40 EASY PIECES

(FOR CLARINET & PIANO)

CLARINET BOOK

EDITED: SANTIAGO COMESAÑA

ÍNDICE

1 – SEMPLICE ............................................................................................................... 5

2 – BADINAGE ............................................................................................................... 6

3 – PETITE PIECE ........................................................................................................ 7

4 – PETITE DANCE ...................................................................................................... 8

5 – MENUET MOZART................................................................................................. 9

6 – SEE, THE CONQUERING HERO COMES! ..................................................... 10

7 – TE DEUM ............................................................................................................... 11

8 – THE TROUT........................................................................................................... 12

9 – BOURRÉE .............................................................................................................. 13

10 – MARTON´S HORNPIPE .................................................................................... 14

11 – SOLVEIJ´S SONG .............................................................................................. 15

12 – ARIA DON GIOVANNI ....................................................................................... 16

13 – GIGUE TELEMANN ............................................................................................ 17

14 – MELODIE SCHUMANN ..................................................................................... 18

15 – THEME ROSAMUNDE ...................................................................................... 19

16 – AVE VERUM ........................................................................................................ 20

17 – MENUET HERVELOIS ..................................................................................... 21

18 – LANDER SCHUBERT ........................................................................................ 22

19 – GERMAN DANCE............................................................................................... 23

20 – ANDANTNO STEIBELT ..................................................................................... 24

21 – LA DONNA E MOBILE ....................................................................................... 25

22 – MENUET FUCHS ............................................................................................... 26

23 – NOCTURNE CHOPIN ........................................................................................ 28

24 – PAPAGENO´S ARIA .......................................................................................... 30

25 – RONDICO LEFEVRE ......................................................................................... 31

26 – SICILIENNE ......................................................................................................... 32

27 – GRAZIOSO BLAISUS ........................................................................................ 34

28 – GAVOTTE GOSSEC .......................................................................................... 36

29 – LE LESON DE MUSIQUE ................................................................................. 37

30 – ENTERTAINER ................................................................................................... 38

31 – ADAGIO PRANZER ........................................................................................... 40

32 – AVE MARIA GOUNOD ...................................................................................... 42

33 – AVE MARIA SCHUBERT .................................................................................. 43

34 – HABANERA DE CARMEN ................................................................................ 44

35 – RONDEAU PURCELL ........................................................................................ 46

36 – TAMINO´S ARIA ................................................................................................. 48

37 – TARANTELLE BURGMÚLLER......................................................................... 50

38 – WAVES OF THE DANUBE ............................................................................... 52

39 – SWAN ................................................................................................................... 54

40 – ALLEMANDE ....................................................................................................... 55
 5

1. Simplice
Karl Czerny
(1791-1857)
Andantino

     
          
p

          
     
mf

     
         

p

13

      
        

mf

17

          
   
mf

21

      
         
p

25

  
            

mf
6

2. Badinage
Karl Czerny
(1791-1857)
Allegretto

  
             
p

     
            


                   
p mf

13

                    
p cresc. f

17

                    
p

21

       
              

mf
 7

3. Petite Piéce
Antonio Diabelli
(1781-1856)
Moderato

 
      
p

     
    

     
  
mf

13

  
       
p

17

  
     
mf

21

         
8

4. Petite Danse
Cornelius Gurlitt
(1820-1901)
Moderato

   
    
p

       
   

         
mf

13

        
cresc. f

17

      
 
p

21

     
     

 9

5. Menuet
(from "Gran Partita K. 361")
W. A. Mozart
(1756-1791)
Allegretto

          
            
mf

      
          

 

              
   

13

                  

17

        
           
 

21

               
      

10

6. See, The Conquering

Hero Comes! G. F. Haendel
(1685-1759)


Moderato

  
          
f



5 Fine

   
           


9

 
            
p cresc.


13 D. C. al Fine

      
   
     
cresc. f
mf


Moderato

            
 
f

5
    
   
 
Fine
     


9

              
p cresc.

