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| accessdate = 2008-08-06 }}</ref> in [[The Barber of Seville|''Il barbiere di Siviglia'']] by [[Gioacchino Rossini]] to the pathetic [[Of Mice and Men|Candy]]<ref>"Bleak story of shattered men makes edgy opera," D.T. Baker, Edmonton Journal, B6.</ref> in [[Carlisle Floyd|''Of Mice and Men'']] by [[Carlisle Floyd]]. Allen has also appeared as an oratorio soloist with various symphony orchestras and oratorio societies. In 1989 he debuted at [[Carnegie Hall]], singing the bass solos in [[Wolfgang Amadeus Mozart|Mozart's]] [[Wolfgang Amadeus Mozart#Final illness and death|''Requiem'']].<ref>[http://query.nytimes.com/gst/fullpage.html?res=950DE6DF123CF932A35755C0A96F948260 NYTimes.com, Review/Music, 10 Choruses From Across the Nation]</ref>[[File:Carlisle Floyd, Ryan Allen.jpg|thumb|230px|Ryan Allen in makeup as Candy with Carlisle Floyd, composer of ''Of Mice and Men'']]
| accessdate = 2008-08-06 }}</ref> in [[The Barber of Seville|''Il barbiere di Siviglia'']] by [[Gioacchino Rossini]] to the pathetic [[Of Mice and Men|Candy]]<ref>"Bleak story of shattered men makes edgy opera," D.T. Baker, Edmonton Journal, B6.</ref> in [[Carlisle Floyd|''Of Mice and Men'']] by [[Carlisle Floyd]]. Allen has also appeared as an oratorio soloist with various symphony orchestras and oratorio societies. In 1989 he debuted at [[Carnegie Hall]], singing the bass solos in [[Wolfgang Amadeus Mozart|Mozart's]] [[Wolfgang Amadeus Mozart#Final illness and death|''Requiem'']].<ref>[http://query.nytimes.com/gst/fullpage.html?res=950DE6DF123CF932A35755C0A96F948260 NYTimes.com, Review/Music, 10 Choruses From Across the Nation]</ref>[[File:Carlisle Floyd, Ryan Allen.jpg|thumb|230px|Ryan Allen in makeup as Candy with Carlisle Floyd, composer of ''Of Mice and Men'']]


