Papers by Daniela Fattori
BIBLIOLOGIA An International Journal of Bibliography, Library Science, History of Typography and the Book Fabrizio Serra editore, Pisa · Roma *, 2023
Bartolomeo Girardini from Salò aka Parthenius, humanist, philologist,
and editor · The article s... more Bartolomeo Girardini from Salò aka Parthenius, humanist, philologist,
and editor · The article shedslight on the up until now unacknowledged Brescian humanist, Bartolomeo Girardini from Salò who, thanks to new archival documents, can be now defnitively identifed in Bartolomeo Partenio, a very famous fgure in his age, expecially in Rome where he was a professor of greek literature and canonic law at the University ‘La Sapienza’, and where he was a collegue and a friend of Pomponio Leto; he also had relationship with other famous humanists such as Ermolao Barbaro, Rafaele Regio, Gian Mario Filelfo, Girolamo Bologni. He was not only a poet and a philologist, but also editor of a set of ten greek and latin classic works in which he adopted his rigorous philologic method based on direct collation of ancient manuscripts and on an accurate literal translation. In order to this triple role as humanist, philologist and editor, he may indeed be considered a forerunner of Aldo Manuzio.
Bibliofilia, 2013
The article is the result of archival work on the hitherto little known figure of the prothonotar... more The article is the result of archival work on the hitherto little known figure of the prothonotary apostolic Giacomo Rossi. Born in Venice but closely associated with Padua and its university, he died in August 1483 leaving all his personal property, including his library, to the ‘Scuola di S. Maria della Carità’ in Venice. His library was made up exclusively of printed books which would seem to suggest that Rossi had close contacts with the world of Venetian printing, although no evidence has so far emerged which would allow us to develop a more detailed picture – unless the signature “JA. RU.” which appears in a Roman incunable can be identified with him. Another reason why Rossi is of interest is the presence – among the correspondence of the ecclesiastical Commissary which he established – of an unusual and unrecorded incunable broadsheet.
Bibliofilia: rivista di storia del libro e di bibliografia, 2008
Bibliofilia: rivista di storia del libro e di bibliografia, 2007
Bibliofilia: rivista di storia del libro e di bibliografia, 1995
Bibliofilia: rivista di storia del libro e di bibliografia, 1992
Bibliofilia: rivista di storia del libro e di bibliografia, 2003
... Democrito da Terracina e la stampa delle Enneades di Marco Antonio Sabellico. Autores: Daniel... more ... Democrito da Terracina e la stampa delle Enneades di Marco Antonio Sabellico. Autores: DanielaFattori; Localización: Bibliofilia: rivista di storia del libro e di bibliografia, ISSN 0006-0941, Vol. 105, Nº. 1, 2003 , págs. 27-48. Fundación Dialnet. Acceso de usuarios registrados. ...
Bibliologia, 2022
Dal testamento del nobile veneziano Pietro di Leone da Molin
(1484) risulta che egli non solo ese... more Dal testamento del nobile veneziano Pietro di Leone da Molin
(1484) risulta che egli non solo esercitava il commercio di libri a stampa, in
particolare nelle città di Brescia e Verona, ma possedeva pure delle attrezzature tipografche che furono probabilmente date in uso ad altri stampatori.
Fra questi quasi certamente ci furono il cosiddetto ‘tipografo dell’Ausonio’,
autore di alcune anonime edizioni veneziane curate da Bartolomeo Girardini
detto Partenio, e il tipografo dalmata Bonino Bonini, attivo a Verona e a Brescia fra il 1481 e il 1486. Ma, soprattutto, grazie anche ad altri documenti
d’archivio è stato possibile accertare che questo fnora sconosciuto personaggio fu quel ‘socio misterioso’ del prete-tipografo di origine bresciana Battista
Farfengo, le cui iniziali compaiono, unite a quelle del Farfengo, in una marca
tipografca usata da quest’ultimo nei primi anni della sua attività tipografca.
Bollettino della Biblioteca Civica di Verona, 2003
Bollettino della Biblioteca Civica di Verona - N. 3, 1997
Bollettino della Biblioteca Civica di Verona. Studi in memoria di Mario Carrara, 1995
TECA, volume XII, numero 5ns, 2022
On May 28, 1494 the Venetian Senate ordered the destruction by fire of all copies of a printed
p... more On May 28, 1494 the Venetian Senate ordered the destruction by fire of all copies of a printed
pamphlet containing a defamatory ‘frotula’ against the Dominican Order written by the Neapolitan
friar Domenico de Carpanis, who was previously a Dominican himself but later joined the Franciscan
Order. De Carpanis was also author of the Sermoni della concezione della Beata Vergine Maria, written
against the so-called ‘maculists’, those who - like the Dominican Vincenzo Bandello - refused the
thesis of the ‘Immaculate Conception’ of Mary. The analysis of this vernacular sermon provides
details about De Carpani's biography and also clues regarding the place and date of printing of his
Aristotelian text De nutrienda memoria, that was believed to be a Neapolitan edition of 1476 and
instead could only have been printed in Veneto (Verona or Venice) and not before 1489.
