Timurid and Mughal Empires

112 Pins
·4mo
Flag of the Timurid Empire
Flag of the Timurid Empire. Paper, ink, watercolour; 26.5 x 19 cm; anonymous, c. 1667–70. Emerging in the 15th and 16th centuries, the Timurid dynasty, a Turkic-Mongol lineage descended from Timur (Westernised as Tamerlane), oversaw a cultural and intellectual renaissance in Central Asia and Iran. Following Timur's death in 1405, the vast empire fractured. His sons divided his territories, with Miranshah gaining Iraq, Azerbaijan, Moghan, Shirvan, and Georgia, and Shah Rokh receiving Khorasan. Shah Rokh subsequently reunified most of the lands by 1417, with Mazandaran, Sistan, Transoxania, Fars, and Kerman now under his control, and also the territories of Miranshah. He established Herat as his capital. In effect, he restored Timur's empire, with a nominal claim of suzerainty over ... more
Sharzah Khan, general of Bijapur
Sharzah Khan, general of Bijapur Miniature painting from The History of India (Storia do Mogor) by Niccolao Manucci, 1678–86
Mughal Emperor Akbar Shah II
Emperor Akbar Shah II Riding on an Elephant Paint on ivory, anonymous (Indian), c. 1820 The Walters Art Museum, Baltimore
Doli (small litter)
Doli, Mughal Empire. Miniature gouache painting, anonymous, after 1698. From Niccolao Manucci's 'Storia do Mogor'. A doli is a small litter or palanquin. Litters were a form of transportation commonly used in many cultures throughout history, including in various regions of India during the Mughal period. A doli was a small, enclosed conveyance carried by bearers on their shoulders, typically used to transport individuals of high status or women within the confines of a palace or between palaces and other locations. It provided a means of travel that offered privacy and comfort, especially for individuals who were not accustomed to walking long distances or for ceremonial purposes.
A litter for a harem lady
Palki (litter for a harem lady), Mughal Empire. Miniature gouache painting, anonymous, after 1698. From Niccolao Manucci's 'Storia do Mogor'.
Huntsman on horseback with a cheetah, Mughal Empire
Huntsman with chitah (cheetah), Mughal Empire. Miniature gouache painting, anonymous, after 1698. From Niccolao Manucci's Storia do Mogor.
Camel litter, Mughal Empire
Camel litter, Mughal Empire. Miniature gouache painting, anonymous, after 1698. From Niccolao Manucci's Storia do Mogor.
Elephant fight, Mughal Empire
Elephant fight, Mughal Empire. Miniature gouache painting, anonymous, after 1698. From Niccolao Manucci's Storia do Mogor. The Mughals employed elephants in battle for their intimidating presence, using armoured elephants with archers on howdahs to disrupt enemy formations. With the advent of firearms and artillery, the effectiveness of war elephants waned, leading to their decline on the battlefield. Niccolao Manucci's Storia do Mogor, written in the 17th century, stands as a captivating memoir detailing his experiences in the Mughal Empire during the years 1653 to 1708. After leaving the Jesuit order, Manucci ventured to India, where he found employment in various roles within the Mughal court, serving under rulers like Aurangzeb. His voluminous work provides a rich tapestry...more
Dahkin women, Mughal art
Dahkin women, Mughal Empire. Miniature gouache painting, anonymous, after 1698. From Niccolao Manucci's Storia do Mogor.
Genealogy and family history
Portrait of Jamaluddin Safdar Khan(?) (–1690), Faujdar of Gwalior. Gouache and gold on paper, anonymous, c. 1790-1810, private collection
Genealogy and family history
Portrait of Zulfiqar Khan (1657–1713). Opaque pigments with gold on paper, anonymous, c. 1690. Private collection.
The Universal Compendium
A meeting of youth and old age. Opaque watercolour and gold on paper. By Muhammad Nadir al-Samarqandi (borders by Mansur), c. 1630. Agha Khan Museum, Toronto
The Universal Compendium
Portrait of chronicler. Tempera and watercolour on paper. Attributed to Muhammad Nadir al-Samarqandi, early 17th c., The Hermitage Museum
The Universal Compendium
Portrait of Khalilullah Khan. Ink, opaque watercolour and gold on paper, by Muhammad Nadir al-Samarqandi, 1650-60 The British Museum.
The Universal Compendium
Portrait of Asalat Khan. Watercolour, ink and gold on paper, anonymous, c. 1645. National Museum of Asian Art, Washington DC