The lost generation

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Chapter 2: She glanced up at the ancient buildings with disfavor. They seemed so disorganized, like a child’s toy blocks stacked haphazardly one upon the other. Small, crooked windows spoke of a time before glass, when waxed leather was all that kept the elements out. The spalling stone of the buildings themselves felt too old, too watchful. Even the modern gaslit street lamps didn’t help, casting shadows that flittered with the dance of the flame. Paris 19th Century, Paris 1800, France 1800s, 19th Century France, Paris History, Casting Shadows, Paris 1900, Paris Black And White, The Great

Chapter 2: She glanced up at the ancient buildings with disfavor. They seemed so disorganized, like a child’s toy blocks stacked haphazardly one upon the other. Small, crooked windows spoke of a time before glass, when waxed leather was all that kept the elements out. The spalling stone of the buildings themselves felt too old, too watchful. Even the modern gaslit street lamps didn’t help, casting shadows that flittered with the dance of the flame.

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Marianne Moore, Shakespeare And Company Paris, The Lost Generation, Paris 1920s, W H Auden, Elizabeth Bishop, William Carlos Williams, Lost Generation, Gore Vidal

Twentieth-century American poetry has been one of the glories of modern literature. The most significant names and texts are known worldwide: T.S. Eliot, Robert Frost, William Carlos Williams, Wallace Stevens, Marianne Moore, Hart Crane, Robert Lowell, John Berryman, Elizabeth Bishop (and some would include Ezra Pound). Rita Dove, a recent poet laureate (1993–1995), has decided, in her new anthology of poetry of the past century, to shift the balance, introducing more black poets and giving…

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