Michael Filby
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Papers by Michael Filby
implemented by an Initial Obligations Code authored by Ofcom. Even before the Code has been published, there are several pre-existing key areas of the Act that contain significant evidential problems and potential incompatibilities with existing law. This paper critically reviews the legislation and identifies a number of significant flaws in consideration of its ongoing judicial review and the regulatory review by Ofcom. The status of the DEA in light of the recent decision in MediaCAT v. Adams is also discussed in the context of the threat it contains to the fundamental evidential foundation upon which the operation of the Act is based."
This has led to avenues alternative to litigating against makers of peer-to-peer network clients being explored. Although it is a long established principle that criminal sanctions can be levied against copyright infringers who operate in the course of a business, ostensibly making money from the labours of others without authorisation, the industries in their fervour to dissuade the sharing of infringing files have inadvertently raised the question of what constitutes an alternative type of infringer, namely one who harms the copyright holder without benefiting from financial gain themselves.
This type of file sharer is described in the Copyright, Designs and Patents Act 1988 as a person who distributes otherwise than in the course of a business to such an extent as to affect prejudicially the owner of the copyright. Unfortunately, the parameters of this test of prejudicial effect is not defined in the Act, has not been addressed by the judiciary and has left commentators submitting conflicting and uncertain views as to where the boundary of this test lies.
This test is examined in the Hong Kong case of HKSAR v. Chan Nai-Ming, which is notable for being the first case in the world where a user of BitTorrent has been criminally prosecuted and given a custodial sentence. This paper examines the case in the context of its alternative approach to curbing a peer-to-peer network that is quite distinct from the likes of Kazaa, and considers the stance taken in light of the test of prejudicial affect which is echoed in the Hong Kong Copyright Ordinance 1997.
With reference to alternative perspectives on the test, including proposals for reform from the Hong Kong government itself, it is argued that the highly strict and surprisingly low level at which the test for prejudicial affect is set is counter-intuitive to the goals of curbing the problems piracy poses. The influence this ruling could have upon a UK interpretation of the test after the final appeal has been heard is considered, and it is concluded that the ongoing battle between file sharers and their opponents has led to the loss of sight of the true goal of regulation: the protection of copyright holders from suffering de facto harm that is at least above a relatively negligible standard."
An analysis of various theories relating to the routes, impacts and effects of file sharing is applied to a digital distribution model. The model is then expanded to encompass the Efficient Distribution Theory which argues that, through the application of measures which can be cheaply and easily implemented by the entertainment industries, a number of factors can mitigate any negative effects file sharing may cause to the extent that widely distributing digital copies can be directly beneficial to the industries.
The analysis and theory is supported by the results of a research study carried out by the author in February 2007, which are presented in this paper. The findings of the research indicate that those who engage in cyber piracy not only financially spend more on authorised products proliferated by the entertainment industries compared to those who do not engage in piracy, but are also willing to move away from committing tortious acts of copyright infringement if the industries can provide a viable alternative means of digital delivery, inter alia.
By taking a normative view of the internet and the behaviour of its users, the concept of cyber socialism as applied to the file sharing of intellectual property is evaluated in terms of viability and value. As the internet has evolved from a state of cyber-nature to the point where large proportions of cyberspace are being governed effectively by no more than self-regulation, it is recognised that the internet must always be treated as an addition to the real world running in parallel to its practices as opposed to an entirely separate entity.
It is concluded that regulators should be taking heed of the capabilities of the internet to run without unnecessary impediments while simultaneously allowing real world practices to flourish, and should therefore be following the example of the Creative Commons to robustly protect the interests of intellectual property rights holders without impairing the strengths of the internet rather than falling prey to undue influence exerted by the creative industries and their outmoded business models.
The primary hypothesis is that public perception of the law relating to cyber piracy is out of step with the contemporary de facto legal position.
The definition of cyber piracy is summarised, and the issues relating to confusion surrounding the boundaries or simply considering the myriad categories of piracy as a single topic are discussed. The current law as per the Copyright, Designs and Patents Act 1988 as amended is also outlined for the purpose of evaluating the hypothesis, and the border of cyber piracy in relation to the entertainment industries (concerning film, television and software) is set for the rationale of the analysis.
Further exploration takes place through two case studies which concentrate on DVD piracy. The first regards a marketing campaign which has been mounted by the entertainment industries purporting to, inter alia, raise consumer awareness of cyber piracy law in order to adjust public attitude to the practice toward the negative, and to lobby for tougher IP regulation. It is argued that the campaign falls foul of the dangers of failing to fully identify piracy, and fails to communicate an accurate interpretation of the legal position to the intended audience.
The second case study examines an editorial concerning film piracy in an influential consumer movie magazine. It is submitted that the summation of piracy law and representation of the regulation in general is heavily flawed, and it is questioned whether the bias behind this journalistic failure could be as a result of the influence of lobbies such as those found in the first case study.
The findings of an exploratory study carried out in December 2006 are then presented. In addition to uncovering opportunities for further research, the results indicate that the public are, in many situations, under the impression that criminal sanctions regulating piracy are wider reaching than the current legislation presently provides. It is submitted that the results of the study lend credibility to the notion that influences such as those recognised in the case studies have effectively misrepresented the law to consumers. The danger posed by the possibility that policy makers may be as vulnerable as consumers and perhaps even the press to well-funded and wide-ranging lobbying is considered.