KEYWORDS: Domenico da Napoli; Vincenzo Bandello; Immaculate Conception; Book Censorship;
Sermons of Conception.
Il 28 maggio 1494 il Senato veneto ordinò la consegna e la distruzione tramite fuoco di tutte le copie
di un libello a stampa contenente una ‘frotula’ diffamatoria nei confronti dell’Ordine domenicano,
opera del frate napoletano Domenico de Carpanis, un tempo domenicano egli stesso e poi passato
all’Ordine francescano. Dalla lettura della sua opera in volgare Sermoni della concezione della Beata
Vergine Maria, scritto per confutare i cosiddetti ‘maculisti’, cioè coloro che, come il domenicano
Vincenzo Bandello, erano contrari alla tesi della ‘Immacolata Concezione’ di Maria, emergono sia
particolari della biografia, sia indizi utili a individuare luogo e data di stampa della sua operetta
aristotelica De nutrienda memoria, finora ritenuta erroneamente un’edizione napoletana del 1476, ma
che invece non può che essere stata stampata nel Veneto (Verona o Venezia) e non prima del 1489.
PAROLE CHIAVE: Domenico da Napoli; Vincenzo Bandello; Immacolata concezione; Censura libraria;
Sermoni della concezione.
RR Roma nel Rinascimento, 1998
Bibliologia, 2021
Grazie al ritrovamento di un documento notarile che riporta una copia del testamento del tipograf... more Grazie al ritrovamento di un documento notarile che riporta una copia del testamento del tipografo Matteo Capcasa, è stato possibile risalire al titolo di un incunabolo da lui prodotto, in società con Bernardino Benali, di cui finora non si conosceva l’esistenza. Attraverso una complessa e laboriosa indagine si è arrivati quindi all’identificazione dell’unico esemplare dell’opera sopravvissuto, conservato presso la Biblioteca Capitular Y Colombina di Siviglia, che era stato sinora catalogato come un’edizione del XVI° secolo.
Gutenberg Jahrbuch , 2021
Three studies, based on archival research, shed new light on some German printers who worked in V... more Three studies, based on archival research, shed new light on some German printers who worked in Venice at the beginning of printing.
The first concerns two printers both called John of Cologne: one of them is the very famous publisher and book-seller partner of Nicholas Jenson, whose real name is revealed by a notarial act, the other one is a hitherto completely unknown figure, a goldsmith who in his son’s will is defined ‘inventor de la stampa’.
The second study treats of Vindelinus, John of Spira’s brother, and his possible identification with the roman printer Wendelinus de Wila.
The third regards John de Reno’s identity and his partnership with Christopher Valdarfer at Venice.
La Bibliofilia, 2021
New information showing what was originally thought to be three separate
authors can now be ident... more New information showing what was originally thought to be three separate
authors can now be identified as one, the erudite Dominican friar and writer
Alberto da Castello, completes the earlier essay on this figure published in 2007
(«La Bibliofilía», CIX, 2007, pp. 143-168) with an additional examination of several hitherto unrecorded aspects of his life and career as a printer and publisher.
LA BIBLIOFILIA Rivista di Storia del Libro e di Bibliografia 2019/1 ~ a. 121 Autori, editori e lettori del libro a stampa in Italia tra Quattro e Cinquecento, 2019
Taking its point of departure from some letters written by the humanist
Pietro Aleandro, which we... more Taking its point of departure from some letters written by the humanist
Pietro Aleandro, which we know about from the summaries found in the correspondence
of the 18th-century man of letters Bartolomeo Sabbioneto, the article
sheds light on some episodes which lay behind the printing of the editio princeps
of the tenth book of Pliny the Younger’s Epistolae (1502). It looks at the roles
played in the initiative by Pietro Aleandro himself, who first discovered the
manuscript in France, Girolamo Avanzi who edited its publication and a hitherto
unknown Veronese priest, Giovanni Battista Baldo (the recipient of Aleandro’s
letters). Complex archival investigations have revealed more information on the
figure of Baldo.
Bollettino della Biblioteca Civica di Verona, 1997
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Papers by Daniela Fattori
and editor · The article shedslight on the up until now unacknowledged Brescian humanist, Bartolomeo Girardini from Salò who, thanks to new archival documents, can be now defnitively identifed in Bartolomeo Partenio, a very famous fgure in his age, expecially in Rome where he was a professor of greek literature and canonic law at the University ‘La Sapienza’, and where he was a collegue and a friend of Pomponio Leto; he also had relationship with other famous humanists such as Ermolao Barbaro, Rafaele Regio, Gian Mario Filelfo, Girolamo Bologni. He was not only a poet and a philologist, but also editor of a set of ten greek and latin classic works in which he adopted his rigorous philologic method based on direct collation of ancient manuscripts and on an accurate literal translation. In order to this triple role as humanist, philologist and editor, he may indeed be considered a forerunner of Aldo Manuzio.
