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@fuckinr34dy

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i thought about this last night but um

SPOILERS for True Lives of the Fabulous Killjoys: National Anthem

i love the kind of symbolism we see with mike milligram of all the older more "childish" items he holds onto, hear me out.

So we see Mike holding this cheesy little vampire ring during the gathering scene where we first meet the rest of the killjoys, particularly when we learn that he's in a relationship with Code Blue and want's to take it a step further with marriage. They're all teenagers in this scene, assumedly maybe at least 16 at most 19 (because thats when you arent a teen anymore lol- after 20 you arent a teen duh). He's hiding it behind his back and seems to be just about to pop the question.

then, Blue dies in a standoff, just because he didn't want to move on and comply to the brainwashing tv. Blue literally jumps in front of him and takes the bullet (laser? whatever) for him. When she dies, he lashes out.

later on in the timeskip we see that Mike is basically hooked to the TV. hes fallen asleep to it and is only waken up by a rat chewing on the chords. this isn't entirely important to my point but I still feel like mentioning it because it tells us one thing: Because of Mike's grieving, he basically had no choice but to run back and give everything up. His grief, in turn, is what led him to actually start going back to how he was before, going against an authoritarian government run by a monopoly.

This leads Mike to realize that everything around him isn't what it seems, not only is he withdrawing from The TV, but he's also withdrawing from the effects of the pills he (and the rest of society) is on. He's hallucinating, but not fully. We know as readers that things aren't right in his life -- in anyone's life -- because of this.

once we reach the scene where he learns about his Ramones records being sanitized and the technician here to fix his tv is actually some kind of plant (overall, everyone trying to uphold the brainwashing system is doing so maliciously). Mike kills this plant, and we get to the next sighting of the vampire ring that we saw in that first scene I mention before. He finds it, remembers Blue (also to note theres a paper that says "SO REAL IT HURTS" on it right next to the ring, like thats so obvious that I looked over it), and holds onto it.

lets skip to the climax, where we're revealed to see "Blue" (this time either her reanimated corpse or some kind of clone, it isn't really specified) again, Mike shuts down. almost instantly. He's so close to giving in and going back to being brainwashed, but he stops for a moment. this is the kind of breaking point where we see his arc hit its breaking point and reach its conclusion.

Mike's individual character arc is about letting go. Letting go of grief. Letting go of the past. Progressing forward, no matter how much it hurts.

When he gets his gun back and shoots the clone of Blue HIMSELF, that is him signifying that he has to move on. for the sake of not only himself but for his son, his friends, everyone.

And in this last moment.

He puts her body in the car. and prepares to light it on fire.

and that is the last time we see the ring. He slips it onto her finger right before the car is set ablaze.

UGH ITS BEAUTIFUL. the ending is BEAUTIFUL.

a perfect illustration of how Mike had to get past his grief for the betterment of himself.

and even in the end, he isn't completely forgetting her. He isn't just tossing her aside, he's just saying "It's time I moved on. I won't let my anger and grief drag me down, but I will remember you."

and it's all made clear with that little ring. THE FUCKING RING DUDE.

It's a little plastic ring, usually associated with youth because it's usually found in gift bags or cereal boxes. something synthetic and cheap. Easy to break, usually thrown away right away. Mike is seen not only getting better from his grief but also maturing. Which is great for him. It's something in his past that he had to move on from, but could still hold the memory of.

also like a little side note but vampirism is sometimes depicted as being a kind of toxic, dependent force. A leech. the ring having a vampire on it is like... really good symbolism for that, MAYBE IM GOING TOO FAR IDK IDK-

#mcr#danger days the true lives of the fabulous killjoys#national anthem#mike milligram
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Ray toro isn't a hear me out he's just hot

Ray toro isn't a hear me out he's just hot

Ray toro isn't a hear me out he's just hot

Ray toro isn't a hear me out he's just hot

Ray toro isn't a hear me out he's just hot

*I repeat under my breath rocking back and forth in my straitjacket*

#mcr#ray toro#my chemical romance#real
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This Is the Best Day Ever pt 1/2

This song is again not connected to Bonnie and Clyde’s storyline. It’s about a long term hospital patient, most likely with mental illness caused by the long term stay. This patient is imagining escaping the hospital with an unresponsive patient that he’s convinced is talking to him.

The song starts out describing a hospital setting, “ gears and scalpels”, “tick tock bang of the monitors”, “every hour, on the hour they drew blood”

^That last line also establishes the narrator as unreputable because you can’t have blood drawn that often.

“We met in the emergency room, And in our beds I could hear you breathe with help from cold machines" this introduces the unresponsive patient the narrator is fantasizing about.

#lyric analysis#mcr lyrics#my chemical romance#ibymbybmyl#mcr bullets
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