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{{Short description|Belgian artist (1975–2020)}}
{{Infobox artist
{{Infobox artist
|name = Naziha Mestaoui
|name = Naziha Mestaoui
|image =
|image = Naziha Mestaoui2.jpg
|image_size =
|image_size =
|caption =
|caption = Naziha Mestaoui
|native_name = نزيهة مستاوي
|native_name = نزيهة مستاوي
|native_name_lang = Arabic
|native_name_lang = Arabic
|birth_name =
|birth_name =
|birth_date = {{birth year and age|1975}}
|birth_date = {{birth year|1975}}
|birth_place = [[Brussels]], Belgium
|birth_place = [[Brussels]], Belgium
|death_date = {{BirthDeathAge|{{^}}|1975|{{^}}|{{^}}|2020|4|29}}
|nationality = Belgian
|nationality = Belgian
|alma_mater = [[La Cambre]], [[Graz University of Technology]]
|alma_mater = [[La Cambre]], [[Graz University of Technology]]
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}}
}}


{{external media | width = 210px | align = right | headerimage= | video1= [https://www.youtube.com/watch?v=GalT_wooNNY ''Naziha Mestaoui, au cœur du vivant'' (English subtitles)], Lucia Wainberg | video2 = [https://www.youtube.com/watch?v=LtQpJ_5j_GQ “Naziha Mestaoui“], TEDxULB | video3 = [https://www.youtube.com/watch?v=AHNZUXPXfho “Paris 2015 Interview with Naziha Mestaoui – 1Heart1Tree“], COP21 Hub Culture | video4= [https://www.youtube.com/watch?v=jMTvekmwN6Q “1heart1tree Transformer la tour Eiffel en forêt virtuelle“ (French)], TV5MONDE }}
{{external media | width = 210px | float = right | headerimage= | video1= [https://www.youtube.com/watch?v=GalT_wooNNY ''Naziha Mestaoui, au cœur du vivant'' (English subtitles)], Lucia Wainberg | video2 = [https://www.youtube.com/watch?v=LtQpJ_5j_GQ “Naziha Mestaoui“], TEDxULB | video3 = [https://www.youtube.com/watch?v=AHNZUXPXfho “Paris 2015 Interview with Naziha Mestaoui – 1Heart1Tree“], COP21 Hub Culture | video4= [https://www.youtube.com/watch?v=jMTvekmwN6Q “1heart1tree Transformer la tour Eiffel en forêt virtuelle“ (French)], TV5MONDE }}


'''Naziha Mestaoui''' (born 1975) is a Belgian artist trained in architecture, who lives and works in Paris. She has worked both collectively ([[LAb(au)]], Electronic Shadow) and individually, and has received awards in several countries. As an environmental artist and activist, she is best known for ''One Heart, One Tree'' at the [[2015 United Nations Climate Change Conference|United Nations Climate Conference (COP21)]] in December 2015. The participatory art installation supports [[reforestation]] on several continents.<ref name=Ardia>{{cite news|last1=Ardia|first1=C. A. Xuan Mai|title=Naziha Mestaoui: Between spiritualism, environment and technology – artist profile|url=http://artradarjournal.com/2014/08/15/naziha-mestaoui-between-spiritualism-environment-and-technology-artist-profile/|accessdate=23 December 2015|work=Art Radar|date=August 15, 2014}}</ref> Her work attempts to bridge "the virtual and reality, technology and nature, as well as what is visible and invisible."<ref name=DZine>{{cite news|title=Artist Naziha Mestaoui radiates her altruistic vibration|url=http://dzinetrip.com/artist-naziha-mestaoui-radiates-her-altruistic-vibration/|accessdate=26 December 2015|work=DZine Trip|date=June 22, 2014}}</ref>
'''Naziha Mestaoui''' (1975 – April 29, 2020)<ref>{{cite web |last1=Moris |first1=E. |title=Décès de l'artiste Naziha Mestaoui, "One Heart One Tree" |url=https://www.zinfos-moris.com/Deces-de-l-artiste-Naziha-Mestaoui-One-Heart-One-Tree_a14334.html |website=zinfosmoris |accessdate=1 May 2020 |language=fr}}</ref> was a Belgian artist trained in architecture, who lived and worked in Paris. She worked both collectively ([[LAb(au)]], Electronic Shadow) and individually, and received awards in several countries. As an environmental artist and activist, she was best known for ''One Heart, One Tree'' at the [[2015 United Nations Climate Change Conference|United Nations Climate Conference (COP21)]] in December 2015. The participatory art installation supports [[reforestation]] on several continents.<ref name=Ardia>{{cite news|last1=Ardia|first1=C. A. Xuan Mai|title=Naziha Mestaoui: Between spiritualism, environment and technology – artist profile|url=http://artradarjournal.com/2014/08/15/naziha-mestaoui-between-spiritualism-environment-and-technology-artist-profile/|accessdate=23 December 2015|work=Art Radar|date=August 15, 2014}}</ref>
Her work attempted to bridge "the virtual and reality, technology and nature, as well as what is visible and invisible."<ref name=DZine>{{cite news|title=Artist Naziha Mestaoui radiates her altruistic vibration|url=http://dzinetrip.com/artist-naziha-mestaoui-radiates-her-altruistic-vibration/|accessdate=26 December 2015|work=DZine Trip|date=June 22, 2014}}</ref>


