Wolfgangus Amadeus Mozart

Wolfgangus Amadeus Mozart^[1] (nomine baptizatus "Ioannes Chrysostomus Wolfgangus Theophilus Mozart"; natus Salisburgi die 27 Ianuarii 1756; mortuus Vindobonae die 5 Decembris 1791) fuit fecundus potensque Aetatis Classicae compositor.

Plus quam sescenta opera musica composuit, quorum multa inter apices musicae symphonicae, concertantis^?, cameratae, operaticae, et choralis numerantur. Inter compositores classicos populo gratissimos manet perpetuo, et eius gratia in musica artistica Occidentali sequente maxima est. Ludovicus van Beethoven sua opera prima in umbra Mozartiana composuit, atque Iosephus Haydn scripsit: "Posteritas tale ingenium centum annos non videbit."^[2]

Vita

Familia Mozartiana circa 1780. Imago in pariete suspensa matrem compositoris pingit.

Wolfgangus Amadeus Mozartus a Iosepho Lange pictus.

Actus baptismatis Mozarti.
*[Ianuarius] 28. med[ia hora] 11. merid[iana] baptizatus est : natus pridie h[ora] 8. vesp[ertina]*
*Ioannes Chrysost[omus] Wolfgangus Theophilus fil[ius] leg[itimus]*
*Nob[ilis] D[ominus] Leopoldus Mozart Aulæ Musicus, et Maria Anna Pertlin coniuges*^[3]
*Nob[ilis] D[ominus] Ioannes Theophilus Pergmaÿr Senator et Mercator civicus p[ro] t[empore] sponsus*
*Idem Leopoldus Lamprecht Capellanus Civicus*

Mozartus postridie, quam hora 8 vespertina natus erat, baptizatus est praenominibus Ioannes Chrysost. Wolfgangus Theophilus secundum matriculam parochialem baptismatum,^[4] quorum duobus tantum ultimis uti solebat, nempe Wolfgangus Theophilus. Nomen Theophilus, scilicet, erat in loco nominis vulgaris Gottlieb, et mos quidam Wolfgango erat de hac variatione iocari. Cavillans illud nomen, variis figuris scribere solebat, Theodisce Gottlieb, Francogallice Amadé, et denique rursus Latine Amadeus (quasi 'ama Deum'), quarum hanc ultimam figuram rarissime usurpavit. Iure igitur posuerimus nomen Latinum huic viro esse Wolfgangum Theophilum Mozartum, sed quoniam usus saeculorum nomen alterum, nempe Amadeus, usitatissimum fecerit, constat ea figura uti. A familiaribus a pueritia vel Wolgang vel Wolferl (i. e. quasi Wolfgangulus) vocari solebat.

Amadeus fuit Ioannis Georgii Leopoldi Mozarti et Annae Mariae Pertl filius. Soror Maria Anna Mozart cum Amadeo puero in publico aliquando clavili cecinit.

Mozart componere coepit cum puer quinque annos natus erat. Prima eius compositio minutissima (aut minuetus) pro clavichordio fuit.

Die 4 Augusti 1782, Mozartus sine paterna assensione Constantiam, consobrinam compositoris Caroli Mariae de Weber, Vindobonae uxorem duxit.

Mozart canonem in B molli maiore verbis Theodiscis Leck mich im Arsch ('linge meum podicem') composuit.^[5]

Opera selecta

Operae

Si plus cognoscere vis, vide Indicem operarum Mozarti.

1767: Apollo et Hyacinthus
1768: Sebastianus et Sebastiana (Vel Bastianus et Bastiana)
1770: Mitridate, re di Ponto (Mithridates, rex Ponti)
1774: La finta giardiniera (Hortulana ficta)
1780–81: Idomeneo, re di Creta (Idomeneus, rex Cretae)
1782: Die Entführung aus dem Serail (Raptus e seraio)
1786: Le nozze di Figaro (Nuptiae Figari)
1787: Don Giovanni (Dominus Ioannes)
1790: Così fan tutte (Sic faciunt cunctae)
1791: Die Zauberflöte (Tibia magica)
1791: Clementia Titi (aut Titus)

Musica sacra

1773: Exsultate jubilate (K. 165)
1779: Missa coronationis (K. 317)
1780: Vesperae solennes de Confessore
1783: Missa magna (K. 427)
1791: Ave verum corpus
1791: Requiem (missa defunctorum, KV 626, anno 1791 incepta, post mortem immaturam compositoris^[6] ab Iosepho Eybler et Francisco Xaverio Süßmayr precibus coniugis obsequentibus eodem anno perfecta)

Symphoniae

1773: Symphonia vigesima quinta (K.183)
1783. Symphonia trigesima sexta (Linciencis, K.425)
1786: Symphonia trigesima octava (Pragensis, K. 504)
1788: Symphonia trigesima nona (K.543)
1788: Symphonia quadragesima (K. 550)
1788: Symphonia quadragesima prima (Juppiter, K.551)

