/

BACHfi EARLY GRADES r

com p iled
from the Note-Book of
ANNA MAGDALENE BACH

~ Book I
Book II
Book III
ti
f- ¡- .. -
9584

1Il THE Bl?~:?~~~:'~~M~~l~PANY

••, lU5
 BACH FOR EARL y GRADES
BOOK 1

Compiled 'from

ANNA MAGDAL'ENE'S
NOTE ..BoOK

By
Bryceson Treharne
Bíographical Sketch
By
Laurence B. Ellert

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BOSTON MUSIC CO.

Copyright 1939, 1966 by THE BaSTaN MUSIC co.

B. M, ce, 9584
 "THERE is only one llach ", exclaimed Frederíek
the Great when he hea,~d that master of oratorio,
JOHANN SEBASTIAN BACH, improvise on his
pianofortes and org~ns at the palaee in Potsdam.
Born in Eisenaeh, a Thuringian village in Gerrríany,
March 21, 1685, little Sebastians family was known
throughout the country as one of musicians. . Between
1500 and 1871, fifty-two deseendants covered the four
generations .. His great-great grandfather, Veit Bach, a
jovial miller, strummed his instrument and sang lustily
while the noisy mill-wheel was grinding his grain.
Sebastiari's father, Joh~nn Ambrosius Bach, a viola
player and organist in the village ehurch, gave him
Bach playing for Fr ederick the Great
lessons on the violin and encouraged him to beeome a
great musieian. When the lad was nine years old his mother died; the following year he lost his father. So his
eldest brother, Johann Christoph, fourteen years older and a very fine musician, took charge of the, orphans. He
lived .in Ohrduff, a vilIage thirty miles frorn Eisenaeh, and here the ehildren were sent to sehool at the Gymna-
sium. to study literature, religion .and-e-of coursc+-music. It was diffieult to get musie in those days and Christoph,
who had quite a library whieh he kept under loek and key, refusedto let the boy have some sheets hewishcd to copy.
Sebastian found a way to gain access to the_bookease, and night after night, for six months, copied them by rnoon-
light. At the age of fourteen, he set out from home with another boy to walk to Lüneburg, a víllage 200 miles away,
where they applied as choir boys at St. Miehael's. Baeh's faeilityfor reading musie and his lovely voiee so
engaged the singing master that he was urged to remain. Besides developing a knowledge of church music he heard
the distinguished organist Bohm. Soon he. began to "walk over to Hamburg", a distancc of thirty miles to hear
the great organ master, Reinken, of St. Katherine's, give coneerts. A story is told that
he sat down to rest on a hench outside an inn, undoubtedly wishing he had the money to
en ter and partake of some of the delicious sausage, the cooking aroma of which tempted his
appetit , Someone must have seen him, for-suddenly, two herring hcads were thrown out
the window. Sebastian picked them up, and inside eaeh mouth found a gold piece. After
satisfying his hunger, he undoubtedly returned to Ha mhurg to
hear rnorernusic
In 1703"he secured a position as organist in a new chureh
at Arnstadt where his salary, including allowance for board and
lodging, was about$50.00 ayear. Hcre, on a ne w organ, he was
free to expand his lave of playing and eompo'sing. He began
to write thpse elaborate Toccatas and Fugues. At the age of
twenty-t wo . he marr-ied his iitt le cousin María Barhara and
received a small "dot" to sct up housckeeping in Mühlhauscn where he aeeepted a new post.
The environmcnt was not lo h is liking so he wen t to Wc-i mur, where he had a choir' of about
twelve and a very substantial incornc. Hore at th« court 01' Saxe-Weimar he was made
director of concerts and had to cornpose a cantata cvcry month besides special pieces for
., birthdays, weddings, funeral s, de. A con test was arrungcd by King Ferdinand in Dresdcn
betwecn Baeh and the celebratcd Marchand , organist t o Lou ix XY of France. On his arrival
. "', -r-:': ....; he heard Baeh at practice, when it was time for the coutcst Marchundr-ould not be found.
~~~. " : At his hotel it was said that he had left Drcsdcn by Iast coach.
Bac n Monumvnt, Ei<er>a,h· In 1717, Bach was engaged as Kappell-mcist er h~, Pri nco Lcopold of Anhalt-Cothcn.
So he packed up his family a nd moved to grcater opport unit ic-x. .-\.t Cot hcn he wrote the
immortal "48 Preludes añd Fugues". He frequently accompanied t he Prince Oll jourru-ys. Rcturning froin onc
of the tours he learned that his wife, after a short illness. had dicd and was hurivd la·fof(· he could he informed. Tw o
of their children, Wilhelm Friedmann and Carl Philipp Emmanuel bccarnc fa m oux JlHI SIC ia liS.
In 1721, he married a musician, Anna Magadelena, who
bore him thirteen children, managed his household, <copied out
his works and was the source of greatest inspiration to him for
the next thirty-one years .. Toward the end, his eyes began to
fail and nothing could be done to prevent blindness. Hedied
