Torii Kiyohiro: Difference between revisions
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{{short description|Japanese painter}} |
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{{Use Canadian English|date=October 2016}} |
{{Use Canadian English|date=October 2016}} |
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{{family name hatnote|Torii|lang=Japanese}} |
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'''Torii Kiyohiro''' ({{lang|ja|鳥居 清広}}, d. {{circa|1776}}) was a Japanese artist of the [[Torii school]] of [[ukiyo-e]] |
'''Torii Kiyohiro''' ({{lang|ja|鳥居 清広}}, d. {{circa|1776}}) was a Japanese artist of the [[Torii school]] of [[ukiyo-e]]. |
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Kiyohiro's date of birth is unknown |
Kiyohiro's date of birth is unknown,{{sfnm|1a1=Fujisawa|1y=2006|1p=19|2a1=Japan Ukiyo-e Association|2y=1982|2p=84}} while ''[[Ukiyo-e Ruikō]]'' lists his death date as 1776. No other evidence of those dates are known.{{sfn|Fujisawa|2006|p=19}} |
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Kiyohiro's personal name was Shichinosuke ({{lang|ja|七之助}}). He lived in the Sakaimachi area of Edo (modern Tokyo) |
Kiyohiro's personal name was Shichinosuke ({{lang|ja|七之助}}). He lived in the Sakaimachi area of [[Edo]] (modern Tokyo) and was registered as a student of [[Torii Kiyomasu I]] and likely studied under [[Torii Kiyonobu II]] or [[Torii Kiyomasu II]].{{sfn|Fujisawa|2006|p=19}} [[Ernest Fenollosa]] considered him "of almost equal ability with" his contemporary [[Torii Kiyomitsu]], and speculated they may have been brothers.{{sfn|Fenollosa|1896|p=33}} |
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Kiyohiro's first known work appeared about 1751,{{sfn|Japan Ukiyo-e Association|1982|p=84}} and the last about 1764. |
Kiyohiro's first known work appeared about 1751,{{sfn|Japan Ukiyo-e Association|1982|p=84}} and the last about 1764. All of his known works are ''[[benizuri-e]]'', and though the Torii school was known for its ''[[yakusha-e]]'' actor prints, Kiyohiro also specialized in ''[[bijin-ga]]'' prints of female beauties extending into some with erotic themes.{{sfn|Fujisawa|2006|p=19}} He specialized in designing prints in the ''[[Woodblock printing in Japan#Print sizes|ōban]]'' size.{{sfn|Japan Ukiyo-e Association|1982|p=84}} Two of his major sponsors/printers were {{visible anchor|Sakai-ya}} of Hongoku-chō, and {{visible anchor|Hōsendō}} of Tōri Abura-chō, both in the close neighborhood of Ichimura and Nakamura kabuki theaters.{{sfn|Fujikake|1946|pages=101-102}} |
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Torii-Kiyohiro-boys-Shogi-playing-c-1755.jpg|alt=| |
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Brooklyn Museum - Hashira-e - Torii Kiyohiro.jpg|alt=| |
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Torii Kiyohiro - Three Street Vendors Selling Goods for Autumn.jpg|alt=| |
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Torii Kiyohiro - Quarrel over a Game of shōgi.jpg|alt=| |
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Torii Kiyohiro - Ichikawa Danjuro IV and Nakamura Tomijuro I.jpg|alt=| |
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Brooklyn Museum - Flower-like Lovers under a partially-closed Umbrella - Torii Kiyohiro.jpg|alt=| |
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Twee acteurs met telraam-Rijksmuseum RP-P-1967-970.jpeg|alt=| |
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Schelpen zoekende vrouw op strand-Rijksmuseum RP-P-1956-577.jpeg|alt=| |
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File:Torii Kiyohiro - Quarrel over a Game of shōgi.jpg|''Quarrel over a game of Shogi ''{{efn|group=*|Two children playing shogi chess and a grown-up male reading a book. Inscription: “Let me see”, a dialogue on the lower left; artist’s name as Torii Kiyohiro (right-to-left, bottom); printer’s name as [[#Sakaiya]], Honkoku, bottom.}}, [[Rijksmuseum]] |
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File:Brooklyn Museum - Hashira-e - Torii Kiyohiro.jpg|Hashira-e{{efn|group=*|Inscription: a waka poem, top half of the picture; artist’s name, bottom right.}}, [[Brooklyn Museum]] |
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File:Torii Kiyohiro - Three Street Vendors Selling Goods for Autumn.jpg|''Three Street Vendors''{{efn|group=*|A set of three pictures. Right panel: A young vender selling crickets in basket, and a female customer holding a fan as a symbol for summer; a Haiku poem at the foot of the figures; artist’s name, lower right; printer’s name as Tōri Abura-chō, Yama Maruko-ban aka [[#Hōsendō]], bottom center. Middle panel: A female vender with flowers of early fall, and a customer dressed as a samurai with a katana sword; a Haiku poem, lower left; artist’s name, bottom right; [[#Hōsendō|printer’s name]], bottom left. Left panel: A male vender selling lanterns, and the female customer in kimono with morning glory design indicating it is summer/early fall; a Haiku poem to the left; artist’s name, bottom right; [[#Hōsendō|printer’s name]], bottom center.}} |