Allen is a lyric bass capable of singing the deepest pitches composed in opera. He has performed the role of Seneca<ref>[http://milwaukeesfs.livejournal.com/117244.html milwaukeesfs: University of Wisconsin Milwaukee Opera, ''The Coronation of Poppea.''<!-- Bot generated title -->]</ref> in ''L'incoronazione de Poppea'' by Monteverdi, which requires a low D.<ref>[http://www.dutchdivas.net/highC.html Dutch Divas - the high C<!-- Bot generated title -->]</ref> Although primarily an exponent of the great ''buffo'' roles, the bass has demonstrated versatility. He has performed not only in opera and oratorio, but also in the musical theater field (Judge Turpin in [[Sweeney Todd: The Demon Barber of Fleet Street|''Sweeney Todd'']])<ref>"Indianola, IA," Derek M. Mills, Opera News, December 9, 1995, p. 56.</ref> and the operetta field in Gilbert and Sullivan roles, such as the title character in ''The Mikado''.<ref>"'Mikado' opera is delightfully absurd," David Stabler, The Oregonian, May 15, 2000, Entertainment Section, p. 1.</ref> The ability to sing in diverse musical styles was underscored when he sang ''A Kurt Weill Cabaret'' with the late [[Martha Schlamme]].<ref>"Schlamme and company do justice to Weill's genius," Arden Anderson Broeking, Darien News-Review, March 8, 1984, p. 10.</ref> He has participated in several world premieres, including ''My Friend's Story'' by [[Martin Bresnick]] at the International Festival of Arts and Ideas, [[Stewart Copeland#Later career|''Holy Blood and Crescent Moon'']] by [[Stewart Copeland]] with the Cleveland Opera, and ''The Cask of Amontillado'' by Russell Currie<ref>The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell, 2004. Copyright: Macmillian Publishers Limited, 1980</ref> with the Bronx Arts Ensemble in the Bronx, New York, followed by revivals off-broadway at the Vital Theater, Golden Fleece, Ltd. and Symphony Space. ''Caliban'', a monodrama using the words of the character [[Caliban]] from Shakespeare's ''[[The Tempest]],'' was written for and dedicated to him by Russell Currie. Ryan Allen can be heard as Elviro on a 1994 recording of [[George Friedrich Handel|Handel's]] [[Serse|''Xerxes'']] (Koch Schwann), in recordings of Russell Currie's music on the High Fire label, and seen as Betto on a video of ''[[Gianni Schicchi]]'' (Metropolitan Opera Guild).
Allen is a lyric bass capable of singing the deepest pitches composed in opera. He has performed the role of Seneca<ref>[http://milwaukeesfs.livejournal.com/117244.html milwaukeesfs: University of Wisconsin Milwaukee Opera, ''The Coronation of Poppea.''<!-- Bot generated title -->]</ref> in ''[[L'incoronazione di Poppea]]'' by Monteverdi, which requires a low D.<ref>[http://www.dutchdivas.net/highC.html Dutch Divas - the high C<!-- Bot generated title -->]</ref> Although primarily an exponent of the great ''buffo'' roles, the bass has demonstrated versatility. He has performed not only in opera and oratorio, but also in the musical theater field (Judge Turpin in [[Sweeney Todd: The Demon Barber of Fleet Street|''Sweeney Todd'']])<ref>"Indianola, IA," Derek M. Mills, Opera News, December 9, 1995, p. 56.</ref> and the operetta field in Gilbert and Sullivan roles, such as the title character in ''The Mikado''.<ref>"'Mikado' opera is delightfully absurd," David Stabler, The Oregonian, May 15, 2000, Entertainment Section, p. 1.</ref> The ability to sing in diverse musical styles was underscored when he sang ''A Kurt Weill Cabaret'' with the late [[Martha Schlamme]].<ref>"Schlamme and company do justice to Weill's genius," Arden Anderson Broeking, Darien News-Review, March 8, 1984, p. 10.</ref> He has participated in several world premieres, including ''My Friend's Story'' by [[Martin Bresnick]] at the International Festival of Arts and Ideas, [[Stewart Copeland#Later career|''Holy Blood and Crescent Moon'']] by [[Stewart Copeland]] with the Cleveland Opera, and ''The Cask of Amontillado'' by Russell Currie<ref>The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell, 2004. Copyright: Macmillian Publishers Limited, 1980</ref> with the Bronx Arts Ensemble in the Bronx, New York, followed by revivals off-broadway at the Vital Theater, Golden Fleece, Ltd. and Symphony Space. ''Caliban'', a monodrama using the words of the character [[Caliban]] from Shakespeare's ''[[The Tempest]],'' was written for and dedicated to him by Russell Currie. Ryan Allen can be heard as Elviro on a 1994 recording of [[George Friedrich Handel|Handel's]] [[Serse|''Xerxes'']] (Koch Schwann), in recordings of Russell Currie's music on the High Fire label, and seen as Betto on a video of ''[[Gianni Schicchi]]'' (Metropolitan Opera Guild).


== Education ==
== Education ==

Revision as of 13:55, 26 June 2013

For the Ray Guy Award winning punter from Louisiana Tech, see Ryan Allen (American football).
Ryan Allen
As Dr. Bartolo in 100th Barber of Seville[1] Photo by Zaza Bekauri

Ryan Allen is an American bass singer best known for his work in opera. He has performed professionally in all 50 states, appeared with numerous American opera companies, and sung as a soloist in Russia, Israel, Poland, Norway and Sweden.