     
13
   
D. C. al Fine

       
mf cresc. f
 11

7. Te Deum
M. A. Charpentier
(1634-1704)
Maestoso

       
       

mf

       
       

            
  
p

10

      
        

 
13

          
      
cresc.

16

   
      
f 
mf

19

                


22

    
       
12

8. The Trout
Franz Schubert
(1797-1828)
Moderato

        
  
dolce

  
          

         


10

               

13

     

    

16

  
          

19

        
   
dim.
 13

9. Bourrée
Jean Hotteterre
(1684-1762)


Allegretto

   
         




mf
4

   
          
      
8

             
      
p cresc.
12

                   
  
f mf
17

               
     


  
         
Allegretto

  


mf

               
4

     

          
     
8

   
p cresc.

                 
  
12

 
f mf

             
17

      


14

10. Marton´s Hornpipe

Popular

Allegro


                            
   
mf

    
 
                       

 

                  
                      
f  mf

13

   
      
                     


     
Allegro

    
  
     
             


    
mf

       
5

     
           

       
 

                
8

             
     



f mf

      
13

 
                       
  
 15

11. Solveig´s Song

(from "Peer Gynt")
Edvard Grieg
(1843-1907)
Andante
  
 
    
   
dolce

   
4

       
 



      
7

           


 
10

            
     
cresc. mf


poco rit.

13 a Tempo
   
      

    
cresc.
p

   
15

                
f
16

12. Aria
(from "Don Giovanni")
W. A. Mozart
(1756-1791)
Andantino

             

p

                 

          
9

      
   
p
mf

 
12

      
          
p
mf

15

                  

p

19

              
mp

23

                 
  
 17

13. Gigue
G. P. Telemann
(1681-1767)


Vivace

            
             
f


5

      
          
    

    
9 Fine

            
      


12

           
             
p


17

     

 

           


     
21

             
       mf

 
25

            



29

       
                
cresc.

33
  D. C. al Fine

    
                      
f p mf
18

14. Melodie
Robert Schumann
(1810-1856)
Andante

       
          
p

   
5
           
  

 
        
9

       

p mf f dim. p

   
         
13

      

 
        
17

       

p mf f dim. p

   
         
21

      
 19

15. Theme
(from "Rosamunde")
Franz Schubert
(1797-1828)
Andantino
    
       
mf

  
5
    
    

cresc.


9

 
       

f

 
13

           


   
17
     
   
mf


21
  
    


25

 
        

 
29

          
20

16. Ave verum

W. A. Mozart
(1756-1791)
Andante sostenuto
 
             
p

          

            
mf f

  
13
   
  
dim.

 
17

           
p

21

            
cresc. mf

25

           

p cresc.

 
29

         
pp subito
mf

            
34

     
cresc.
f dim. p
 21

17. Menuet
Lois de Caix d´Hervelois
(1680-1760)
Allegro moderato
     
               
mf

 
5
   
Fine

          
p

     
9

               
mf

     
13

          
p

17
                   
 
mf cresc.

       
          
D. C. al Fine

21

  

f
22

18. Ländler
Franz Schubert
(1797-1828)
Allegretto
       
       
mf

   
5
  
       

 
      
9

     
 

f

 
    
13

      
dim.


   
17
 
      
mf

   
21

          
 23

19. German Dance

Ludwig van Beethoven
(1770-1827)


Allegretto

        
    
mp


5

         




 
8

         
   
p cresc. mf


13

        
 


      
    
Allegretto

   

mp

5
        
  

       
    
9

  

p cresc. mf

14
        
  
24

20. Andantino
Daniel Steibelt
(1765-1823)
Moderato
         
           

p dolce

9
    
           
     
cresc. f


           
        
17

    
p f

           
25

       
p


a Tempo
     
Pno.


poco rall.
   
32
     
  
p dolce


           
39

     
  

cresc. f


46

         
       
mf
   
p pp
 25

21. La Donna é Mobile

(from "Rigoletto")
Giuseppe Verdi
(1813-1901)


Allegretto
     
      
f

5
  Pno.

          
 
  


10
   
         
mf


14 1.