== Early life and education ==
== Early life and education ==
Mestaoui was born in 1975 in [[Brussels]], Belgium.<ref name=COAL2014>{{cite web|title=Paris Prix COAL 2014|url=http://www.projetcoal.org/coal/wp-content/uploads/2014/04/CATALOGUE_COAL_280314EDF_ac.pdf|website=COAL|accessdate=24 December 2015}}</ref> Her father comes from Tunisia.<ref name=Walker/>
Mestaoui was born in 1975 in [[Brussels]], Belgium,<ref name=COAL2014>{{cite web|title=Paris Prix COAL 2014|url=http://www.projetcoal.org/coal/wp-content/uploads/2014/04/CATALOGUE_COAL_280314EDF_ac.pdf|website=COAL|accessdate=24 December 2015}}</ref> to a [[Tunisians|Tunisian]] father and a Belgian mother.<ref>{{cite web |last1=Demeulemeester |first1=Thijs |title=Belgische Artivist Naziha Mestaoui Plant Bomen Voor Eeb Betere Wereld |url=https://www.tijd.be/sabato/kunst/belgische-artivist-naziha-mestaoui-plant-bomen-voor-een-betere-wereld/9889813.html |publisher=[[De Tijs]] |archive-url=https://web.archive.org/web/20230311222322/https://www.tijd.be/sabato/kunst/belgische-artivist-naziha-mestaoui-plant-bomen-voor-een-betere-wereld/9889813.html |archive-date=11 March 2023 |date=19 September 2018}}</ref><ref name=Walker/>
Mestaoui trained as an architect. She did undergraduate work from 1993–96 at [[La Cambre]] in Brussels. From 1996-97 she studied at [[Graz University of Technology]] (T.U. Graz), working with [[Thom Mayne]] of [[Morphosis Architects]].{{cn|date=May 2020}}


Mestaoui trained as an architect. She did undergraduate work from 1993–1996 at [[La Cambre]] in Brussels. From 1996 to 1997 she studied at [[Graz University of Technology]] (T.U. Graz), working with [[Thom Mayne]] of [[Morphosis Architects]]. She received a post-graduate diploma ''Architecte DPLG'' (''[[:fr:Architecte diplômé par le gouvernement|Architecte diplômé par le gouvernement]]'') from La Cambre in 1999.<ref name=Luxe/><ref name=CREDIF>{{cite web|title=Naziha Mestaoui|url=http://tunis.hosting.kvinfo.dk/fr/expert-profile/naziha-mestaoui|website=Who is She in Tunisia – CREDIF|accessdate=24 December 2015}}</ref>
She received a post-graduate diploma ''Architecte DPLG'' (''[[:fr:Architecte diplômé par le gouvernement|Architecte diplômé par le gouvernement]]'') from La Cambre in 1999.<ref name=Luxe/><ref name=CREDIF>{{cite web|title=Naziha Mestaoui|url=http://tunis.hosting.kvinfo.dk/fr/expert-profile/naziha-mestaoui|website=Who is She in Tunisia – CREDIF|accessdate=24 December 2015}}</ref>


==Collaborative works==
==Collaborative works==
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=== Electronic Shadow===
=== Electronic Shadow===
Beginning in 2000, Naziha Mestaoui worked with [[Yacine Aït Kaci]] in the duo ''Electronic Shadow'', pioneering and patenting techniques of videomapping in digital art.<ref name=Duende>{{cite news|title=Electronic Shadow, from 3 minutes² to the Frac Centre|url=http://www.duendepr.com/actualites/2013/11/23/electronic-shadow-de-3-minutes%C2%B2-a-resonances-au-frac-centre/?lang=en|accessdate=24 December 2015|work=Duende|date=23 November 2013}}</ref> They worked on a wide variety of projects including wearable computers (interactive i-skin) and immersive and interactive environments.<ref name=ShadowBio>{{cite web|title=Naziha Mestaoui (Biography)|url=http://www.electronicshadow.com/biographies/nazihabio.htm|website=Electronic Shadow|accessdate=24 December 2015}}</ref> In works such as ''Warm and Cold'', (2005) they used tactile sensors and [[Chromism|chromic materials]] to develop [[Haptic technology|haptic user interfaces]] in which people interact with images to control the surrounding space, transforming the boundaries between space and image.<ref name=Baghdady/>
Beginning in 2000, Naziha Mestaoui worked with [[Yacine Aït Kaci]] in the duo ''Electronic Shadow'', pioneering and patenting techniques of videomapping in digital art.<ref name=Duende>{{cite news|title=Electronic Shadow, from 3 minutes² to the Frac Centre|url=http://www.duendepr.com/actualites/2013/11/23/electronic-shadow-de-3-minutes%C2%B2-a-resonances-au-frac-centre/?lang=en|accessdate=24 December 2015|work=Duende|date=23 November 2013}}</ref>


