Rhythm Changes Bassline

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Rhythm Changes Bass Line - 1 chorus

Arr. Pagan
This is by no means a definitive version. There are many variations which can be
played. Chord symbols have been omitted purposely, for that would necessitate
a discussion on the variety of chord qualities jazz musicians play over this (e.g.
major seventh intead of dominant; dominant instead of minor, etc.). Listen to as
many recordings of this tune as possilbe for perspective on the many different
harmonic qualities used.




bb 44

l
n l =l
l
=========================
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A

_
_

# n
bb

b
=l
b
l
=========================
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l
l
5

b
b

bb b

b l
l n_ =l
=========================
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l
_

n__
__ __ _ _
13

_
_

n
bb

=l l
=========================
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l
l
l
9

n__ _ __

n b

b n #
n

=l

=========================
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l
l
l
17

B (Bridge)

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n


bb n #

=========================
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l
l
l
=l
25 A

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b
bb n
#

l =l
=========================
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l

29

b
n

=l l
b l b l # l
=========================
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21

In bars 29-32 the stems-up line would be played for repeated choruses as
it outlines the ii-V progression in the last two bars. The stems-down
version would work as an ending of the tune or perhaps the end of
someone's solo.
Michael Pagan

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