gabriele toneguzzi
Gabriele Toneguzzi, Ph.D. in design and MSc eq. in architecture, work mainly in the fields of architecture, museum and exhibit, industrial design.
Peer reviewer for some scientific journals, correspondent since 2006 for the Italian 'Il Giornale dell’Architettura', paper edition and then collaborator of online edition, he frequently writes essays and articles about architecture, industrial and railway design.
He has taught in many universities, including University of Rome 'La Sapienza', University of Florence, University of Ferrara, University of Padua, Iuav University of Venice, San Marino State University, and collaborated also with the Chalmers Tekniska Högskola (Chalmers Technical University) of Göteborg, and appointed for one semester as visiting professor and researcher at Instituto Politécnico de Bragança in Portugal.
His research interests are highly varied: thanks to personal curiosity and like a real jack-of-all-trades, he can juggle a wide range of subjects within the design field, but with a particular fondness for his core-business: the museum and exhibit domain; however, he is also interested in history, graphics, interaction and very unusual areas, such as railway vehicles.
Among his last works, he has shortlisted and awarded (whit others) in a intl. blind two phases competition (July 2021) doubling a prominent museum (900’s) in front of the Duomo of Milan, and was placed among the first in other most recent competitions.
He coordinated the strategic revitalization plan of museum and cultural heritage for a less populated areas in the far north-east of Italy, an innovative preservation of a prominent ancient venetian Villa and the provision of the new kind of museum inside, a book about university didactic into museums design. Last but not least, he has handled the concept and design of an on-demand multipurpose robotic museum storage
Peer reviewer for some scientific journals, correspondent since 2006 for the Italian 'Il Giornale dell’Architettura', paper edition and then collaborator of online edition, he frequently writes essays and articles about architecture, industrial and railway design.
He has taught in many universities, including University of Rome 'La Sapienza', University of Florence, University of Ferrara, University of Padua, Iuav University of Venice, San Marino State University, and collaborated also with the Chalmers Tekniska Högskola (Chalmers Technical University) of Göteborg, and appointed for one semester as visiting professor and researcher at Instituto Politécnico de Bragança in Portugal.
His research interests are highly varied: thanks to personal curiosity and like a real jack-of-all-trades, he can juggle a wide range of subjects within the design field, but with a particular fondness for his core-business: the museum and exhibit domain; however, he is also interested in history, graphics, interaction and very unusual areas, such as railway vehicles.
Among his last works, he has shortlisted and awarded (whit others) in a intl. blind two phases competition (July 2021) doubling a prominent museum (900’s) in front of the Duomo of Milan, and was placed among the first in other most recent competitions.
He coordinated the strategic revitalization plan of museum and cultural heritage for a less populated areas in the far north-east of Italy, an innovative preservation of a prominent ancient venetian Villa and the provision of the new kind of museum inside, a book about university didactic into museums design. Last but not least, he has handled the concept and design of an on-demand multipurpose robotic museum storage
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exhibitions.
Considered as examples of the art of display, some solutions
in detail, designed by Franco Albini and Carlo Scarpa
still testify expressive mastery of authors, due to their
intrinsic elegance communicative. About design teaching,
current potential of some tools in the digital field is decisive
in establishing a working method that makes the precise
resolution of every display detail, a characteristic of micro-
installations. Moving from a marked artisanal authorship
to a systematic development that allows to manage all
the processes, from design to implementation.
I protocolli di cura prevedono che una parte consistente delle attività di contrasto alla malattia siano volte a consentire al paziente il mantenimento delle abilità funzionali residue il più a lungo possibile. Per intervenire ad hoc è importante adattare l’habitat, inteso sia come contesto umano e relazionale, sia come spazio architettonico.
Nel progetto del centro terapeutico diurno Sartor a Castelfranco Veneto il gruppo di lavoro ha integrato la sapienza teorica con quella empirica attraverso un approccio trasversale e partecipativo.