''Electronic Shadow'' has exhibited in galleries including the [[Museum of Modern Art]] in [[Manhattan]], the [[Centre Georges Pompidou]] in [[Paris]], and the [[Tokyo Metropolitan Museum of Photography]].<ref name=Baghdady>{{cite book|last1=Baghdady|first1=Dina Soliman|title=The Use of Interactive Applications in the Design of Public Buildings|date=2013|publisher=Ain Shams University|location=Cairo, Egypt|pages=141–142|url=http://www.cpas-egypt.com/pdf/DinaSoliman/Ms.c/The%20Use%20of%20Interactive%20Applications%20in%20the%20Design%20of%20Public%20Buildings.pdf}}</ref> At the [[Musée Granet]]<ref name=Figaro>{{cite news|title=Electronic Shadow à Aix-en-Provence|url=http://madame.lefigaro.fr/art-de-vivre/electronic-shadow-a-aix-en-provence-011210-3521|accessdate=24 December 2015|work=Le Figaro|date=December 1, 2010}}</ref> in [[Aix-en-Provence]] in 2011, their solo exhibit drew more than 35,000 visitors.<ref name=Ardia/> It was the first time that a Beaux-Arts museum had mounted an exhibition of digital artists.<ref name=Figaro/>
They worked on a wide variety of projects including wearable computers (interactive i-skin) and immersive and interactive environments.<ref name=ShadowBio>{{cite web|title=Naziha Mestaoui (Biography)|url=http://www.electronicshadow.com/biographies/nazihabio.htm|website=Electronic Shadow|accessdate=24 December 2015}}</ref>
In works such as ''Warm and Cold'', (2005) they used tactile sensors and [[Chromism|chromic materials]] to develop [[Haptic technology|haptic user interfaces]] in which people interact with images to control the surrounding space, transforming the boundaries between space and image.<ref name=Baghdady/>
''Electronic Shadow'' has exhibited in galleries including the [[Museum of Modern Art]] in [[Manhattan]], the [[Centre Georges Pompidou]] in [[Paris]], and the [[Tokyo Metropolitan Museum of Photography]].<ref name=Baghdady>{{cite book|last1=Baghdady|first1=Dina Soliman|title=The Use of Interactive Applications in the Design of Public Buildings|date=2013|publisher=Ain Shams University|location=Cairo, Egypt|pages=141–142|url=http://www.cpas-egypt.com/pdf/DinaSoliman/Ms.c/The%20Use%20of%20Interactive%20Applications%20in%20the%20Design%20of%20Public%20Buildings.pdf}}</ref>
At the [[Musée Granet]]<ref name=Figaro>{{cite news|title=Electronic Shadow à Aix-en-Provence|url=http://madame.lefigaro.fr/art-de-vivre/electronic-shadow-a-aix-en-provence-011210-3521|accessdate=24 December 2015|work=Le Figaro|date=December 1, 2010}}</ref> in [[Aix-en-Provence]] in 2011, their solo exhibit drew more than 35,000 visitors.<ref name=Ardia/> It was the first time that a Beaux-Arts museum had mounted an exhibition of digital artists.<ref name=Figaro/>