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File:Torii Kiyohiro - Ichikawa Danjuro IV and Nakamura Tomijuro I.jpg|Ichikawa Danjuro IV (l) and Nakamura Tomijuro I (r){{efn|group=*|Two kabuki actors in front of a portable furnace. There are cherry blossoms and a twig of pine in the furnace. Inscription: Nakamura Tomijuro as Keishi, a kabuki role (left); a haiku poem (top middle); Ichikawa Danjuro as Sanjo, a kabuki role (right); artist’s name with two seals, bottom right; [[#Hōsendō|printer’s name]], bottom left.}} |
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File:Brooklyn Museum - Flower-like Lovers under a partially-closed Umbrella - Torii Kiyohiro.jpg|''Flower-like Lovers under a partially-closed Umbrella'',{{efn|group=*|Inscriptions: Agemaki courtesan, Nakamura Tomijuro (middle right); a role name, Nakamura Shichisaburo (middle left); artist’s name with a seal (middle far right); printer’s name as Tōri Abura-chō, [[#Hōsendō]] Maruya, yama Maruko-ban.}} Brooklyn Museum |
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File:Twee acteurs met telraam-Rijksmuseum RP-P-1967-970.jpeg|Sanogawa Ichimatsu (r) and Nakamura Tomijuro with an abacus (l). Rijksmuseum{{efn|group=*|Inscription: Ema Koshiro, the role name, Sanogawa Ichimatsu, a kabuki actor (top middle, right); Kisegawa, the role name, Nakamura Tomijuro, a kabuki actor (top middle, left); artist’s name, bottom right; printer’s name, Hammoto with red seal. [[Rijksmuseum]].}} |
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File:Schelpen zoekende vrouw op strand-Rijksmuseum RP-P-1956-577.jpeg|''Nakamura Kiyosaburo as Omutsu'' collecting sea shells. {{efn|group=*|Inscription: Omutsu, role name; Nakamura Kiyoshiro, kabuki actor (middle right); artist’s name (bottom left); printer’s name, Hongoku yon-chome, [[#Sakai-ya]], Hongoku (bottom right). Rijksmuseum.}} |
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</gallery> |
</gallery> |
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__NOTOC__ |
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== Footnotes == |
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=== Notes === |
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{{Notelist|group=*}} |
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{{Reflist}} |
{{Reflist}} |
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* {{cite book |
* {{cite book |
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|last |
|last = Fenollosa |
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|first |
|first = Ernest |
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|title = The Masters of Ukioye: A Complete Historical Description of Japanese Paintings and Color Prints of the Genre School |
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|url = https://archive.org/details/cu31924023314747 |
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|year = 1896 |
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|publisher = Knickerbocker Press |
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|ol = 7012364M |
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|lccn = 09026833 |
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|hdl = 2027/coo1.ark:/13960/t8kd2g97c |
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}} |
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* {{cite book |
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|last = Fujikake <!-- 藤懸静也 --> |
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|first = Shizuya |
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|title = Zōtei Ukiyo-e |
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|script-title = ja:増訂浮世絵 |
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|publisher = Yuzankaku<!-- 雄山閣 --> |
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|year = 1946 |
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|pages = 101–102 |
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|url = {{NDLDC|1068936}} |
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|chapter = Torii Kiyohiro |
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|language = ja |
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|edition = Zōho (expanded and revised) |
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|id = {{JPNO|46022851}} |
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|doi = 10.11501/1068936 |
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}} |
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* {{cite book |
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|last = Fujisawa<!-- 藤澤紫 --> |
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|first = Yukari |
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|chapter = Kawamata Tsuneyuki |
|chapter = Kawamata Tsuneyuki |
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|pages = 31 |
|pages = 31 |
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|title = Ukiyo eshi retsuden |
|title = Ukiyo eshi retsuden |
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|script-title = ja:浮世絵師列伝 |
|script-title = ja:浮世絵師列伝 |
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|language = |
|language = ja |
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|series = Bessatsu Taiyō |
|series = Bessatsu Taiyō |
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|year = 2006 |
|year = 2006 |
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|publisher = [[Heibonsha]] |
|publisher = [[Heibonsha]] |
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| |
|id = {{JPNO|20960182}} |
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| |
