: Our inversion method makes the hair synthesis pipeline consistent: (a) Raw hair geometry (a set... more : Our inversion method makes the hair synthesis pipeline consistent: (a) Raw hair geometry (a set of polylines) resulting from the manual design or the automatic capture of a static hairstyle (here, a capture from ); (b) Input geometry is automatically converted into a dynamic hair model (a set of super-helices) at equilibrium under gravity and frictional hair-body and hair-hair contact forces; Unlike classical hair simulators (c) which ignore surrounding forces when initializing the hairstyle and are thus prone to undesired sagging, our simulator (b) exactly matches the original hair geometry at initial state and (d) yields a realistic, character-specific hair animation.
: Our inversion method makes the hair synthesis pipeline consistent: (a) Raw hair geometry (a set... more : Our inversion method makes the hair synthesis pipeline consistent: (a) Raw hair geometry (a set of polylines) resulting from the manual design or the automatic capture of a static hairstyle (here, a capture from ); (b) Input geometry is automatically converted into a dynamic hair model (a set of super-helices) at equilibrium under gravity and frictional hair-body and hair-hair contact forces; Unlike classical hair simulators (c) which ignore surrounding forces when initializing the hairstyle and are thus prone to undesired sagging, our simulator (b) exactly matches the original hair geometry at initial state and (d) yields a realistic, character-specific hair animation.
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Papers by Monika Maytri