They collaborated with choreographer and dancer [[Carolyn Carlson (artist)|Carolyn Carlson]], in the creation of her work ''Double Vision'' (2006). The work is an hour-long solo dance, to ambient music composed by [[Nicolas de Zorzi]]. In the piece, Carlson wears a huge skirt of [[parachute silk]] that connects her to the stage. It becomes a screen for ''Electronic Shadow'''s light designs. A gigantic mirror above the stage provides a second viewpoint for the transformations happening onstage. The dancer's environment has been described as a "high-tech playground" filled with light and color.<ref name=Johnson>{{cite news|last1=Johnson|first1=Robert|title='Double Vision': Mirrored modern dance takes on climate change and more|url=http://www.nj.com/entertainment/arts/index.ssf/2010/10/double_visionmirrored_modern_d.html|accessdate=26 December 2015|work=The Star-Ledger|date=October 16, 2010}}</ref><ref name=Jowitt>{{cite news|last1=Jowitt|first1=Deborah|title=Carolyn Carlson—From France to Jersey; Russell Dumas—Up From Oz|url=http://www.villagevoice.com/arts/carolyn-carlsonfrom-france-to-jersey-russell-dumasup-from-oz-7159119|accessdate=26 December 2015|work=The Village Voice|date=October 13, 2010}}</ref>
They collaborated with choreographer and dancer [[Carolyn Carlson (artist)|Carolyn Carlson]], in the creation of her work ''Double Vision'' (2006). The work is an hour-long solo dance, to ambient music composed by [[Nicolas de Zorzi]]. In the piece, Carlson wears a huge skirt of [[parachute silk]] that connects her to the stage. It becomes a screen for ''Electronic Shadow'''s light designs. A gigantic mirror above the stage provides a second viewpoint for the transformations happening onstage. The dancer's environment has been described as a "high-tech playground" filled with light and color.<ref name=Johnson>{{cite news|last1=Johnson|first1=Robert|title='Double Vision': Mirrored modern dance takes on climate change and more|url=http://www.nj.com/entertainment/arts/index.ssf/2010/10/double_visionmirrored_modern_d.html|accessdate=26 December 2015|work=The Star-Ledger|date=October 16, 2010}}</ref><ref name=Jowitt>{{cite news|last1=Jowitt|first1=Deborah|title=Carolyn Carlson—From France to Jersey; Russell Dumas—Up From Oz|url=http://www.villagevoice.com/arts/carolyn-carlsonfrom-france-to-jersey-russell-dumasup-from-oz-7159119|accessdate=26 December 2015|work=The Village Voice|date=October 13, 2010}}</ref>
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For the 4th [[Moscow Biennale|Biennale of Moscow]] in 2011, they worked with the musician 2square (Stephan Haeri of [[Télépopmusik]]) to create the interactive piece ''Chaos Theory''. The work was presented at Galerie Iragui with the support of the French Embassy in Moscow.<ref name=Biennale>{{cite web|title=Chaos theory|url=http://4th.moscowbiennale.ru/en/program/special_projects/chaos_theory.html|website=Moscow Biennale of Contemporary Art|accessdate=26 December 2015}}</ref>
For the 4th [[Moscow Biennale|Biennale of Moscow]] in 2011, they worked with the musician 2square (Stephan Haeri of [[Télépopmusik]]) to create the interactive piece ''Chaos Theory''. The work was presented at Galerie Iragui with the support of the French Embassy in Moscow.<ref name=Biennale>{{cite web|title=Chaos theory|url=http://4th.moscowbiennale.ru/en/program/special_projects/chaos_theory.html|website=Moscow Biennale of Contemporary Art|accessdate=26 December 2015}}</ref>


Their permanent light installation ''Résonances'' was created as an interactive skin for the outside of the [[FRAC Centre]] in [[Orléans]], [[France]], which opened on September 14, 2013.<ref name=Eflux>{{cite news|title=The Turbulences – FRAC Centre|url=http://www.e-flux.com/announcements/opening-with-archilab-2013-naturalizing-architecture/|accessdate=26 December 2015|work=E-flux|date=14 September 2013}}</ref> As joint winners in the competition, they worked with architects [[Jakob + MacFarlane]] who created the prefabricated tubular structure known as The Turbulences. By placing diodes on the structural lines of the anodised aluminium casing, Mestaoui and Kaci created a real-time "interactive ‘veil of light'" that is responsive to local climate and environmental data.<ref name=Maier>{{cite web|last1=Maier|first1=Florian|title=Les Turbulences – FRAC Centre in Orléans by Jakob + MacFarlane|url=http://www.detail-online.com/article/les-turbulences-frac-centre-in-orleans-by-jakob-macfarlane-16586/|website=Detail Online|date=September 22, 2013}}</ref><ref name=DesignBoom>{{cite web|title=FRAC centre opens in new site by jakob + macfarlane|url=http://www.designboom.com/architecture/frac-centre-opens-in-new-site-by-jakob-macfarlane/|website=DesignBoom}}</ref><ref name=Departures>{{cite news|title=France’s New Contemporary Art Museum|url=http://www.departures.com/art-culture/art-design/france%E2%80%99s-new-contemporary-art-museum|accessdate=24 December 2015|work=Departures|date=December 13, 2013}}</ref>
Their permanent light installation ''Résonances'' was created as an interactive skin for the outside of the [[FRAC Centre]] in [[Orléans]], [[France]], which opened on September 14, 2013.<ref name=Eflux>{{cite news|title=The Turbulences – FRAC Centre|url=http://www.e-flux.com/announcements/opening-with-archilab-2013-naturalizing-architecture/|accessdate=26 December 2015|work=E-flux|date=14 September 2013}}</ref> As joint winners in the competition, they worked with architects [[Jakob + MacFarlane]] who created the prefabricated tubular structure known as The Turbulences. By placing diodes on the structural lines of the anodised aluminium casing, Mestaoui and Kaci created a real-time "interactive ‘veil of light'" that is responsive to local climate and environmental data.<ref name=Maier>{{cite web|last1=Maier|first1=Florian|title=Les Turbulences – FRAC Centre in Orléans by Jakob + MacFarlane|url=http://www.detail-online.com/article/les-turbulences-frac-centre-in-orleans-by-jakob-macfarlane-16586/|website=Detail Online|date=September 22, 2013}}</ref><ref name=DesignBoom>{{cite web|title=FRAC centre opens in new site by jakob + macfarlane|url=http://www.designboom.com/architecture/frac-centre-opens-in-new-site-by-jakob-macfarlane/|website=DesignBoom}}</ref><ref name="Departures">{{cite news |date=December 13, 2013 |title=France’s New Contemporary Art Museum |work=Departures |url=http://www.departures.com/art-culture/art-design/france%E2%80%99s-new-contemporary-art-museum |url-status=dead |access-date=December 24, 2015 |archive-url=https://web.archive.org/web/20210419124105/http://www.departures.com/art-culture/art-design/france%E2%80%99s-new-contemporary-art-museum |archive-date=April 19, 2021}}</ref>