Alia

1766: Galimathias musicum (Quodlibet) (K. 32)
1775: Concentus pro violinum et orchestrae tertius (K. 216)
1776: Concentus nocturnus septimus (Haffner appellatur, K.250)
1778: Sonata pro clavile octava (K. 310)
1778: Sonata pro clavile undecima (Melodia in gradui Turcico, K.311)
1781: Partita grandis (Musica nocturna pro instrumentis musicis aërum, K. 361)
1785: Quadricinium fidium decimus nonus (Quadricinium dissonantiae K. 465)
1785: Concentus pro clavile et orchestrae vincesimus (K. 466)
1785: Concentus pro clavile et orchestrae vicesimus primus (K. 467)
1785: Quadricinium pro clavile primum (K. 478)
1786: Concentus pro clavile et orchestrae vicesimus quartus (K. 491)
1787: Ein musikalischer Spaß (Oblectatio musicalis, K. 522)
1787: Eine kleine Nachtmusik (Parva musica nocturna, K. 525)
1788: Sonata pro clavile sexta decima (K. 545)
1791: Concentus pro tibia clarisona et orchestrae (K. 622)

Mozartus in pelliculis

1984 Amadeus

Notae

↑ Ipse Latine bis vel ter nomen "Wolfgangus Amadeus Mozartus" per ludibrium vindicavit; unde more Latinitatis recentioris praenomina accipimus. Vide Katherine Arens (1996), Austria and other margins: reading culture, Camden House, p. 55, ISBN 978-1-57113-109-6 ; Michael Steinberg; Larry Rothe (2006), For the love of music: invitations to listening, Oxford University Press US, p. 21, ISBN 978-0-19-516216-5
↑ Landon 1990:171.
↑ Ea littera prima, quae g legenda esse videtur, re vera abbreviatio solita sillabae con- est. (Reinhard Riepl, Wörterbuch zur Familien- und Heimatforschung in Bayern und Österreich. Editio tertia 2009. Pag. 477)
↑ Archiv der Erzdiözese Salzburg (AES): Salzburg-Dompfarre Taufbuch TFCIX/2 1756-1814.
↑ Zaslaw 2006.
↑ Mozartus cum anonymo cuidam petenti se hoc opus facturum esse promisisset, quamvis aegrotus promisso stare statim conatus est. Propter personam mandatoris adhuc ignotam et mortem compositoris inexspectatam et res quasdam in vita eius dubias non defuerunt nec desunt, qui suspicati sint et suspicentur Mozartum veneno interfectum esse.

Bibliographia

Abert, Hermann (2007). W. A. Mozart. Cliff Eisen (ed.), Stewart Spencer (conv.). Portu Novi: Yale University Press. ISBN 9780300072235
Barry, Barbara R (2000). The Philosopher's Stone: Essays in the Transformation of Musical Structure. Hillsdale, Novi Eboraci: Pendragon Press. ISBN 1576470105
Cairns, David (2006). Mozart and His Operas. Berkeleiae Californiae: University of California Press. ISBN 0520228987
Dent, Edward J. 1947. Mozart's Operas: A Critical Study. Londinii, Oxoniae, Novi Eboraci: Oxford University Press. ISBN 0-19-284001-0.
Deutsch, Otto Erich (1965). Mozart: A Documentary Biography. Peter Branscombe, Ericus Blom, Jeremy Noble (conv.). Stanfordiae: Stanford University Press. ISBN 9780804702331
Einstein, Alfred. 1965. Mozart: His Character, His Work. Liber conversus ab Arthur Mendel et Nathan Broder. Galaxy Book 162. Novi Eboraci: Oxford University Press. ISBN 0-304-92483-0. OCLC456644858. URL.^{[nexus deficit]}
Eisen, Cliff; et al.. "Mozart". Grove Music Online
Eisen, Cliff; Keefe, Simon P, eds. (2006). The Cambridge Mozart Encyclopedia. Cantabrigiae: Cambridge University Press. ISBN 0521856590
Haberl, Dieter (2006). "Beethovens erste Reise nach Wien: die Datierung seiner Schülerreise zu W. A. Mozart". Neues Musikwissenschaftliches Jahrbuch (14)
Fradkin, Robert A. 1996. The well-tempered announcer: a pronunciation guide to classical music. Bloomington: Indiana University Press. ISBN 0-253-21064-X.
Gutman, Robert (2000). Mozart: A Cultural Biography. Londinii: Harcourt Brace. ISBN 9780156011716
Halliwell, Ruth (1998). The Mozart Family: Four Lives in a Social Context. Novi Eboraci: Clarendon Press. ISBN 9780198163718
Heartz, Daniel (2003). Music in European Capitals: The Galant Style, 1720–1780 (1st ed.). Novi Eboraci: W. W. Norton & Company. ISBN 0393050807
Holmes, Edward (2005). The Life of Mozart. Novi Eboraci: Cosimo Classics. ISBN 1596051477.
Landon, Howard Chandler Robbins (1990). 1791: Mozart's Last Year. Londinii: Flamingo. ISBN 9780006543244
Landon, Howard Chandler Robbins, et Donald Mitchell, eds. 1956. The Mozart Companion. Novi Eboraci: W. W. Norton & Company.
March, Ivan; Greenfield, Edward; Layton, Robert (2005). Czajkowski, Paul. ed. Penguin Guide to Compact Discs And DVDs, 2005–2006 (30th ed.). Londinii: Penguin Books. ISBN 0141022620
Mozart, Wolfgang; Mozart, Leopold (1966). Anderson, Emily. ed. The Letters of Mozart and his Family (2nd ed.). Londinii: Macmillan. ISBN 039302248X
Mozart, Wolfgang (1972). Mersmann, Hans. ed. Letters of Wolfgang Amadeus Mozart. Novi Eboraci: Dover Publications. ISBN 0486228592
Rosen, Charles (1998). The Classical Style: Haydn, Mozart, Beethoven (2nd ed.). Novi Eboraci: W. W. Norton & Company. ISBN 0393317129
Sadie, Stanley, ed. (1998). The New Grove Dictionary of Opera. Novi Eboraci: Grove's Dictionaries of Music Inc.. ISBN 9780333734322
Sadie, Stanley, ed. (1980). The New Grove Dictionary of Music and Musicians (6a ed.). Londinii: Macmillan. ISBN 0333231112
Solomon, Maynard (1995). Mozart: A Life (1st ed.). Novi Eboraci: HarperCollins. ISBN 9780060190460
Steptoe, Andrew (1990). The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte. Oxoniae: Clarendon Press. ISBN 0198162219
Till, Nicholas (1995). Mozart and the Enlightenment: Truth, Virtue and Beauty in Mozart's Operas. Novi Eboraci: W. W. Norton & Company. ISBN 0393313956
"Award of the Papal Equestrian Order of the "Golden Spur" to Wolfgang Amadeus Mozart". Vatican Secret Archives. 4 Iulii 1770
Wakin, Daniel J. 2010. After Mozart’s Death, an Endless Coda. The New York Times, 24 Augusti. ISSN 0362-4331.
Zaslaw, Neal. 2006. The Non-Canonic Status of Mozart's Canons. Eighteenth-Century Music 3: 109–23. doi:10.1017/S1478570606000510.

