Power Spot
Appearance
This article needs additional citations for verification. (July 2016) |
Power Spot | ||||
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Studio album by | ||||
Released | 1986 | |||
Recorded | October 1983 and December 1984 | |||
Length | 47:43 | |||
Label | ECM | |||
Producer | Brian Eno and Daniel Lanois | |||
Jon Hassell chronology | ||||
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Power Spot is an album by American trumpet player and composer Jon Hassell recorded in 1983 and 1984 and released on the ECM label.[1]
The cover art reproduces the Whirling Snakes or Whirling Mountain sandpainting of the Navajo Shooting Chant, one of the most important and most complex of the Navajo healing ceremonies.[2][3]
Reception
[edit]The Allmusic review by Mark Kirschenmann awarded the album 4 stars stating "While not as stunning as Possible Musics, Power Spot is nonetheless one of the most significant recordings from this utterly unique musician".[4]
Review scores | |
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Source | Rating |
Allmusic | [4] |
Track listing
[edit]- All compositions by Jon Hassell
- "Power Spot" - 7:07
- "Passage D.E." - 5:25
- "Solaire" - 6:49
- "Miracle Steps" - 4:21
- "Wing Melodies" - 7:33
- "The Elephant and the Orchid" - 11:08
- "Air" - 5:20
- Recorded at Grant Avenue Studio in Hamilton, Canada in October 1983 and December 1984
Personnel
[edit]- Jon Hassell - trumpet
- J. A. Deane - acoustic and electronic percussion, alto flute
- Jean-Philippe Rykiel - electronic keyboards, facsimile bass, percussion, strings, etc.
- Michael Brook - guitar, electronic treatments (tracks 1, 2 & 6)
- Richard Horowitz - electronic keyboards (tracks 1 & 2)
- Brian Eno - electric bass (tracks 3 & 5)
- Richard Armin, Paul Armin - RAAD electro-acoustic strings (tracks 2 & 4)
- Miguel Frasconi - flute (track 7)
References
[edit]- ^ ECM discography accessed September 27, 2011
- ^ Whirling Snakes or Whirling Mt. Sandpaintings of the Navajo Shooting Chant. UrsusBooks.com
- ^ Newcomb, Franc Johnson and Reichard, Gladys A (1937). Sandpaintings of the Navajo Shooting Chant. pp.53, 78, plate 10. ISBN 9780486231419
- ^ a b Kirschenmann, M. Allmusic Review accessed September 27, 2011