The Chair at the Corner

1.5M ratings
277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

Titig

Ang tagal ko tinitigan yung result ng mga nakapasok para sa short feature category ng Cinemalaya for this year. As in ang tagal talaga. Wala kasi yung title ng pelikula namin dun sa sampung short films na nakapasok. Siguro inisip ko na kapag tinitigan ko nang mas matagal pa yung post e biglang lalabas yung title ng pelikula naman dun. Baka kasi nakaligtaan ko lang. Pero hindi e, ang tagal ko talaga tinitigan yung post pero wala. Kaya tinigilan ko na yung pagtitig kasi baka mag-ala Matilda na ako at sa halip na may magbago dun sa post ay tumalsik lang yung laptop ko. Yari pa ako sa nanay ko. 

Masakit. Napa “Oh well, better luck next time. At least we tried” keme na lang ako kay Jade na kasama ko sa paggawa nung pelikula namin. Kasi ganun naman talaga, kailangang aluhin ang sarili tapos tanggapin tapos fight ulit. Pero bago ko gawin ‘yang mga steps na ‘yan, teka lang ha? Iiyak lang ako. Kasi ‘di ba, part naman talaga ng pagtanggap yung pag-iyak? 

Dream, Believe, Survive…Starstruck!

Basta this week, Wednesday ata ‘yun, habang naglalakad ako pauwi galing sa internship ko (Oo, nilakad ko mula BGC hanggang Lipa, bakit ba?! Joke, mula La Salle Lipa lang) at pagkatapos bumili ng Beng Beng chocolate bar sa tindahan sa kanto, nakakita ako ng bulalakaw. Shet, bulalakaw! First time kong makakita ng bulalakaw sa tanang buhay ko. Nakikinig lang ako sa mga kwento ng mga kaibigan ko kung anong ginawa nila nung nakakita sila nun so alam ko na pwede kang mag-wish. Pero kapag andun ka na pala, kapag nasa harapan mo na yung bulalakaw, mauuna kang mamangha kaysa mag-wish. Kaya ayun, hindi agad ako nakapag-wish kasi tinitigan ko pa muna yung bulalakaw. Hmmm ito ba ‘yung sinasabi nilang starstruck? Charot.

Pero humiling pa rin ako kahit wala na yung bulalakaw. (Hello! Twenty years kaya bago ako nakakita nun. Hindi ko na keri if another twenty years pa!) Ipinikit ko ang mga mata ko tapos inilagay ko yung kamay ko sa dibdib ko habang hawak-hawak yung Beng Beng chocolate bar. Pagkatapos kong humiling, naisip ko: bukod sa bulalakaw na nakita ko, hindi ba nakakamangha rin na kasabay ng pagtingala ko sa kalangitan nung gabing ‘yun ay ang pagbagsak din ng bulalakaw? Made me believe more of…ano nga ‘yun sinasabi ng mga chikiting? If it’s meant to be, it will be?

Alexa, play 20 something by SZA

Hello! I just wanted to say thank you to everyone who greeted me on this special day of mine. My 20th birthday is kind of special to me because I intend it to be some sort of a passage into something entirely bigger and unfamiliar to me, whatever that is.

I’ve always thought of myself as something too distant to be loved. But on days like this, it feels like I am worthy of being loved and that I could do that to myself too. I want to share with you all something I’ve read a few months back that I’ve kept with me since, this are wise words from George Saunders: as you get older, your self will diminish and you will grow in love. You will gradually be replaced by love.

I may always kid around (a lot of times) about how I wanted to die but really, I am proud of myself for making it this far. Pat yourself at the back, Miguel. I’m really happy for you and everything that you’ve accomplished so far. And so, I’d like to believe that I am moving towards that direction of becoming love.

Anyway, thanks again for all the birthday greetings. I really appreciate them. Next year ulit! Haha

Padayon, mga dude pare tsong bro 🤙🏻✨

image

(March 02, 2019)

That Adarna Dream

Hello! Ipalalabas sa UPFI Videotheque ang aming munting pelikula sa Lunes, March 11, 5:30 ng hapon, kasama ang iba pang short film winners ng Singkuwento International Film Festival.

