Papers by Camila Gregório
This project investigates the creation of images in the scene The sacrifice of the elected of the... more This project investigates the creation of images in the scene The sacrifice of the elected of the work The Rite of Spring of German choreographer Pina Bausch. From the observations of post-dramatic concepts and performance, research and develops addresses the question: "How and why the body is able to create images on stage?".
To establish a critical dialogue between the post-dramatic relationship and performance you need a literature review that reflects both the approaches of post-dramatic theater and its consequences, pros and cons, from the work of Hans Thies Lehmann (2011) and the performance of Paul Zumthor (2007). As the first concept has strong repercussions at global level and in the context of Bausch work, the second body takes into account the presence of the reader/viewer and hence the operation of oral transmission of poetry, thus enabling the first depth which focuses on the question of the absence of dramatic text. Besides, we will look at the question of “image”, central concept in the history of art and concept that can help develop a different view about the work of Pina Bausch. Both studied concepts, post-dramatic, performance and image, gain practical dimensions in the work of Pina Bausch. The bodies of the dancers-actors or performers are more real that they have, palpable, heavy and puffy, there is foot stepping on the red earth, breath and energy resonances of bodies drive the imaging at the scene of The Rite of Spring. Bodily perceptions are dormant and first of all the bodily gestures are the realities that are shared with the public through images.
However, the scenario is the dialogue between the arts and requires a study that mobilizes theoretical concepts related to literature, theatre and art and their stories.
Keywords: Post- Dramatic, Performance, Image, Pina Bausch, The Rite Of Spring.
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Papers by Camila Gregório
To establish a critical dialogue between the post-dramatic relationship and performance you need a literature review that reflects both the approaches of post-dramatic theater and its consequences, pros and cons, from the work of Hans Thies Lehmann (2011) and the performance of Paul Zumthor (2007). As the first concept has strong repercussions at global level and in the context of Bausch work, the second body takes into account the presence of the reader/viewer and hence the operation of oral transmission of poetry, thus enabling the first depth which focuses on the question of the absence of dramatic text. Besides, we will look at the question of “image”, central concept in the history of art and concept that can help develop a different view about the work of Pina Bausch. Both studied concepts, post-dramatic, performance and image, gain practical dimensions in the work of Pina Bausch. The bodies of the dancers-actors or performers are more real that they have, palpable, heavy and puffy, there is foot stepping on the red earth, breath and energy resonances of bodies drive the imaging at the scene of The Rite of Spring. Bodily perceptions are dormant and first of all the bodily gestures are the realities that are shared with the public through images.
However, the scenario is the dialogue between the arts and requires a study that mobilizes theoretical concepts related to literature, theatre and art and their stories.
Keywords: Post- Dramatic, Performance, Image, Pina Bausch, The Rite Of Spring.
To establish a critical dialogue between the post-dramatic relationship and performance you need a literature review that reflects both the approaches of post-dramatic theater and its consequences, pros and cons, from the work of Hans Thies Lehmann (2011) and the performance of Paul Zumthor (2007). As the first concept has strong repercussions at global level and in the context of Bausch work, the second body takes into account the presence of the reader/viewer and hence the operation of oral transmission of poetry, thus enabling the first depth which focuses on the question of the absence of dramatic text. Besides, we will look at the question of “image”, central concept in the history of art and concept that can help develop a different view about the work of Pina Bausch. Both studied concepts, post-dramatic, performance and image, gain practical dimensions in the work of Pina Bausch. The bodies of the dancers-actors or performers are more real that they have, palpable, heavy and puffy, there is foot stepping on the red earth, breath and energy resonances of bodies drive the imaging at the scene of The Rite of Spring. Bodily perceptions are dormant and first of all the bodily gestures are the realities that are shared with the public through images.
However, the scenario is the dialogue between the arts and requires a study that mobilizes theoretical concepts related to literature, theatre and art and their stories.
Keywords: Post- Dramatic, Performance, Image, Pina Bausch, The Rite Of Spring.