Qualità e fama di molte notevolissime opere esposte a Vicenza varranno probabilmente all’accorto Marco Goldin un altro fruttuoso talloncino vincifacile nella lotteria delle mostre più visitate. L’indubbia capacità del presidente di Linea d’Ombra non fuga tuttavia le perplessità a proposito dell’impianto critico di progetto dell’esposizione. Per non parlare del disegno di mostra: tecnicamente corretto ma scipito; un insieme di pannelli incastrati che compartimentano cubicoli banali, omogeneizzati e del tutto avulsi dal contenitore. Spazi privi di rapporti formali: un dialogo assente che, anzi, tende a cancellare stratificazioni storiche, complessità e preziosità del volume interno della Basilica. Altro dai molti allestimenti succedutisi nel tempo, spesso ragguardevoli, a partire da quello di Franco Albini in occasione della memorabile mostra su Palladio nel 1973.
Ponendo l’accento sulla situazione economica contingente, vista l’indifferenza al lussuoso incarto storico, sarebbe stato forse utile, più efficace, coraggioso, clamoroso e meno costoso, allestire questa mostra entro un qualsiasi capannone abbandonato di periferia chiuso per la crisi, lasciando come controcanto alla naturale e più pura contemplazione di ognuno la celeberrima architettura restituitaci, scatola non vile bastante a se stessa. Ad majora!
The design problem faced was almost insoluble: building an extension in an old town center under historic preservation orders.
Under an area of 1,000 square meters Cl/aa Architects have been built 9 new classrooms and 6 laboratories on 4 levels up to a deep of 17 meters"
exhibitions.
Considered as examples of the art of display, some solutions
in detail, designed by Franco Albini and Carlo Scarpa
still testify expressive mastery of authors, due to their
intrinsic elegance communicative. About design teaching,
current potential of some tools in the digital field is decisive
in establishing a working method that makes the precise
resolution of every display detail, a characteristic of micro-
installations. Moving from a marked artisanal authorship
to a systematic development that allows to manage all
the processes, from design to implementation.
I protocolli di cura prevedono che una parte consistente delle attività di contrasto alla malattia siano volte a consentire al paziente il mantenimento delle abilità funzionali residue il più a lungo possibile. Per intervenire ad hoc è importante adattare l’habitat, inteso sia come contesto umano e relazionale, sia come spazio architettonico.
Nel progetto del centro terapeutico diurno Sartor a Castelfranco Veneto il gruppo di lavoro ha integrato la sapienza teorica con quella empirica attraverso un approccio trasversale e partecipativo.
Qualità e fama di molte notevolissime opere esposte a Vicenza varranno probabilmente all’accorto Marco Goldin un altro fruttuoso talloncino vincifacile nella lotteria delle mostre più visitate. L’indubbia capacità del presidente di Linea d’Ombra non fuga tuttavia le perplessità a proposito dell’impianto critico di progetto dell’esposizione. Per non parlare del disegno di mostra: tecnicamente corretto ma scipito; un insieme di pannelli incastrati che compartimentano cubicoli banali, omogeneizzati e del tutto avulsi dal contenitore. Spazi privi di rapporti formali: un dialogo assente che, anzi, tende a cancellare stratificazioni storiche, complessità e preziosità del volume interno della Basilica. Altro dai molti allestimenti succedutisi nel tempo, spesso ragguardevoli, a partire da quello di Franco Albini in occasione della memorabile mostra su Palladio nel 1973.
Ponendo l’accento sulla situazione economica contingente, vista l’indifferenza al lussuoso incarto storico, sarebbe stato forse utile, più efficace, coraggioso, clamoroso e meno costoso, allestire questa mostra entro un qualsiasi capannone abbandonato di periferia chiuso per la crisi, lasciando come controcanto alla naturale e più pura contemplazione di ognuno la celeberrima architettura restituitaci, scatola non vile bastante a se stessa. Ad majora!
The design problem faced was almost insoluble: building an extension in an old town center under historic preservation orders.
Under an area of 1,000 square meters Cl/aa Architects have been built 9 new classrooms and 6 laboratories on 4 levels up to a deep of 17 meters"