           



18

2.

          
 
p cresc.

    
22

        
  
f 3
mf


27
          
     
3

      
32

       
cresc. f
26

22. Menuet
G. F. Fuchs
(1752-1821)

   
Allegro

              
 
mf

5
            
    

          
mf

13
    
                
  

16
   
 
        


            
19



22
      
Fine

  
 27

    
Trio
    
25


p dolce

         

29

     


 
33
 

          
mf

37
     
         

    
    
41


p dolce

45
           
D. C. al Fine

   
28

23. Nocturne
Frederic Chopin
(1810-1849)


Andante

        
p

 
5
 
  
 


9

     

  
13

        
  
p
mf


17

     


21

          
 29

 
25

    
cresc.


29 rit. e dim.

          
p
mf

a Tempo


33

      
   

   
36

       
       

 
39

        
cresc.

  


45

      
 
p
mf poco a poco rit. e dim.
30

24. Papageno´s Aria

(from "The Zauberflute")
W. A. Mozart
(1756-1791)
Andante

                  
     

mf

                        

9 
   
   
       


 a Tempo     
  
13
 
      
    
     
mf


        
17

                  
p

  
21
         
         
mf p
 31

25. Rondino
J. X. Lefévre
(1763-1829)

    
Allegro
      
    
mf

       
5
 
     
p

 
          
9

 
 

mf p

    
      
13

      
mf p


        
17
 
    
mf


      
21

       
p
32

26. Sicilienne
J. V. Wanhal
(1739-1813)

            
Andantino

 
           
      
p

5
          
    
         

         
       
8

      
   
mf
p

13
                 
       
     
  
mf

        
      
17

         
p

21
          
            
 

          
24


               

mf


28

              
    
    
p f p f
This page is left blank to save an unnecessary page turn.

Aus wendetechnischen Gründen bleit diese Seite frei.

34

27. Grazioso
M. F. Blasius
(1758-1829)
Allegro

     
     
     
mf

                 
cresc. f

            
9

    
p cresc. mf

13
            
    
f

17

   
        
    
mf

21

       
         
p
 35

25

   
          
  
mf cresc.


29

     
       
f

            
33
 

mf

   
          
37

  
p cresc. mf

            
41

    
p cresc. mf

  
      

45

   
cresc. f
36

28. Gavotte
F. J. Gossec
(1734-1829)

                      

Allegretto molto grazioso

   
p

            

 

    
5

  

   

     
                        
9

                  

 
13 Fine

       

                  
17

 
        
f

       
21

           


   
  
                       
25

     
p

 
   
 
29
   
D. C. al Fine

                          
 
mf cresc. f
 37

29. La Leçon De Musique

Charles Lecocq
(1832-1918)

Allegro moderato

              
  
p leggiero

                    
10

  

16
             
         
cresc.
mf p

 
                        
21


mf f

         
27 rit.

                 

             
  
a Tempo
 
32

     

cresc.
p
mf

    
       
38
 
         

43
            

 
         


p

 
     
           
49

      
dim. p pp
38

30. The Entertainer

Scott Joplin

(1868-1917)
Moderato

             
 
mp

      
3

     
    

    
6
 
       
 
mf

      
9

         
 

               
12

    
cresc.

Fine
      
15
  
1. 2.

     
 
mp f
 39

             
18

         

                    
21

 

                   
 
24


dim. p

    
       
27

       
cresc.

   
30

           

D. S. al Fine
   
32
       
1. 2.

    
f p mp
40

31. Adagio
Joseph Pranzer
Adagio molto (1750-1810)

     
      
  
  
 
p

    
    
4
    
     

7
    
       

         
  
10



  
12

 
       

       
         
14
   
 
mf

      
16

       

       
18

      

 41

   
            
20

 
f p

22
                      
 
cresc.

