk (1924), the top-grossing film of that year. In 1925, Sills and his wife, Doris Kenyon, starred in The Unguarded Hour for First National Pictures.[7] In 1926 he wrote the screenplay for Men of Steel, also starring in it along with Kenyon.[8]

Sills had begun to make the transition to sound pictures as early as 1928 with the part-talking The Barker. His final appearance was in the title role of The Sea Wolf (1930), a performance called "incisive" by The New York Times.[9]

Death and legacy

[edit]
Sills' grave at Rosehill Cemetery

Sills died of a heart attack in 1930 while playing tennis with his wife at his Brentwood home at the age of 48.[1] He was interred at Rosehill Cemetery and Mausoleum in Chicago. In December 1930, Photoplay published a poem found among his personal effects.[10]

He was a founding member in 1913 of Actors' Equity.[11] On May 11, 1927, he was among the original 36 individuals in the film industry to found the Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization dedicated to the advancement of the arts and sciences of motion pictures.[12]

Sills also wrote a book, published posthumously in 1932: Values: A Philosophy of Human Needs – Six Dialogues on Subjects from Reality to Immortality, co-edited by Ernest Holmes.[13]

In his time, his fame as an attractive movie star was such that his name was used in a 1928 Danish vaudeville revue song, with the idea that "modern girls find fault with almost everybody; unless a man is a Milton Sills, he doesn't stand a chance".[14]

For his contribution to the motion picture industry, Milton Sills received a star on the Hollywood Walk of Fame at 6263 Hollywood Boulevard.[15] Sills was the favorite actor of poet Weldon Kees as a child, and Sills' Men of Steel influenced Kees' poem "1926".[16]

Filmography

[edit]

References

[edit]
  1. ^ a b "Milton Sills, Film Star, Dies of Heart Attack". Los Angeles Times. September 16, 1930. pp. 1, 2. Retrieved November 9, 2021 – via Newspapers.com.
  2. ^ a b Golden, Eve (2000). Golden Images: 41 Essays on Silent Film Stars. McFarland. p. 163. ISBN 978-0-7864-8354-9.
  3. ^ Dier, Caroline Lawrence (1932). The lady of the Gardens: Mary Elitch Long. Saturday Night Pub. Co. p. 120. OCLC 21432197.
  4. ^ "News from the Dailies – Los Angeles". Variety. October 7, 1925. p. 10 – via Internet Archive.
  5. ^ Basinger, Jeanine (October 2012). Silent Stars. Knopf Doubleday. ISBN 978-0-307-82918-4.
  6. ^ Ross, Sara (2000). "The Hollywood Flapper and the Culture of Media Consumption". In Desser, David; Jowett, Garth (eds.). Hollywood Goes Shopping. U of Minnesota Press. p. 73. ISBN 978-0-8166-3513-9.
  7. ^ Dirks, Tim. "Box-Office Hits By Decade and Year". filmsite. Archived from the original on November 21, 2015. Retrieved February 7, 2016.
  8. ^ "Men of Steel". Catalog of Feature Films. American Film Institute.
  9. ^ "Milton Sills's Last Film". The New York Times. October 6, 1930. Retrieved November 9, 2021.
  10. ^ "Milton Sills' Goodbye". Photoplay. December 1930. p. 96 – via Internet Archive.
  11. ^ Bloom, Ken (2013). Routledge Guide to Broadway. Taylor & Francis. p. 21. ISBN 978-1-135-87116-1.
  12. ^ Pawlak, Debra Ann (2012). Bringing Up Oscar: The Story of the Men and Women Who Founded the Academy. Pegasus Books. p. 7. ISBN 978-1-60598-216-8.
  13. ^ Soister, John T. (2012). American Silent Horror, Science Fiction and Fantasy Feature Films, 1913–1929. McFarland. p. 190. ISBN 978-0-7864-8790-5.
  14. ^ ""En er for lille og en er for stor" - Liva Weel i Scala Revyen "Omkring hesten" 1928". YouTube.
  15. ^ "Milton Sills". Hollywood Walk of Fame. Hollywood Chamber of Commerce. Retrieved February 4, 2016.
  16. ^ Reidel, James (2007). Vanished Act: The Life and Art of Weldon Kees. U of Nebraska Press. p. 20. ISBN 978-0-8032-5977-5.
[edit]
Wikimedia Commons has media related to Milton Sills.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Milton_Sills&oldid=1236474868"