Charles and Ray Eames

253 Pins

Sytzewouda

a black and white photo of a woman sitting in a chair with her legs crossed

Ames Chair

Modern Architecture Design

Charles Ray

an office chair with wooden seat and metal frame, viewed from the front angle on a white background

Eames Office Chair

Herman Miller Chair Eames

Herman Miller Furniture

Vitra Design Museum

Aluminum Chairs

Charles And Ray Eames

Reclining Armchair

Charles and Ray Eames aluminium chair 1958 2

a brown leather couch sitting on top of a metal frame bench with two arms and backrests

Charles Eames Leather “Sofa Compact, ” for Herman Miller, 1954

Charles Eames Leather “Sofa Compact,” for Herman Miller 1954

a woman is working on some type of model in an office setting with papers hanging from the ceiling

Architecture Magazine

RayEames_Case Study House #8 model

the house is surrounded by many trees and plants, with a walkway leading up to it

Architecture Case Study

Mid Century Architecture

Architecture Magazines

Eames House

a living room filled with lots of furniture and bookshelves next to a window

Eames house

Modernist Architecture

The Eames House

an open floor plan with stairs leading up to the upper level and office space below

Famous Interior Designers

a woman standing in front of an array of colorful geometric structures on the ground with her arms crossed

Ray Charles

American Design

Art And Illustration

These sculptures created by Ray Eames serve no purpose other than visual beauty. These objects can be categorized as art. Ray Eames was known as the more artistic of the two, and Charles as the designer. I do think there is a justified difference between art and design, not because one is inferior, but because they do serve different purposes: creating something for the sake of viewing versus creating something for the sake of practical use that happens to also be lovely.

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