== Independent projects ==
== Independent projects ==
More recently{{When|date=December 2015}}, Naziha Mestaoui has worked independently. Her work was featured in a solo exhibition, ''Au-delà de l’invisible'' (''Beyond the invisible''), at Espace Krajcberg in [[Paris]] in 2014. Her works explored the place of humans in the world, both tribal and modern.<ref name=Krajcberg>{{cite news|title=Au delà de l'invisible|url=http://www.semaest.fr/actualites/article/au-dela-de-l-invisible/ |accessdate=26 December 2015|work=Semaest}}</ref><ref name=Espace>{{cite web|last1=Mestaoui|first1=Naziha|title=Au-delà de l’invisible, exposition de Naziha Mestaoui à l’Espace Krajcberg|url=http://www.electronicshadow.org/nm/?p=1820|date=September 13, 2014}}</ref>
Naziha Mestaoui also worked independently. Her work was featured in a solo exhibition, ''Au-delà de l’invisible'' (''Beyond the invisible''), at Espace Krajcberg in [[Paris]] in 2014. Her works explored the place of humans in the world, both tribal and modern.<ref name=Krajcberg>{{cite news|title=Au delà de l'invisible|url=http://www.semaest.fr/actualites/article/au-dela-de-l-invisible/ |accessdate=26 December 2015|work=Semaest}}</ref><ref name=Espace>{{cite web|last1=Mestaoui|first1=Naziha|title=Au-delà de l’invisible, exposition de Naziha Mestaoui à l’Espace Krajcberg|url=http://www.electronicshadow.org/nm/?p=1820|date=September 13, 2014}}</ref>


===Echoing Bodies===
===Echoing Bodies===
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Naziha Mestaoui's light installation ''One heart, One tree'' was inspired by her experiences traveling among aboriginal peoples in the [[Amazon rainforest|Amazon]], [[India]], and [[Oman]]. These include the [[Amahuaca people|Huni Kui]] and [[Asháninka people|Ashaninka]] in [[Peru]] and [[Brazil]].<ref name=Ardia/> The project was crowdsourced through [[Kickstarter]], and developed over a four-year period.<ref name=Walker>{{cite news|last1=Walker|first1=Tamsin|title=Faces of Climate Change Naziha Mestaoui, light artist, Tunisia and Belgium|url=http://www.dw.com/en/naziha-mestaoui-light-artist-tunisia-and-belgium/a-18907940|accessdate=24 December 2015|work=Deutsche Welle (DW)|date=December 9, 2015}}</ref> An early version, entitled ''One Beat One Tree'', was presented at the [[United Nations Conference on Sustainable Development]] (Rio+20) in 2012.<ref name=Ardia/>
Naziha Mestaoui's light installation ''One heart, One tree'' was inspired by her experiences traveling among aboriginal peoples in the [[Amazon rainforest|Amazon]], [[India]], and [[Oman]]. These include the [[Amahuaca people|Huni Kui]] and [[Asháninka people|Ashaninka]] in [[Peru]] and [[Brazil]].<ref name=Ardia/> The project was crowdsourced through [[Kickstarter]], and developed over a four-year period.<ref name=Walker>{{cite news|last1=Walker|first1=Tamsin|title=Faces of Climate Change Naziha Mestaoui, light artist, Tunisia and Belgium|url=http://www.dw.com/en/naziha-mestaoui-light-artist-tunisia-and-belgium/a-18907940|accessdate=24 December 2015|work=Deutsche Welle (DW)|date=December 9, 2015}}</ref> An early version, entitled ''One Beat One Tree'', was presented at the [[United Nations Conference on Sustainable Development]] (Rio+20) in 2012.<ref name=Ardia/>