(1484) risulta che egli non solo esercitava il commercio di libri a stampa, in
particolare nelle città di Brescia e Verona, ma possedeva pure delle attrezzature tipografche che furono probabilmente date in uso ad altri stampatori.
Fra questi quasi certamente ci furono il cosiddetto ‘tipografo dell’Ausonio’,
autore di alcune anonime edizioni veneziane curate da Bartolomeo Girardini
detto Partenio, e il tipografo dalmata Bonino Bonini, attivo a Verona e a Brescia fra il 1481 e il 1486. Ma, soprattutto, grazie anche ad altri documenti
d’archivio è stato possibile accertare che questo fnora sconosciuto personaggio fu quel ‘socio misterioso’ del prete-tipografo di origine bresciana Battista
Farfengo, le cui iniziali compaiono, unite a quelle del Farfengo, in una marca
tipografca usata da quest’ultimo nei primi anni della sua attività tipografca.
pamphlet containing a defamatory ‘frotula’ against the Dominican Order written by the Neapolitan
friar Domenico de Carpanis, who was previously a Dominican himself but later joined the Franciscan
Order. De Carpanis was also author of the Sermoni della concezione della Beata Vergine Maria, written
against the so-called ‘maculists’, those who - like the Dominican Vincenzo Bandello - refused the
thesis of the ‘Immaculate Conception’ of Mary. The analysis of this vernacular sermon provides
details about De Carpani's biography and also clues regarding the place and date of printing of his
Aristotelian text De nutrienda memoria, that was believed to be a Neapolitan edition of 1476 and
instead could only have been printed in Veneto (Verona or Venice) and not before 1489.
KEYWORDS: Domenico da Napoli; Vincenzo Bandello; Immaculate Conception; Book Censorship;
Sermons of Conception.
Il 28 maggio 1494 il Senato veneto ordinò la consegna e la distruzione tramite fuoco di tutte le copie
di un libello a stampa contenente una ‘frotula’ diffamatoria nei confronti dell’Ordine domenicano,
opera del frate napoletano Domenico de Carpanis, un tempo domenicano egli stesso e poi passato
all’Ordine francescano. Dalla lettura della sua opera in volgare Sermoni della concezione della Beata
Vergine Maria, scritto per confutare i cosiddetti ‘maculisti’, cioè coloro che, come il domenicano
Vincenzo Bandello, erano contrari alla tesi della ‘Immacolata Concezione’ di Maria, emergono sia
particolari della biografia, sia indizi utili a individuare luogo e data di stampa della sua operetta
aristotelica De nutrienda memoria, finora ritenuta erroneamente un’edizione napoletana del 1476, ma
che invece non può che essere stata stampata nel Veneto (Verona o Venezia) e non prima del 1489.
PAROLE CHIAVE: Domenico da Napoli; Vincenzo Bandello; Immacolata concezione; Censura libraria;
Sermoni della concezione.
The first concerns two printers both called John of Cologne: one of them is the very famous publisher and book-seller partner of Nicholas Jenson, whose real name is revealed by a notarial act, the other one is a hitherto completely unknown figure, a goldsmith who in his son’s will is defined ‘inventor de la stampa’.
The second study treats of Vindelinus, John of Spira’s brother, and his possible identification with the roman printer Wendelinus de Wila.
The third regards John de Reno’s identity and his partnership with Christopher Valdarfer at Venice.
authors can now be identified as one, the erudite Dominican friar and writer
Alberto da Castello, completes the earlier essay on this figure published in 2007
(«La Bibliofilía», CIX, 2007, pp. 143-168) with an additional examination of several hitherto unrecorded aspects of his life and career as a printer and publisher.
Pietro Aleandro, which we know about from the summaries found in the correspondence
of the 18th-century man of letters Bartolomeo Sabbioneto, the article
sheds light on some episodes which lay behind the printing of the editio princeps
of the tenth book of Pliny the Younger’s Epistolae (1502). It looks at the roles
played in the initiative by Pietro Aleandro himself, who first discovered the
manuscript in France, Girolamo Avanzi who edited its publication and a hitherto
unknown Veronese priest, Giovanni Battista Baldo (the recipient of Aleandro’s
letters). Complex archival investigations have revealed more information on the
figure of Baldo.
and editor · The article shedslight on the up until now unacknowledged Brescian humanist, Bartolomeo Girardini from Salò who, thanks to new archival documents, can be now defnitively identifed in Bartolomeo Partenio, a very famous fgure in his age, expecially in Rome where he was a professor of greek literature and canonic law at the University ‘La Sapienza’, and where he was a collegue and a friend of Pomponio Leto; he also had relationship with other famous humanists such as Ermolao Barbaro, Rafaele Regio, Gian Mario Filelfo, Girolamo Bologni. He was not only a poet and a philologist, but also editor of a set of ten greek and latin classic works in which he adopted his rigorous philologic method based on direct collation of ancient manuscripts and on an accurate literal translation. In order to this triple role as humanist, philologist and editor, he may indeed be considered a forerunner of Aldo Manuzio.