    
     
24

      

f p

    
27

           
   
mf

  
30

    

   
  
p

        
33

      
mf

36
      
             
p


39

        
  
42

32. Ave Maria

Charles Gounod
(1859-1893)


Andante
 
         
dolce

 
9

       
 
       
 


13

     
              


17

               
   


21

       
      


25
  
  


    



 
29

     
             

    
33

         
 

  
36

       
   
 43

33. Ave Maria

Franz Schubert
(1797-1828)

Molto adagio e religioso

               

p 3

               
5
    
   
6
cresc. cresc.


             
7
        
 
6 f 6 p
mf cresc.

                  

9

      


 

 
6

  
                  
11
  
 


3 6
cresc. mf


   
13

       

p 3
44

34. Habanera
(from "Carmen")
Georges Bizet
(1838-1875)
         
Allegretto, quasi Andantino

      

p 3

7
  
             
      
 3
3
11
               
        
3
3
15
  
             
      
 3
3

   

19

            
3

   

23

      

 
        
         
28

                  
   
32

 
     
rit.
     
       
36

  
  


                 
   
41

     
3
cresc. f ff
This page is left blank to save an unnecessary page turn.

Aus wendetechnischen Gründen bleit diese Seite frei.

46

35. Rondeau
Henry Purcell
(1659-1695)
  
            
Maestoso

   
f

                    
4

                
7

 

9
                
    
p

          

12

  

15
             



17
               
   
f

                 
20

   
 47

                
23

 

25
                    
  
p

       
27

     

29
                  
  

    
31
           
 

33
               
   
f

        
   
       
36

                

39 rit.

 
48

36. Tamino´s Aria

(from "The Zauberflute")
W. A. Mozart
(1756-1791)

    
Larghetto Solo

    

        
Pno.

   
    
p
p

5
            
       

            
9

     
 

12
             
     


17
           

   

           
           
20

 

  
            
24

       

            
   
28

      
  
3
f
 49

    
     
33

        
p

      
    
38

         

       
 Solo

   
42

  
Pno.
        
  p
p

 
   
  
           
46

  

  
   
              
49

   

53
           
       


          
   
57



60
        
   
50

37. Tarantelle
J. F. Burgmüller

  
(1806-1874)

Allegro vivo

             
 
   
p

 
      
4

       
      
mf

         
8
  
1. 2.

           
p p cresc.

   
12
     
           
    
p cresc.

         
     

    
16

   
f

     
      
20

          
mf


24

                   
 
p
cresc.

       
28

        
p cresc.
 51


32

 

              
p cresc.

 
             
36

    
p cresc.

            
40

       

f

          
      
43

   
  
mf

47


1.

   
        
 
 
 

f

50 2.

                        

       
54

           

 
57
    
  





f
52

38. Waves Of The Danube

Ivanovici
(1845-1902)
Tempo di valse
        
     

p dolce

       
7

   



    
13


1. 2.

       

 
cresc.

19
                
  
f

          

25

   
 
p

    
   
31 1. 2.

           
cresc. mf
 53

37
       
             

43

   

         
    

    
49
  
1. 2.

         
mf

                 
55

  


61
            
    
   

                   
1. 2.

67

    
f mf f
cresc.
54

39. The Swan

(from "Carnival of the Animals")
Camile Saint-Säens
(1835-1921)
Adagio
 
Solo
  Pno.
             
    
    dolce
pp

     
    
4
   
       
cresc. p

 
         
7

       
    
cresc.

     
         
10
 

mf

        
13

      

        
16

    
 
cresc. dim. p

 
 
19

      
     
cresc.

     
22
       
  
mf dim.
a Tempo
25
 
rit.
      
     
 55

40. Allemande
Carl Stamitz
(1746-1801)

        
Allegro con spirito

  
 
mf

     
       
6

   

          
10
   


       
     
15

  
Fine

  
p

      
     
19
     
 
mf

    

24

                  
cresc. f

29
     
        
     
     

f

D. C. al Fine
34

                     
 
            
mf
p