The images created as part of ''One heart, One tree'' were projected onto monuments in Paris during the [[2015 United Nations Climate Change Conference|United Nations Climate Conference (COP21)]] in December 2015. Buildings included the [[Eiffel tower]] and the [[Hôtel de Ville, Paris|Hôtel de Ville]], among others. Spectators used their smartphones to participate in creating the "forest of light", while listening to the music of [[Philip Sheppard (musician)|Philip Sheppard]].<ref name=Klisanin>{{cite news|last1=Klisanin|first1=Dana|title=Choosing Hope Over Denial|url=https://www.psychologytoday.com/blog/digital-altruism/201511/choosing-hope-over-denial|accessdate=24 December 2015|work=Psychology Today|date=November 30, 2015}}</ref> A heartbeat sensor on the smartphone gathered data that was used to generate a unique digital tree, that was then projected onto the building. 52,677 trees were created during the six days in which the participatory art project was displayed.<ref name=Trees/> For each computer-generated tree, a real tree will be planted,<ref name=Trees/> in [[Europe]], [[Latin America]], [[Africa]] or [[Asia]], enabling participants in the art installation to also become participants in [[reforestation]]. The cost of planting is covered by the participants' donations (about $11 U.S.).<ref name=Peltier>{{cite news|last1=Peltier|first1=Elian|title=In Paris, Art Confronts 2 Crises|url=https://www.nytimes.com/2015/12/10/arts/international/in-paris-art-confronts-2-crises.html?_r=0|accessdate=24 December 2015|work=The New York Times|date=December 9, 2015}}</ref> Plans are underway to take the project to other cities around the world.<ref name=Trees>{{cite web|title=One Heart One Tree, Live, Cop21|url=http://www.1heart1tree.org/cop21/live|accessdate=24 December 2015}}</ref>
The images created as part of ''One heart, One tree'' were projected onto monuments in Paris during the [[2015 United Nations Climate Change Conference|United Nations Climate Conference (COP21)]] in December 2015. Buildings included the [[Eiffel Tower]] and the [[Hôtel de Ville, Paris|Hôtel de Ville]], among others. Spectators used their smartphones to participate in creating the "forest of light", while listening to the music of [[Philip Sheppard (musician)|Philip Sheppard]].<ref name=Klisanin>{{cite news|last1=Klisanin|first1=Dana|title=Choosing Hope Over Denial|url=https://www.psychologytoday.com/blog/digital-altruism/201511/choosing-hope-over-denial|accessdate=24 December 2015|work=Psychology Today|date=November 30, 2015}}</ref> A heartbeat sensor on the smartphone gathered data that was used to generate a unique digital tree, that was then projected onto the building. 52,677 trees were created during the six days in which the participatory art project was displayed.<ref name=Trees/> For each computer-generated tree, a real tree will be planted,<ref name=Trees/> in [[Europe]], [[Latin America]], [[Africa]] or [[Asia]], enabling participants in the art installation to also become participants in [[reforestation]]. The cost of planting is covered by the participants' donations (about $11 U.S.).<ref name=Peltier>{{cite news|last1=Peltier|first1=Elian|title=In Paris, Art Confronts 2 Crises|url=https://www.nytimes.com/2015/12/10/arts/international/in-paris-art-confronts-2-crises.html?_r=0|accessdate=24 December 2015|work=The New York Times|date=December 9, 2015}}</ref> Plans are underway to take the project to other cities around the world.<ref name=Trees>{{cite web|title=One Heart One Tree, Live, Cop21|url=http://www.1heart1tree.org/cop21/live|accessdate=24 December 2015}}</ref>


==Awards==
==Awards==
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* {{cite web|title=Naziha Mestaoui (Biography)|url=http://www.electronicshadow.com/biographies/nazihabio.htm|website=Electronic Shadow}}
* {{cite web|title=Naziha Mestaoui (Biography)|url=http://www.electronicshadow.com/biographies/nazihabio.htm|website=Electronic Shadow}}


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Latest revision as of 12:53, 18 April 2024

Naziha Mestaoui
نزيهة مستاوي
Naziha Mestaoui
Born1975 (1975)
Brussels, Belgium
DiedApril 29, 2020 (aged 44–45)
NationalityBelgian
Alma materLa Cambre, Graz University of Technology
Notable workOne heart, One tree
AwardsPrix COAL (2014)
Websitewww.electronicshadow.org/nm/
External videos
video icon Naziha Mestaoui, au cœur du vivant (English subtitles), Lucia Wainberg
video icon “Naziha Mestaoui“, TEDxULB
video icon “Paris 2015 Interview with Naziha Mestaoui – 1Heart1Tree“, COP21 Hub Culture
video icon “1heart1tree Transformer la tour Eiffel en forêt virtuelle“ (French), TV5MONDE

Naziha Mestaoui (1975 – April 29, 2020)[1] was a Belgian artist trained in architecture, who lived and worked in Paris. She worked both collectively (LAb(au), Electronic Shadow) and individually, and received awards in several countries. As an environmental artist and activist, she was best known for One Heart, One Tree at the United Nations Climate Conference (COP21) in December 2015. The participatory art installation supports reforestation on several continents.[2]

Her work attempted to bridge "the virtual and reality, technology and nature, as well as what is visible and invisible."[3]