Career

The singer debuted at the Metropolitan Opera[2] in 1993 as Hans Foltz in Die Meistersinger von Nürnberg by Richard Wagner. Coming to Opera from the field of acting, the bass's repertoire favors roles with character development and stage movement. These roles range from the comic Don Basilio[3] in Il barbiere di Siviglia by Gioacchino Rossini to the pathetic Candy[4] in Of Mice and Men by Carlisle Floyd. Allen has also appeared as an oratorio soloist with various symphony orchestras and oratorio societies. In 1989 he debuted at Carnegie Hall, singing the bass solos in Mozart's Requiem.[5]

Ryan Allen in makeup as Candy with Carlisle Floyd, composer of Of Mice and Men

Allen is a lyric bass capable of singing the deepest pitches composed in opera. He has performed the role of Seneca[6] in L'incoronazione di Poppea by Monteverdi, which requires a low D.[7] Although primarily an exponent of the great buffo roles, the bass has demonstrated versatility. He has performed not only in opera and oratorio, but also in the musical theater field (Judge Turpin in Sweeney Todd)[8] and the operetta field in Gilbert and Sullivan roles, such as the title character in The Mikado.[9] The ability to sing in diverse musical styles was underscored when he sang A Kurt Weill Cabaret with the late Martha Schlamme.[10] He has participated in several world premieres, including My Friend's Story by Martin Bresnick at the International Festival of Arts and Ideas, Holy Blood and Crescent Moon by Stewart Copeland with the Cleveland Opera, and The Cask of Amontillado by Russell Currie[11] with the Bronx Arts Ensemble in the Bronx, New York, followed by revivals off-broadway at the Vital Theater, Golden Fleece, Ltd. and Symphony Space. Caliban, a monodrama using the words of the character Caliban from Shakespeare's The Tempest, was written for and dedicated to him by Russell Currie. Ryan Allen can be heard as Elviro on a 1994 recording of Handel's Xerxes (Koch Schwann), in recordings of Russell Currie's music on the High Fire label, and seen as Betto on a video of Gianni Schicchi (Metropolitan Opera Guild).

Education

Born in South Carolina, Ryan Allen attended school in Columbia, but moved to Dallas, Texas at age seven, where he continued his studies through graduation at Thomas Jefferson High School. He demonstrated talent early, singing the lead in his junior high school musical while still a boy soprano. In high school he played as First Trombone in the band and sang in the A Cappella Choir. After receiving a Bachelor of Arts degree in English from Austin College in Sherman, Texas and a Master of Music degree in Vocal Performance from the University of Texas at Austin, the bass continued his training in the Merola Opera Program[12] and with Boris Goldovsky. He lives in the Greater New York vicinity in Edgewater, New Jersey.

Notes

  1. ^ Ciletti, Elena (3 August 2012), "'The Barber of Seville' smiles at the Smith Opera House", Finger Lakes Times, pp. 4B {{citation}}: |access-date= requires |url= (help)
  2. ^ The Metropolitan Opera Archives. "Metopera Database:". pp. Keyword Search: Ryan Allen, performance date, January 23, 1993. Archived from the original on 2009-06-21. Retrieved 2008-02-13. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  3. ^ Elyse Sommer (July 5, 1999). "A Curtain Up Opera Review, Il Barbiere di Siviglia". Curtain Up. Retrieved 2008-08-06.
  4. ^ "Bleak story of shattered men makes edgy opera," D.T. Baker, Edmonton Journal, B6.
  5. ^ NYTimes.com, Review/Music, 10 Choruses From Across the Nation
  6. ^ milwaukeesfs: University of Wisconsin Milwaukee Opera, The Coronation of Poppea.
  7. ^ Dutch Divas - the high C
  8. ^ "Indianola, IA," Derek M. Mills, Opera News, December 9, 1995, p. 56.
  9. ^ "'Mikado' opera is delightfully absurd," David Stabler, The Oregonian, May 15, 2000, Entertainment Section, p. 1.
  10. ^ "Schlamme and company do justice to Weill's genius," Arden Anderson Broeking, Darien News-Review, March 8, 1984, p. 10.
  11. ^ The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell, 2004. Copyright: Macmillian Publishers Limited, 1980
  12. ^ "Merola Alumni". Merola Opera Program. Retrieved 16 August 2012.

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