Hmmm not sure pero parang tickets are for Php 150.00 tas available at least an hour before the screening. Wow sobrang arte (and tanga) pala nung direktor hahahaha

This will be the closest muna to one of my dreams na makapagpalabas ng pelikula ko sa Cine Adarna. Nasa likod lang naman ng Adarna ang Videotheque so parang same-same lang! Charot! Hopefully, within this lifetime mangyari yun haha Pero ayun, parang dream come true na rin ‘to so sana makanood kayo 😊 QC friends, Attack!!

Ayun, takits mga dude pare tsong bro 🤙🏻

image

PS. Huwag niyo sana husgahan yung pubmat na ‘to (at ang pagkatao ko) dahil sa Pages ko lang ‘to ginawa hahahahaha #Paraparaan123 #Resourceful

To the Miguel of the Future

I was supposed to watch #AloneTogether with my friends, but we all know how that ended. And so, I watch the film alone earlier. And here are my unfiltered, totally unpolished thoughts about the film and things that came after it. I am posting this so that a few years from now, If I ever find myself in the same situation as Tin, I will know or be reminded of what to do and say to myself.

TL;DR: If you want to know how much of a tear-jerker the film is, just ask the woman sitting next to me who gave me a tissue and hugged me because I was crying my heart and soul inside the cinema. Don’t judge me, the film was THAT good.

Alone/Together is basically set in the present time and some years back in the late 2010s. But throughout the film, we are made aware that we are not dealing with certain years or dates but with the concept of the past, the present, and the future. In the film, the past is a dominant force that affects the present and influences the future. But I’d like to focus about the ‘future’ part of the film as it is something I find very interesting—it’s presence is not made evident in the film but we all know that it is what the characters have in their head the whole time.

I’m starting to like the way Director Antoinette Jadaone ends her film, with a slow, undemanding fade to black which we first encountered in That Thing Called Tadhana, and once again in Never Not Love You, and now in her latest film, Alone/Together. But in Alone/Together, this seemingly boring or dull way of ending the film is actually one of the most genuine things in Alone/Together. By the end of the film, one thing that you know, among others, is that Tin and Raf’s story, like ours, is not yet finished. And that that undemanding fade to black is a reminder of both the vastness and emptiness of the future.

If you ask me, that frame of darkness that enveloped the entire cinema once the film ended is the most cinematic depiction of future I have ever seen. The future is not a tunnel of whirlwind colors, it’s not Back to the Future’s flying cars and hover boards, nor that the future is bright. The future is dark and uncertain, it only gets bright once we choose to bring the light to it. And the truth is not all of us have the strength, the courage, or the bravery to carry that light with us while we walk towards the future. To non verbatimly quote Tin, “somewhere along the way, we lose track of who we once were.”

The beauty of Alone/Together lies not just in the well composed shots, the quote-worthy lines, or Liza and Enrique’s impeccable acting, but in the viewers as well. The film is for anyone who dreamed and didn’t soar, it’s for every people who holds a grudge or regret towards their own self, and for every people that’s been trampled by the world. Not everyone will appreciate the film, some will say that the film is about cheating (which is totally not), or that it’s just another box-office hit that will soon be replaced by yet another box-office hit from a different love team. Hell, even those who were defeated by their own fate will not appreciate the film if they haven’t accepted it. But this film will help you do just that.

What makes the film excruciatingly heartbreaking, at least for me, is how it managed to paint our dreams as something as just that—dreams. Something totally non-existent and, at the meantime, something out of our grasps. I have always wondered about the emptiness of that word, dream. It pertains to something that is, in one way or another, non-existent, imaginary or fictitious and once we achieved that “dream”, we can no longer call it a dream because it was now realized, within our grasp, its existence something unquestionable—suddenly, a reality.

I mean how many times have we mouthed to ourselves: “Nakakahiya ka” and wished we had done better? How many times have we hurt ourselves because of a missed opportunity? How many times have we cried ourselves to sleep while thinking where it went wrong? Aren’t we all a litany of our mistakes? Don’t we all want to make it right?

There’s so much to say about the film and the things that came after the film but let’s talk about that some other time since this is already too long and none of you will continue reading this if this gets any more longer.