Nexus interni

1034 Mozartia

Nexus externi

Lexica biographica: Gran Enciclopèdia Catalana • Český hudební slovník osob a institucí • Den store danske • Deutsche Biographie • Commentatio Theodisce, Francogallice, Italice apud Lexicon historicum Helveticum • Treccani • Store norske leksikon • • Classical Archives

Lege Οὐολφογάγγος Ἀμαδέος Μόσαρτος ("Wolfgangus Amadeus Mozart") apud Vicipaediam lingua Graeca antiqua scriptam

Vicimedia Communia plura habent quae ad Wolfgangum Amadeum Mozartum spectant.

"New Mozart Pieces Unveiled (VIDEO)". The Huffington Post. 8 Februarii 2009
Lorenz, Michael (9 Augusti 2010). "Mozart's Apartment on the Alsergrund"
"Mozart, Mozart's Magic Flute and Beethoven". Raptus Association for Music Appreciation

Operae Wolfgangi Amadei Mozarti

	Wolfgangus Mozart
Apollo et Hyacinthus K 38 · La finta semplice K 51 (46a) · Bastien und Bastienne K 50 (46b) · Mitridate, re di Ponto K 87 (74a) ·Ascanio in Alba K 111 · Il sogno di Scipione K 126 ·Lucio Silla K 135 ·La finta giardiniera K 196 ·Il re pastore K 208 ·Zaide K 344 (336b) ·Idomeneo K 366 ·Il ratto dal serraglio K 384 · L'oca del Cairo K 422 · Lo sposo deluso K 430 (424a) · Der Schauspieldirektor K 486 ·Le Nozze di Figaro K 492 · Don Giovanni K 527 · Così fan tutte K 588 · Il flauto magico K 620 ·La clemenza di Tito K 621

[1] Ipse Latine bis vel ter nomen "Wolfgangus Amadeus Mozartus" per ludibrium vindicavit; unde more Latinitatis recentioris praenomina accipimus. Vide Katherine Arens (1996), Austria and other margins: reading culture, Camden House, p. 55, ISBN 978-1-57113-109-6 ; Michael Steinberg; Larry Rothe (2006), For the love of music: invitations to listening, Oxford University Press US, p. 21, ISBN 978-0-19-516216-5

[2] Landon 1990:171.

[3] Ea littera prima, quae g legenda esse videtur, re vera abbreviatio solita sillabae con- est. (Reinhard Riepl, Wörterbuch zur Familien- und Heimatforschung in Bayern und Österreich. Editio tertia 2009. Pag. 477)

[4] Archiv der Erzdiözese Salzburg (AES): Salzburg-Dompfarre Taufbuch TFCIX/2 1756-1814.

[5] Zaslaw 2006.

[6] Mozartus cum anonymo cuidam petenti se hoc opus facturum esse promisisset, quamvis aegrotus promisso stare statim conatus est. Propter personam mandatoris adhuc ignotam et mortem compositoris inexspectatam et res quasdam in vita eius dubias non defuerunt nec desunt, qui suspicati sint et suspicentur Mozartum veneno interfectum esse.

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