In the year 2016 after more than 20 years of teaching and originated in the eagerness to elaborat... more In the year 2016 after more than 20 years of teaching and originated in the eagerness to elaborate a master plan in the subject Composition in Argentine Popular Music, the idea arises to publish a first didactic material. This first material focused on the folk genre is intended to offer one of the few texts on composition that exists in the market from a practical point of view and not clearly focused on the analysis. The purpose of this composition exercise guide (over 200) is to offer a look at some (many but not all) compositional procedures (some traditional and some new) applied to the most characteristic Argentine popular genres. In this first edition, I selected the chacarera - with its doble and truncated variants - the zamba and vidala, within the wide range of Argentinean folk genres. This capricious selection offers much less a book on genres and musicological research than a tour on some specific genres, but by their characteristics, serve as the main route from which later to be able to refer to other genres with similar elements. The first chapter will be approached from the generalities to later on in the second one to the folklore proper.
In the year 2016 after more than 20 years of teaching and originated in the eagerness to elaborat... more In the year 2016 after more than 20 years of teaching and originated in the eagerness to elaborate a master plan in the subject Composition in Argentine Popular Music, the idea arises to publish a first didactic material. This first material focused on the folk genre is intended to offer one of the few texts on composition that exists in the market from a practical point of view and not clearly focused on the analysis. The purpose of this composition exercise guide (over 200) is to offer a look at some (many but not all) compositional procedures (some traditional and some new) applied to the most characteristic Argentine popular genres. In this first edition, I selected the chacarera - with its doble and truncated variants - the zamba and vidala, within the wide range of Argentinean folk genres. This capricious selection offers much less a book on genres and musicological research than a tour on some specific genres, but by their characteristics, serve as the main route from which later to be able to refer to other genres with similar elements. The first chapter will be approached from the generalities to later on in the second one to the folklore proper.
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Books by Martin Delgado