But let me end this by saying that if being hopeful is the only thing we can do at the moment, let us be hopeful until whatever well of hope there is within us runs dry. Years from now, I hope we all get to say that we chose our life and that we didn’t settled for it. We might not achieve our dreams or become that great person we want ourselves to be but one thing is for sure “you can always make your own dreams”, this is uttered by Nonie Buencamino’s character. Mangarap lang nang mangarap, wala naman sigurong quota o sisingil sa’tin kapag namatay na tayo. Let us try not to do things for ourselves and to not be too hard on ourselves.

One of my favorite part in the film, is when Tin went to The MET with Raf and she saw one of Van Gogh’s painting. Her eyes, although teary, is an expression of genuine happiness and her face a picture as vibrant as that painting of Van Gogh. Tin then looked back at Raf and back to the painting. It was at that moment where I realized what it means to grow together in love. I hope we all get a lot of that moment in our lives—moments that make our heart flutter, moments where our eyes are wet from profound gladness, and the things or people that we love is standing right there, whether we look in front or back of us. May we find that thing or person that will make us “fly”.

Armi Millare’s song, Kapit, was played during the film’s credits. They didn’t finish playing the whole song but I guess there’s beauty to that because the last lines of the song that echoed in the theatre perfectly summarizes the essence of Alone/Together: “Kaya hihigpitan ko ang kapit sa mga kamay ng oras nang ‘di 'to lumipas. Sana ay aking sinulit ang panahon na tayo'y mga bata pa”

image

Baby talk

I.

in moments where my eyes meets yours,
casually slipping into this language
that only we can understand,
I know there is entirely something else
than just sudden gazes for they always,
always become stares

weaving praises and sentences that
run through some unseen tracks—cautiously
travelling only to be dodged by one another,
forever lost in translation.

never reaching its station.

II.
until gazes were not the only thing we share—
        shampoo,
        water,
        tenderness’ meaning
all found its way to Anagoloy for once whatever truth
they hold, are now ours in this secret language we share.

and in times you speak to me only to spill what
could be the wick of life formed within, your essence,
I could only make up words in praises and expressions
that run through some unseen door of your every
grand entrances and exits—

only a toddler could understand.

III.
in its verbose brevity do we find ourselves
lured even more into action
with each push, pull & bend and brush do this language
become richer, fuller and thicker—lyric words
now make up complete sentences that run through
some unseen verse.

you see, the body has its own language
and sometimes when the body enunciates its language,
even a baby understands.

Memory

This final chapter presents the summary of the study conducted and the findings derived from the analysis and interpretation of the results. Moreover, this imparts the conclusions framed and recommendations derived thereafter.

There is certainly a lot to take away from the whole process and experience of making this research that has gone from only finding a sensible explanation on how smoking cigarettes is bad for one’s health—to something entirely different. Based on the discussion and interpretation of data, it can be inferred that smoking is one of the leading causes or risk-factors for attaining lung cancer. Furthermore, the findings and results of the study states that smoking does not only harm the lungs alone but the entire body as well. The harmful effect of smoking is holistically felt by the body, inside and outside and in systems of what remains of the person.

However, smoking cigarettes can be the passageway to the remembrance of certain occasions in one’s life—the distinct yet familiar sound of your name in the mouth of your lover, now only a resonance inside your head, or the old T-shirt tucked inside your closet and how it still bears the smell of his deodorant; the filth of the city and how it weighs on your skin at the end of the day; even hollow halls, empty seats, the cold space in your bed may resurrect a certain memory—a certain presence—regardless of how fond or phlegmatic you are about that memory.

For example: the first time I smoked, the taste of cigarette reminded me of my mom, and it’s not because she is a staunch smoker—she doesn’t even smoke—but because she always, always tells me not to. And at first, I promised myself that I wouldn’t learn, wouldn’t even try. I didn’t believe that it could relieve stress or help ease pain. How could a stick made of grass and paper and sickness actually help me numb whatever baggage I am feeling? And then I learned how to use it, and it became my best friend. If every stick of cigarette lands on my lips to listen to every story my mouth wants to tell, I’d keep all the butts of every cigarette I’ve smoked and just show them to anyone who wants to know my story. “Here, this is my story. It might suffocate you,” I’d say, and let them savor in the smoke that is my life.

