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| editing = [[Blanche Sewell]]
| editing = [[Blanche Sewell]]
| studio = [[Metro-Goldwyn-Mayer]]
| studio = [[Metro-Goldwyn-Mayer]]
| distributor = Loew's Inc.
| distributor = [[Loews Cineplex Entertainment|Loew's Inc.]]
| released = {{film date|1934|10|19}}
| released = {{film date|1934|10|19}}
| runtime = 89-92 minutes
| runtime = 89-92 minutes

Revision as of 00:42, 15 June 2021

What Every Woman Knows
Opening Titles
Directed byGregory La Cava
Screenplay byMonckton Hoff
John Meehan
James Kevin McGuinness
Based onWhat Every Woman Knows
1908 play
by J. M. Barrie
Produced byGregory La Cava
Albert Lewin
StarringHelen Hayes
Brian Aherne
Madge Evans
CinematographyCharles Rosher
Edited byBlanche Sewell
Music byHerbert Stothart
Production
company
Distributed byLoew's Inc.
Release date
  • October 19, 1934 (1934-10-19)
Running time
89-92 minutes
CountryUnited States
LanguageEnglish
Budget$428,000[1]
Box office$502,000[1]

What Every Woman Knows is a 1934 American romantic comedy film directed by Gregory La Cava and starring Helen Hayes, Brian Aherne and Madge Evans.[2] The film was produced and distributed by Metro-Goldwyn-Mayer and is based on the play What Every Woman Knows (1908) by J. M. Barrie. It was filmed by Paramount back in the silent era in 1921 and stars Lois Wilson. An even earlier British silent version was filmed in 1917. Hayes was familiar with the material as she had starred in a 1926 Broadway revival opposite Kenneth MacKenna.[3][4]

Plot

Alick Wylie (David Torrence) and his sons David (Donald Crisp) and James (Dudley Digges) are greatly concerned about Alick's daughter Maggie (Helen Hayes), who has been jilted by a minister. She is less than heartbroken, but they fear for her marital prospects at the age of 27. When they catch poor but ambitious 21-year-old John Shand (Brian Ahern) breaking into their house late at night to use their library, they seize the opportunity. Impressed by his initiative, they offer him £300 to finance his studies provided that he give Maggie the option of marrying him after five years. After some thought, he agrees. The Wylies insist he sign a formal contract.

As the five years draw to an end, he stands for Parliament and wins. Two of the "quality", la Contessa la Brierre (Lucile Watson) and her niece Lady Sybil Tenterden (Madge Evans), show up to congratulate him. Lady Sybil had lately shown an unexpected interest in politics after seeing the handsome victor.

On the train to London to take his seat, John is given the opportunity by Maggie to back out of their agreement, but he avers that a bargain is a bargain and marries her. Lady Sybil helps forward John's political career, and the two fall in love. Maggie too works diligently and craftily on her husband's behalf, planting ideas that he takes for his own. John has become a financial expert, and is for the country dropping the gold standard, which is against the policy of his Labour Party. When the influential politician Charles Venables (Henry Stephenson) comes to sound him out, Maggie sees him first and takes it upon herself to state that John would resign from the party rather than betray his principles. Venables is delighted.

Matters finally come to a head on the Shands' second wedding anniversary, with John telling Maggie and her family that he and Lady Sybil are in love. He insists on writing a letter of resignation from Parliament. Maggie persuades him to postpone their public separation for a month so he can finish writing his book. She arranges for him to stay at the estate of her good friend, la Contessa; secretly, she also asks la Contessa to invite Lady Sybil as well. Things turn out the way she had hoped: John and Lady Sybil's ardor does not survive having to spend an entire month together.

Meanwhile, Maggie goes to see Venables. She presents him with John's letter, telling him that her husband has resigned over the gold standard. Venables is so impressed he offers John an important post in the coalition government he is forming. When John finds out what Maggie has done, he is somewhat offended. However, she assures him that "what every woman knows" is that behind every successful man is a woman who secretly strives to help him. In the end, he sees things her way, and is cajoled into laughing for the first time in his life.

Cast

Box office

The film grossed a total (domestic and foreign) of $502,000: $340,000 from the US and Canada and $162,000 elsewhere resulting in a loss of $140,000.[1]

References

  1. ^ a b c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  2. ^ BFI Database
  3. ^ Pictorial History of the American Theatre:1860-1985 p.226 by Daniel C. Blum c.1958,1970(this edition updated to 1985)
  4. ^ What Every Woman Knows revival of 1926, Bijou Theatre, opened April 13 1926; 268 performances
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