July 28, 1750.
There was always music in the Bach farnily, all the children
studied and nothing gave Baeh greater pleasure then to gather
his family around him and play music.

NOTE: This is fl mere sketch --lhe human side-r-of one 01 tñe greatest figures in. musical. histor y, T'h ere are mally bi ogr a chies such as C .. )". 'lerr y:s tran slati an- o] Forkels
••Johan« 'Sebastian Bach" 'U'hich ftudents are sure lo cnjoy. L. B. E .
 .\~lta. Maadalette's Note-Book Original manuscript in. the Prussian State-L,brar)! al B""Ur.

1 N olden times, musical people wrote down th.eir favorite piece~ and ,~ept them .in neatl~
bound books. Three of such books were In the Bacb family : The Claoier Book
prepared for the eldest son, Friedernann : a book containing the first five French Suites and a
few smaller compesitions, inscribed ; "ForAnna Magdalene Bach "; ando the íamous Note-Book
(1725) as reproduced above. The original of this book has a -cover of green paper, the edges oí
which are stamped with a goldborder. The initials and date are in gold letters. The additional
letters, speUing out "Arma MagdeL Bach " in ink, are in the handwriting of Philip Emanuel and
were undoubtedly added later. According to the date, it seems to have been given to Anna
by Sebastian 01'1 her twenty-fourth birthday.
Anna Magdalene, born Sept. 22, 1701, was the youngest daughter of a musician, Johann
Casper Wülcken, who held an appointment as trurnpeter to the Court at Zeitz. In 1714, he was
transferred to. the Duke of Weissenfels' Court and here Arma seems to have appeared in concerts.,
A few yearslater, she won fame as "Singer to the Prince" in Cóthen, Sebastian Bach, a widower
since j uly, 1720:, and the Court conductor oí music,'fell in love with this lovely singer oí twenty
and, 01) Dec. 3,.1721, they were married. Two. years later, the couple, with the children of Bach's
first marriage, moved to Leipzig. .
Many interesting and charming Iegends have grown up, around the "Note-Book". In his
biography of Bach, PhiJlip Spitta calls it "an intimate, tender relationship between husband and
wifé."· However, there is no reason to suppose it was ever intended as a record. of Bach' S· own
compositions. In 1725, he wrote out two. of his piano suites, in the book an.d after that, he seerns
to have surrendered the book entirely to the fancy of his wife's taste. A third of the pieces in
the "Note-Book " are in Anna's. handwriting. The contente seerns. to cover a long period and' f.or
: months at a time, there are no entries. Meanwhile, the children were growing up and needed
teaching pieces to play on the clavichord or rnusic for dancir:ig~marches, gavottes, minuets. polo-
naises, etc. As. Papa Bach was always a busy man , it rested UpORthe lovable, unselfish Ann.a to.
collect simple and practical material. As the children grew up they also tried their hand at COIII-
posing and Mother's beloved music-book 'becarne a convenient place to jot it d,OWR. The pietv
and devotion of the Bachs accounts forthe frequent appearances of Chorales and religious mlls.¡c.
Arma Magdalene outlived her husband about ten. years amI died Feb. 27, 1:i.ÓQ,dl'S.titutp anrl
dependent on charity. She lies buried¡i'" Sto j osr-phsCr-rneu-rv Ll'ipzig:l. beside-her }.¡ll~l¡,.I;I1C1'.
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 Chorale
Wie wohl ist mir, o Freund der Seelen
(What joJ is mine, o Friend of morials)

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 6
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1725., The composer oJ lile melody is nnknomn but Back harmonized it for .A.nna Magdalene.

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 Aria 7
When rny pipe 1 smoke

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'T/zis "Aria" appears tmice in the "Note-Book"; ihe l'f'TSIÓn abov~ in ihe key of D minor wülzout zoords and a.
alluir in G minornnth mords. The latter mas undoubtedly iransposed witMn the range of Anna .Yagd!llene's
eoice and she etndently sang ii io please her h.usband, A iranslation of the zoords is given belotu.

When in my pipe 1 take my pleasure, When 1 do light my pipe so neat1y,

Filling it with tobacco new, In but a moment 1 do find,
Smoking before the fire at Ie isure, That all the smoke has gone completely,
Then 1 do learn a les son true. Leaving but ashes here behind,
1 see in this, my pipe so fine, So does man's body turn to -clay,
A likeness to this life of mine. So does his glory fade away.
B.M.Co. 9584 Text, Copyriglú.tl 1939, by TlJe BOSLo,. Music Co.
 8
Minuet in G major
(Faít par Mons. Bohm)

Georg Bohm

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 12
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 18
Minuet in G major

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