Early life and education

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Mestaoui was born in 1975 in Brussels, Belgium,[4] to a Tunisian father and a Belgian mother.[5][6] Mestaoui trained as an architect. She did undergraduate work from 1993–96 at La Cambre in Brussels. From 1996-97 she studied at Graz University of Technology (T.U. Graz), working with Thom Mayne of Morphosis Architects.[citation needed]

She received a post-graduate diploma Architecte DPLG (Architecte diplômé par le gouvernement) from La Cambre in 1999.[7][8]

Collaborative works

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LAb(au)

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Mestaoui was a co-founder of LAb(au), an artists group in Brussels, Belgium which explored the impact of advanced technologies on art, from 1997 to 2000.[9]

Electronic Shadow

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Beginning in 2000, Naziha Mestaoui worked with Yacine Aït Kaci in the duo Electronic Shadow, pioneering and patenting techniques of videomapping in digital art.[10]

They worked on a wide variety of projects including wearable computers (interactive i-skin) and immersive and interactive environments.[9]

In works such as Warm and Cold, (2005) they used tactile sensors and chromic materials to develop haptic user interfaces in which people interact with images to control the surrounding space, transforming the boundaries between space and image.[11]

Electronic Shadow has exhibited in galleries including the Museum of Modern Art in Manhattan, the Centre Georges Pompidou in Paris, and the Tokyo Metropolitan Museum of Photography.[11]

At the Musée Granet[12] in Aix-en-Provence in 2011, their solo exhibit drew more than 35,000 visitors.[2] It was the first time that a Beaux-Arts museum had mounted an exhibition of digital artists.[12]

They collaborated with choreographer and dancer Carolyn Carlson, in the creation of her work Double Vision (2006). The work is an hour-long solo dance, to ambient music composed by Nicolas de Zorzi. In the piece, Carlson wears a huge skirt of parachute silk that connects her to the stage. It becomes a screen for Electronic Shadow's light designs. A gigantic mirror above the stage provides a second viewpoint for the transformations happening onstage. The dancer's environment has been described as a "high-tech playground" filled with light and color.[13][14]

For the 4th Biennale of Moscow in 2011, they worked with the musician 2square (Stephan Haeri of Télépopmusik) to create the interactive piece Chaos Theory. The work was presented at Galerie Iragui with the support of the French Embassy in Moscow.[15]

Their permanent light installation Résonances was created as an interactive skin for the outside of the FRAC Centre in Orléans, France, which opened on September 14, 2013.[16] As joint winners in the competition, they worked with architects Jakob + MacFarlane who created the prefabricated tubular structure known as The Turbulences. By placing diodes on the structural lines of the anodised aluminium casing, Mestaoui and Kaci created a real-time "interactive ‘veil of light'" that is responsive to local climate and environmental data.[17][18][19]

Independent projects

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Naziha Mestaoui also worked independently. Her work was featured in a solo exhibition, Au-delà de l’invisible (Beyond the invisible), at Espace Krajcberg in Paris in 2014. Her works explored the place of humans in the world, both tribal and modern.[20][21]

Echoing Bodies

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The 2014 interactive installation Corps en résonance (Echoing bodies) generated sound and light displays in crystal bowls filled with water, in response to the movements of visitors. The installation was inspired in part by Tibetan singing bowls. As a bowl moves, it vibrates, moving the surface of the water and producing harmonic frequencies that can be both heard and seen.[2]

One heart, One tree

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Eiffel Tower illuminated in green to show the "forest of light"

Naziha Mestaoui's light installation One heart, One tree was inspired by her experiences traveling among aboriginal peoples in the Amazon, India, and Oman. These include the Huni Kui and Ashaninka in Peru and Brazil.[2] The project was crowdsourced through Kickstarter, and developed over a four-year period.[6] An early version, entitled One Beat One Tree, was presented at the United Nations Conference on Sustainable Development (Rio+20) in 2012.[2]

The images created as part of One heart, One tree were projected onto monuments in Paris during the United Nations Climate Conference (COP21) in December 2015. Buildings included the Eiffel Tower and the Hôtel de Ville, among others. Spectators used their smartphones to participate in creating the "forest of light", while listening to the music of Philip Sheppard.[22] A heartbeat sensor on the smartphone gathered data that was used to generate a unique digital tree, that was then projected onto the building. 52,677 trees were created during the six days in which the participatory art project was displayed.[23] For each computer-generated tree, a real tree will be planted,[23] in Europe, Latin America, Africa or Asia, enabling participants in the art installation to also become participants in reforestation. The cost of planting is covered by the participants' donations (about $11 U.S.).[24] Plans are underway to take the project to other cities around the world.[23]