It is concluded that the representation of intellectual property regulation with regards to piracy must be counterbalanced if a truly objective middle-ground can be maintained when considering approaches to reform."
implemented by an Initial Obligations Code authored by Ofcom. Even before the Code has been published, there are several pre-existing key areas of the Act that contain significant evidential problems and potential incompatibilities with existing law. This paper critically reviews the legislation and identifies a number of significant flaws in consideration of its ongoing judicial review and the regulatory review by Ofcom. The status of the DEA in light of the recent decision in MediaCAT v. Adams is also discussed in the context of the threat it contains to the fundamental evidential foundation upon which the operation of the Act is based."
This has led to avenues alternative to litigating against makers of peer-to-peer network clients being explored. Although it is a long established principle that criminal sanctions can be levied against copyright infringers who operate in the course of a business, ostensibly making money from the labours of others without authorisation, the industries in their fervour to dissuade the sharing of infringing files have inadvertently raised the question of what constitutes an alternative type of infringer, namely one who harms the copyright holder without benefiting from financial gain themselves.
This type of file sharer is described in the Copyright, Designs and Patents Act 1988 as a person who distributes otherwise than in the course of a business to such an extent as to affect prejudicially the owner of the copyright. Unfortunately, the parameters of this test of prejudicial effect is not defined in the Act, has not been addressed by the judiciary and has left commentators submitting conflicting and uncertain views as to where the boundary of this test lies.
This test is examined in the Hong Kong case of HKSAR v. Chan Nai-Ming, which is notable for being the first case in the world where a user of BitTorrent has been criminally prosecuted and given a custodial sentence. This paper examines the case in the context of its alternative approach to curbing a peer-to-peer network that is quite distinct from the likes of Kazaa, and considers the stance taken in light of the test of prejudicial affect which is echoed in the Hong Kong Copyright Ordinance 1997.
With reference to alternative perspectives on the test, including proposals for reform from the Hong Kong government itself, it is argued that the highly strict and surprisingly low level at which the test for prejudicial affect is set is counter-intuitive to the goals of curbing the problems piracy poses. The influence this ruling could have upon a UK interpretation of the test after the final appeal has been heard is considered, and it is concluded that the ongoing battle between file sharers and their opponents has led to the loss of sight of the true goal of regulation: the protection of copyright holders from suffering de facto harm that is at least above a relatively negligible standard."
An analysis of various theories relating to the routes, impacts and effects of file sharing is applied to a digital distribution model. The model is then expanded to encompass the Efficient Distribution Theory which argues that, through the application of measures which can be cheaply and easily implemented by the entertainment industries, a number of factors can mitigate any negative effects file sharing may cause to the extent that widely distributing digital copies can be directly beneficial to the industries.
The analysis and theory is supported by the results of a research study carried out by the author in February 2007, which are presented in this paper. The findings of the research indicate that those who engage in cyber piracy not only financially spend more on authorised products proliferated by the entertainment industries compared to those who do not engage in piracy, but are also willing to move away from committing tortious acts of copyright infringement if the industries can provide a viable alternative means of digital delivery, inter alia.
By taking a normative view of the internet and the behaviour of its users, the concept of cyber socialism as applied to the file sharing of intellectual property is evaluated in terms of viability and value. As the internet has evolved from a state of cyber-nature to the point where large proportions of cyberspace are being governed effectively by no more than self-regulation, it is recognised that the internet must always be treated as an addition to the real world running in parallel to its practices as opposed to an entirely separate entity.
It is concluded that regulators should be taking heed of the capabilities of the internet to run without unnecessary impediments while simultaneously allowing real world practices to flourish, and should therefore be following the example of the Creative Commons to robustly protect the interests of intellectual property rights holders without impairing the strengths of the internet rather than falling prey to undue influence exerted by the creative industries and their outmoded business models.
The primary hypothesis is that public perception of the law relating to cyber piracy is out of step with the contemporary de facto legal position.
The definition of cyber piracy is summarised, and the issues relating to confusion surrounding the boundaries or simply considering the myriad categories of piracy as a single topic are discussed. The current law as per the Copyright, Designs and Patents Act 1988 as amended is also outlined for the purpose of evaluating the hypothesis, and the border of cyber piracy in relation to the entertainment industries (concerning film, television and software) is set for the rationale of the analysis.
Further exploration takes place through two case studies which concentrate on DVD piracy. The first regards a marketing campaign which has been mounted by the entertainment industries purporting to, inter alia, raise consumer awareness of cyber piracy law in order to adjust public attitude to the practice toward the negative, and to lobby for tougher IP regulation. It is argued that the campaign falls foul of the dangers of failing to fully identify piracy, and fails to communicate an accurate interpretation of the legal position to the intended audience.
The second case study examines an editorial concerning film piracy in an influential consumer movie magazine. It is submitted that the summation of piracy law and representation of the regulation in general is heavily flawed, and it is questioned whether the bias behind this journalistic failure could be as a result of the influence of lobbies such as those found in the first case study.
The findings of an exploratory study carried out in December 2006 are then presented. In addition to uncovering opportunities for further research, the results indicate that the public are, in many situations, under the impression that criminal sanctions regulating piracy are wider reaching than the current legislation presently provides. It is submitted that the results of the study lend credibility to the notion that influences such as those recognised in the case studies have effectively misrepresented the law to consumers. The danger posed by the possibility that policy makers may be as vulnerable as consumers and perhaps even the press to well-funded and wide-ranging lobbying is considered.
It is concluded that the representation of intellectual property regulation with regards to piracy must be counterbalanced if a truly objective middle-ground can be maintained when considering approaches to reform."