|isbn = 4-582-94493-0 |
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}} |
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* {{cite book |
* {{cite book |
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|author = Japan Ukiyo-e Association |
|author = Japan Ukiyo-e Association |
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|title = Genshoku Ukiyo-e Dai-Hyakka Jiten |
|title = Genshoku Ukiyo-e Dai-Hyakka Jiten |
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|script-title = ja:原色 |
|script-title = ja:原色浮世絵大百科事典 |
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| |
|trans-title = Original Colour Grand Ukiyo-e Encyclopaedia |
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|language = ja |
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|volume = 6 |
|volume = 6 |
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|year = 1982 |
|year = 1982 |
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|publisher = Taishūkan Publishing |
|publisher = Taishūkan Publishing |
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| |
|id = {{JPNO|82016233}} |
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}} |
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{{Refend}} |
{{Refend}} |
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==Further reading== |
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* {{cite book |
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|last1 = Link |
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|first1 = Howard A. |
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|last2 = Suzuki |
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|first2 = Jūzō |
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|last3 = Keyes |
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|first3 = Roger S. |
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|title = Primitive Ukiyo-e from the James A. Michener Collection in the Honolulu Academy of Arts |
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|url = https://books.google.com/books?id=yCrrAAAAMAAJ |
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|year = 1980 |
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|publisher = University Press of Hawaii |
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|isbn = 978-0-8248-0483-1}} |
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==External links== |
==External links== |
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* {{Commons category-inline}} |
* {{Commons category-inline}} |
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* [http://ukiyo-e.org/search?q=torii+kiyohiro Torii Kiyohiro] at ukiyo-e.org |
* [http://ukiyo-e.org/search?q=torii+kiyohiro Torii Kiyohiro] at ukiyo-e.org |
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* [https://bunka.nii.ac.jp/db/heritages/search Torii Kiyohiro] at Cultural Heritage Online, the [[Agency for Cultural Affairs]], Japan.(Japanese) |
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{{Portal bar|Biography|Japan|Visual arts}} |
{{Portal bar|Biography|Japan|Visual arts}} |
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{{Ukiyo-e artists}} |
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{{authority control}} |
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[[Category:1776 deaths]] |
[[Category:1776 deaths]] |
Latest revision as of 20:17, 1 December 2021
Torii Kiyohiro (鳥居 清広, d. c. 1776) was a Japanese artist of the Torii school of ukiyo-e.
Kiyohiro's date of birth is unknown,[1] while Ukiyo-e Ruikō lists his death date as 1776. No other evidence of those dates are known.[2]
Kiyohiro's personal name was Shichinosuke (七之助). He lived in the Sakaimachi area of Edo (modern Tokyo) and was registered as a student of Torii Kiyomasu I and likely studied under Torii Kiyonobu II or Torii Kiyomasu II.[2] Ernest Fenollosa considered him "of almost equal ability with" his contemporary Torii Kiyomitsu, and speculated they may have been brothers.[3]
Kiyohiro's first known work appeared about 1751,[4] and the last about 1764. All of his known works are benizuri-e, and though the Torii school was known for its yakusha-e actor prints, Kiyohiro also specialized in bijin-ga prints of female beauties extending into some with erotic themes.[2] He specialized in designing prints in the ōban size.[4] Two of his major sponsors/printers were Sakai-ya of Hongoku-chō, and Hōsendō of Tōri Abura-chō, both in the close neighborhood of Ichimura and Nakamura kabuki theaters.[5]
-
Quarrel over a game of Shogi [a], Rijksmuseum
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Hashira-e[b], Brooklyn Museum
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Three Street Vendors[c]
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Ichikawa Danjuro IV (l) and Nakamura Tomijuro I (r)[d]
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Flower-like Lovers under a partially-closed Umbrella,[e] Brooklyn Museum
-
Sanogawa Ichimatsu (r) and Nakamura Tomijuro with an abacus (l). Rijksmuseum[f]
-
Nakamura Kiyosaburo as Omutsu collecting sea shells. [g]
Footnotes
[edit]Notes
[edit]- ^ Two children playing shogi chess and a grown-up male reading a book. Inscription: “Let me see”, a dialogue on the lower left; artist’s name as Torii Kiyohiro (right-to-left, bottom); printer’s name as #Sakaiya, Honkoku, bottom.
