Papers by Sarah Cameron Sunde
Resilience: A Journal of the Environmental Humanities, Mar 1, 2020
Resilience: A Journal of the Environmental Humanities, Mar 1, 2020
Resilience: A Journal of the Environmental Humanities, Mar 1, 2020
Resilience: A Journal of the Environmental Humanities, Mar 1, 2020
PAJ: A Journal of Performance and Art, 2007
These other words have not been inserted in place of the “yah” because repetition is vital. My go... more These other words have not been inserted in place of the “yah” because repetition is vital. My goal is to provide an affirmative in English that lives somewhere between “ja” and “yeah” and carries plenty of flexibility with it. It should be simple and not sound foreign. It can be ...
Public Art Dialogue, 2016
Works on Water Inaugural Triennial Catalogue, 2018
As the introductory essay for the Works on Water Inaugural Triennial 2017 catalogue essay, I argu... more As the introductory essay for the Works on Water Inaugural Triennial 2017 catalogue essay, I argue that contemporary artists are taking to the water in response to ecological change, and compare this "Water Art" movement to the Land Art, Conceptual Art, and Performance Art movements of the late 1960s-1970s.
Paj-a Journal of Performance and Art, 2007
These other words have not been inserted in place of the “yah” because repetition is vital. My go... more These other words have not been inserted in place of the “yah” because repetition is vital. My goal is to provide an affirmative in English that lives somewhere between “ja” and “yeah” and carries plenty of flexibility with it. It should be simple and not sound foreign. It can be ...
Paj-a Journal of Performance and Art, 2007
W hen Jon Fosse came to New York in June of 2004 to attend his U.S. debut production (Night Sings... more W hen Jon Fosse came to New York in June of 2004 to attend his U.S. debut production (Night Sings Its Songs at e Culture Project's 45 Below eatre) we walked through the park after a luncheon held in his honor. People were rushing by and he wondered aloud whether Americans ever take the time to do nothing. It was a genuine question about culture. For the first time, I realized that doing nothing might be our biggest cultural fear. Because if we were to "do nothing," it would mean we would have to take a good long look at who we are and why we exist.
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Papers by Sarah Cameron Sunde