Awards

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  • 2014, Prix COAL, art et environnement[4][8][25]
  • 2014, Prix du jury à La Biennale De L’UMAM pour l’oeuvre Corps en Résonance[8]
  • 2011, Talent de l’innovation, Prix du Centre de luxe et création (awarded to Electronic Shadow, with Yacine Aït Kaci)[8]
  • 2005, Japan Media Arts Festival, Jury selection prize in the Art division for the installation H2O[8][26]
  • 2005, Trophée Laval Virtual, Grand prize in the Category Architecture, Art and Culture for H2O[7][8]
  • 2004, Japan Media Arts Festival, Grand Prize, Art division for the installation 3 minutes[8][27]
  • 2004, Prix Ars Electronica, Honorary Mention in interactive art for 3 minutes[8]
  • 2004, Trophée Laval Virtual, Art and culture for the installation Ex-îles[8]
  • 1999, Prix de la Brique belge et Tech-art prize, prix de la chambre des ingénieurs flamands for Lightscape(s)[8]
  • 1997, 4ème prix, Concours d’urbanisme, Cultural capital Thessaloniki[8]

References

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  1. ^ Moris, E. "Décès de l'artiste Naziha Mestaoui, "One Heart One Tree"". zinfosmoris (in French). Retrieved 1 May 2020.
  2. ^ a b c d e Ardia, C. A. Xuan Mai (August 15, 2014). "Naziha Mestaoui: Between spiritualism, environment and technology – artist profile". Art Radar. Retrieved 23 December 2015.
  3. ^ "Artist Naziha Mestaoui radiates her altruistic vibration". DZine Trip. June 22, 2014. Retrieved 26 December 2015.
  4. ^ a b "Paris Prix COAL 2014" (PDF). COAL. Retrieved 24 December 2015.
  5. ^ Demeulemeester, Thijs (19 September 2018). "Belgische Artivist Naziha Mestaoui Plant Bomen Voor Eeb Betere Wereld". De Tijs. Archived from the original on 11 March 2023.
  6. ^ a b Walker, Tamsin (December 9, 2015). "Faces of Climate Change Naziha Mestaoui, light artist, Tunisia and Belgium". Deutsche Welle (DW). Retrieved 24 December 2015.
  7. ^ a b "Naziha MESTAOUI & Yacine AIT KACI". Centre du Luxe et de la Creation. Retrieved 24 December 2015.
  8. ^ a b c d e f g h i j k "Naziha Mestaoui". Who is She in Tunisia – CREDIF. Retrieved 24 December 2015.
  9. ^ a b "Naziha Mestaoui (Biography)". Electronic Shadow. Retrieved 24 December 2015.
  10. ^ "Electronic Shadow, from 3 minutes² to the Frac Centre". Duende. 23 November 2013. Retrieved 24 December 2015.
  11. ^ a b Baghdady, Dina Soliman (2013). The Use of Interactive Applications in the Design of Public Buildings (PDF). Cairo, Egypt: Ain Shams University. pp. 141–142.
  12. ^ a b "Electronic Shadow à Aix-en-Provence". Le Figaro. December 1, 2010. Retrieved 24 December 2015.
  13. ^ Johnson, Robert (October 16, 2010). "'Double Vision': Mirrored modern dance takes on climate change and more". The Star-Ledger. Retrieved 26 December 2015.
  14. ^ Jowitt, Deborah (October 13, 2010). "Carolyn Carlson—From France to Jersey; Russell Dumas—Up From Oz". The Village Voice. Retrieved 26 December 2015.
  15. ^ "Chaos theory". Moscow Biennale of Contemporary Art. Retrieved 26 December 2015.
  16. ^ "The Turbulences – FRAC Centre". E-flux. 14 September 2013. Retrieved 26 December 2015.
  17. ^ Maier, Florian (September 22, 2013). "Les Turbulences – FRAC Centre in Orléans by Jakob + MacFarlane". Detail Online.
  18. ^ "FRAC centre opens in new site by jakob + macfarlane". DesignBoom.
  19. ^ "France's New Contemporary Art Museum". Departures. December 13, 2013. Archived from the original on April 19, 2021. Retrieved December 24, 2015.
  20. ^ "Au delà de l'invisible". Semaest. Retrieved 26 December 2015.
  21. ^ Mestaoui, Naziha (September 13, 2014). "Au-delà de l'invisible, exposition de Naziha Mestaoui à l'Espace Krajcberg".
  22. ^ Klisanin, Dana (November 30, 2015). "Choosing Hope Over Denial". Psychology Today. Retrieved 24 December 2015.
  23. ^ a b c "One Heart One Tree, Live, Cop21". Retrieved 24 December 2015.
  24. ^ Peltier, Elian (December 9, 2015). "In Paris, Art Confronts 2 Crises". The New York Times. Retrieved 24 December 2015.
  25. ^ Duponchelle, Valérie (April 15, 2014). "Prix COAL : art et écologie, même combat". Le Figaro. Retrieved 24 December 2015.
  26. ^ "H2O, Jury Selections, Art Division, 2005". Japan Media Arts Festival Archive. Retrieved 24 December 2015.
  27. ^ "3 minutes, Grand Prize, Art Division, 2004". Japan Media Arts Festival Archive. Retrieved 24 December 2015.
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