- ^ Inscription: a waka poem, top half of the picture; artist’s name, bottom right.
- ^ A set of three pictures. Right panel: A young vender selling crickets in basket, and a female customer holding a fan as a symbol for summer; a Haiku poem at the foot of the figures; artist’s name, lower right; printer’s name as Tōri Abura-chō, Yama Maruko-ban aka #Hōsendō, bottom center. Middle panel: A female vender with flowers of early fall, and a customer dressed as a samurai with a katana sword; a Haiku poem, lower left; artist’s name, bottom right; printer’s name, bottom left. Left panel: A male vender selling lanterns, and the female customer in kimono with morning glory design indicating it is summer/early fall; a Haiku poem to the left; artist’s name, bottom right; printer’s name, bottom center.
- ^ Two kabuki actors in front of a portable furnace. There are cherry blossoms and a twig of pine in the furnace. Inscription: Nakamura Tomijuro as Keishi, a kabuki role (left); a haiku poem (top middle); Ichikawa Danjuro as Sanjo, a kabuki role (right); artist’s name with two seals, bottom right; printer’s name, bottom left.
- ^ Inscriptions: Agemaki courtesan, Nakamura Tomijuro (middle right); a role name, Nakamura Shichisaburo (middle left); artist’s name with a seal (middle far right); printer’s name as Tōri Abura-chō, #Hōsendō Maruya, yama Maruko-ban.
- ^ Inscription: Ema Koshiro, the role name, Sanogawa Ichimatsu, a kabuki actor (top middle, right); Kisegawa, the role name, Nakamura Tomijuro, a kabuki actor (top middle, left); artist’s name, bottom right; printer’s name, Hammoto with red seal. Rijksmuseum.
- ^ Inscription: Omutsu, role name; Nakamura Kiyoshiro, kabuki actor (middle right); artist’s name (bottom left); printer’s name, Hongoku yon-chome, #Sakai-ya, Hongoku (bottom right). Rijksmuseum.
References
[edit]- ^ Fujisawa 2006, p. 19; Japan Ukiyo-e Association 1982, p. 84.
- ^ a b c Fujisawa 2006, p. 19.
- ^ Fenollosa 1896, p. 33.
- ^ a b Japan Ukiyo-e Association 1982, p. 84.
- ^ Fujikake 1946, pp. 101–102.
Works cited
[edit]- Fenollosa, Ernest (1896). The Masters of Ukioye: A Complete Historical Description of Japanese Paintings and Color Prints of the Genre School. Knickerbocker Press. hdl:2027/coo1.ark:/13960/t8kd2g97c. LCCN 09026833. OL 7012364M.
- Fujikake, Shizuya (1946). "Torii Kiyohiro". Zōtei Ukiyo-e 増訂浮世絵 (in Japanese) (Zōho (expanded and revised) ed.). Yuzankaku. pp. 101–102. doi:10.11501/1068936. JPNO 46022851.
- Fujisawa, Yukari (2006). "Kawamata Tsuneyuki". In Kobayashi, Tadashi (ed.). Ukiyo eshi retsuden 浮世絵師列伝. Bessatsu Taiyō (in Japanese). Heibonsha. p. 31. ISBN 4-582-94493-0. JPNO 20960182.
- Japan Ukiyo-e Association (1982). Genshoku Ukiyo-e Dai-Hyakka Jiten 原色浮世絵大百科事典 [Original Colour Grand Ukiyo-e Encyclopaedia] (in Japanese). Vol. 6. Taishūkan Publishing. JPNO 82016233.
Further reading
[edit]- Link, Howard A.; Suzuki, Jūzō; Keyes, Roger S. (1980). Primitive Ukiyo-e from the James A. Michener Collection in the Honolulu Academy of Arts. University Press of Hawaii. ISBN 978-0-8248-0483-1.
External links
[edit]- Media related to Torii Kiyohiro at Wikimedia Commons
- Torii Kiyohiro at ukiyo-e.org
- Torii Kiyohiro at Cultural Heritage Online, the Agency for Cultural Affairs, Japan.(Japanese)