TAYLOR SWIFT
Apple Music Interview (2020) | The Eras Tour (2023)
@pscentral event 19 → music
↳ Beyoncé + music genres
"It is hard to think of a recent album that feels more commanding and imperious than Lemonade, not just in its lyrics – where defiant woman-scorned wrath meets righteous social anger – but in its music. […] “Country, alt-rock, left-field electronics, hoary Jack White blues-rock? I can do the lot.” That seems to be one of its messages. […]
The sense of an artist being pulled uncomfortably in two opposing directions reached its peak with [I Am…Sasha Fierce]: one disc full of self-help-motto power ballads […] and another that suggested…a willingness to experiment – the percussion battery and oddly doomy minor chords of Single Ladies (Put a Ring on It), Video Phone’s minimal fusion of crunk rhythms, sampled groans, and needling synthesisers. […]
4 built on its predecessor’s more experimental aspects, and introduced the I-can-do-anything musical expansiveness that you hear on Lemonade. There were influences drawn from Afrobeat, dancehall and alt-rock; […] the Sleepy Jackson’s Luke Steele contributed the psychedelicised Philly soul of Rather Die Young." — The Guardian
TWILIGHT (2008) | THE BEAR (2022-)
Portrait of a Lady on Fire (2019) dir. Céline Sciamma
BODIES, BODIES, BODIES (2022) dir. Halina Reijn
RACHEL McADAMS as BARBARA SIMON
ARE YOU THERE GOD? IT'S ME, MARGARET. (2023)
dir. Kelly Fremon Craig
Kill Bill Vol. 2 (2004).
SCREAM
1996, dir. Wes Craven
Taylor Swift for Variety’s Directors on Directors