I like the idea of smoking—that we find a moment or so of peace in a stick that may or may not eventually rest us eternally in peace. Moreover, its bitter taste and cooling effect would later remind me of a certain occasion: this beautiful boy and I sitting in silence for a long time. It was not the awkward kind of silence, it’s the kind that actually fills out the void more than what noises can. He was a Cancer and I was a Pisces. We fit perfectly, our personalities matched like salt and pepper. But that time, the existence of silence felt more desired rather than just because we have nothing to talk about—words felt unnecessary. I know that, that night, we could have defeated the silence if only one of us bothered to speak, but only the exchange of smoke from our cigarettes seemed to be in conversation.

And then, intoxicated with the chemical I fed my body, the heaviness of events from earlier that day, and the sudden onset of a certain lightness, the smoke is a storm that takes away the plethora of muddled thoughts, leaving me in a state of foggy blankness—a tabula rasa, if you will, and now I let him take control of me. He saw what I have been hiding underneath my clothes. The clouds under my arms, the salt on my knees and elbows, the hills on my stomach, the plotted soil on my groin, the coins on my legs. I looked away from him because I was embarrassed by the possessions of my body. But from that moment on, I swear, I believed that God can sometimes be too tired to function. That night, I had the deepest conversation I ever had, without words.

Now, it is just a memory. Although months have already passed since that metamorphosis, still, everything is as clear and bright as the sun during high noon. Every time I hold a stick of cigarette to my mouth, or even when the thought of smoking crosses my mind, or even when I hear the slightest utterance of the word cigarette, the memory is recalled. The cigarette now symbolizes what has transpired that night, more so what has transpired with that boy, who, like the smoke of every cigarette, vanished into thin air without any trace or want of remembrance.

But he is remembered anyway. I still fall asleep to the thought of his warmth and how he pinned my body—arms stretched, everything bared—on the stale, cold tile floor of my blankness. He kissed my neck down to my groin as if there was some sort of invisible track there that his lips followed. Memory that would always zoom into his hands, his arms, his neck, his mouth, his eyes, his face, his soft articulation of my name in between breaths while he slammed his body against mine. When his hands landed on my skin and caressed certain areas of my body, he had switched on a light inside of me. And so I thought, how could I not be attached to the memory of him? I let him pass borders and barriers.

Sometimes, I still feel his lips on my skin and so I set my hands to sail what his lips have braved only to feel the cracks and bruises that was left of the shipwreck. And now, I only have cigarettes to make up for the heat I could never get back.

As I replay the memory in my mind, all these metaphors and symbolisms start to rush in, and every time I recall it, it is of a different meaning but always the same occasion. I wanted so badly for the meanings to be different much more for what a stick of cigarette reminds me of. I guess the memory was too strong that it has etched itself on me with every kiss, every touch, every pull, push and bend that happened that night. It still lingers. The sensation, perhaps too strong to be diluted by a cigarette—I guess it doesn’t always serve its purpose to help you forget. Because in certain instances smoking, or even simply lighting a cigarette, could be the wick to invoke frail sentiments or summon thoughts that might disturb the once peaceful state of the mind.

Smoking cigarettes damages the way you breathe and scars your lungs but in a worst-case scenario, it might do harm or damage far more than just to the way we breathe. Cigarette packs should state this too, aside from images of persons who have been severed by cigarette-smoking. This might actually do more saving.

In the lightness or heaviness of each memory do we find ourselves lured even more into the remembrance it gives and how we ache to sometimes remove the burden of its permanence. There will be a price for hearing one’s heart. But the the price is even higher for those who remember first.

With the findings and results imparted from this study, the researcher wishes to relay that: firstly, smoking, although undoubtedly pleasurable and helpful during times of great stress or even just to pass the time, bears with it a price—a much higher price—for giving this sense of satisfaction; and then secondly, smoking, in one way or another, damages us sometimes in ways the sciences can no longer detect; and lastly, smoking, for whatever reason one has for doing it, must be done responsibly.