(1484) risulta che egli non solo esercitava il commercio di libri a stampa, in
particolare nelle città di Brescia e Verona, ma possedeva pure delle attrezzature tipografche che furono probabilmente date in uso ad altri stampatori.
Fra questi quasi certamente ci furono il cosiddetto ‘tipografo dell’Ausonio’,
autore di alcune anonime edizioni veneziane curate da Bartolomeo Girardini
detto Partenio, e il tipografo dalmata Bonino Bonini, attivo a Verona e a Brescia fra il 1481 e il 1486. Ma, soprattutto, grazie anche ad altri documenti
d’archivio è stato possibile accertare che questo fnora sconosciuto personaggio fu quel ‘socio misterioso’ del prete-tipografo di origine bresciana Battista
Farfengo, le cui iniziali compaiono, unite a quelle del Farfengo, in una marca
tipografca usata da quest’ultimo nei primi anni della sua attività tipografca.
pamphlet containing a defamatory ‘frotula’ against the Dominican Order written by the Neapolitan
friar Domenico de Carpanis, who was previously a Dominican himself but later joined the Franciscan
Order. De Carpanis was also author of the Sermoni della concezione della Beata Vergine Maria, written
against the so-called ‘maculists’, those who - like the Dominican Vincenzo Bandello - refused the
thesis of the ‘Immaculate Conception’ of Mary. The analysis of this vernacular sermon provides
details about De Carpani's biography and also clues regarding the place and date of printing of his
Aristotelian text De nutrienda memoria, that was believed to be a Neapolitan edition of 1476 and
instead could only have been printed in Veneto (Verona or Venice) and not before 1489.
KEYWORDS: Domenico da Napoli; Vincenzo Bandello; Immaculate Conception; Book Censorship;
Sermons of Conception.
Il 28 maggio 1494 il Senato veneto ordinò la consegna e la distruzione tramite fuoco di tutte le copie
di un libello a stampa contenente una ‘frotula’ diffamatoria nei confronti dell’Ordine domenicano,
opera del frate napoletano Domenico de Carpanis, un tempo domenicano egli stesso e poi passato
all’Ordine francescano. Dalla lettura della sua opera in volgare Sermoni della concezione della Beata
Vergine Maria, scritto per confutare i cosiddetti ‘maculisti’, cioè coloro che, come il domenicano
Vincenzo Bandello, erano contrari alla tesi della ‘Immacolata Concezione’ di Maria, emergono sia
particolari della biografia, sia indizi utili a individuare luogo e data di stampa della sua operetta
aristotelica De nutrienda memoria, finora ritenuta erroneamente un’edizione napoletana del 1476, ma
che invece non può che essere stata stampata nel Veneto (Verona o Venezia) e non prima del 1489.
PAROLE CHIAVE: Domenico da Napoli; Vincenzo Bandello; Immacolata concezione; Censura libraria;
Sermoni della concezione.
The first concerns two printers both called John of Cologne: one of them is the very famous publisher and book-seller partner of Nicholas Jenson, whose real name is revealed by a notarial act, the other one is a hitherto completely unknown figure, a goldsmith who in his son’s will is defined ‘inventor de la stampa’.
The second study treats of Vindelinus, John of Spira’s brother, and his possible identification with the roman printer Wendelinus de Wila.
The third regards John de Reno’s identity and his partnership with Christopher Valdarfer at Venice.
authors can now be identified as one, the erudite Dominican friar and writer
Alberto da Castello, completes the earlier essay on this figure published in 2007
(«La Bibliofilía», CIX, 2007, pp. 143-168) with an additional examination of several hitherto unrecorded aspects of his life and career as a printer and publisher.
Pietro Aleandro, which we know about from the summaries found in the correspondence
of the 18th-century man of letters Bartolomeo Sabbioneto, the article
sheds light on some episodes which lay behind the printing of the editio princeps
of the tenth book of Pliny the Younger’s Epistolae (1502). It looks at the roles
played in the initiative by Pietro Aleandro himself, who first discovered the
manuscript in France, Girolamo Avanzi who edited its publication and a hitherto
unknown Veronese priest, Giovanni Battista Baldo (the recipient of Aleandro’s
letters). Complex archival investigations have revealed more information on the
figure of Baldo.