Akira

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I almost feel bad that, upon re-assessment, I found the classic "Akira" to be so flawed. The source material for the first anime I ever saw, I remembered pouring through these volumes the first time Dark Horse re-released them in their giant phone books. While my maturation of taste has definitely not rendered "Akira" unreadable by any means, I can't help but feel that there is just so much potential for this to be something that it ultimately failed to be.

Let's get started with the good:

The art for this entire series is impeccable. The character designs are spot-on, but what most impresses me are the ... background renderings. Painstaking detail is put into every last crack, stain, dent, shattered window, decimated tenement, obliterated office tower, speck of rubble of this world which starts as a mere dystopia before turning full on post-apocalyptic. I cannot imagine this scale of desolation or destruction rendered in live action. The framing of every shot is well-done and concise, and the action is always understandable and fluid. From a visual perspective, this is still a landmark of manga.

Now the not-so-good:

The story is a sci-fi story, extremely graphic in content, which also touches on common adolescent fiction or adult themes. At times, it's not too unlike a Japanese sci-fi S.E. Hinton. It straddles cyber-punk by virtue of its cast of drug-addled biker malcontents, but where it fails that level of "hard" sci-fi is also a major downfall of the narrative. Make no mistake, it's definitely about psychic powers. But the way these powers are explained and how they manifest honestly just seems more like "magic." Otomo was clearly not a science buff. "Energy" is supposed to explain away a lot of things, like why a human with psychic powers can fly into space and start carving up the moon.

The extent of Akira and Tetsuo's powers is absurd and never explained well at all. This would be fine if there was some metaphysical subtext that made this seem like a surreal exposition or magical realism, but there isn't. It becomes page after page after page of psychic blasts and things falling around people and that's all it feels like. Re-reading the books, I gave up about halfway through 5. I'd just had enough. It stops telling any sort of meaningful story and almost becomes a Shonen. The point of the story stops being about government intrigue or youth rebellion and shifts to "Tetsuo is really powerful, look at this powerful display of power, man, the good guys better get him."

Further, while the character designs themselves were good, their story arcs and character development left a lot to be desired.

Let's start with main character Kaneda. He is a bad ass biker boy who tries to feel your tits and steals your gun and doesn't get killed because he's a bad ass, end of story, and oh yeah, he can't stop finding reasons why "this time Tetsuo's gone too far," hilariously even well after Tetsuo has obliterated the entire city.

Kei, his sidepiece; She's a nonentity. Like, literally, at one point. She lacks so much characterization that the little psychic kids possess her body in a last ditch effort to do battle with Tetsuo. Unlike Kaneda, she is presumably intelligent and cunning enough to be a pivotal member of some underground terrorist cell (whose aims are never really explained, by the way). Despite this, she ends up helpless and useless in just about every key moment of the story. Brash biker badass powers mean more than all the womanly cunning you can muster in Neo Tokyo.

Tetsuo: Your basic school shooter type. He's actually the only character anyone would bother remembering from this book, because there are moments early on when his instability and anger are actually kinda scary. His psychic powers are grotesque and so follows his own mind. In the real origin story of Kaori, who in the film is a meaningless plot device, she is the lone survivor of a drug orgy he conducts, a scene that is honestly really chilling. At the same time, you find him somewhat sympathetic, so obviously unable to control his power. Once again, the Shonenesque final chapters of the saga squander this on psychic blasts and whatnot.

The rest of the cast are the typical ensemble of people who exist to help these main characters get through the story. They have flashes of being interesting; Ryu and the Biker Clown alone have more dynamic story lines, downfalls and revelations than any of the aforementioned. But the story isn't about them. The story is using them for things. Not much more.

So I just trashed the all-immortal "Akira." Why a rating of 7? Because of the ambition, no matter how misguided, and the detail of the artwork. With proper writing (which is actually hinted at early on in the series, like say, the first couple books), "Akira" could have had a story up to par with its amazing visuals. As it stands, it's just a kinetic jumble of great imagery that doesn't withstand much scrutiny as a whole.

I didn't like it at all and found it a bit overrated. And even though the artwork is pretty good, the story is just meh. Main characters appeared to be one sided and no character development at all. Kaneda and Tetsuo started off as annoying and ended the same throughout the whole manga, but I liked some characters like Kei, the Colonel and Chiyako even Ryu. Even the title character Akira is boring and he just exist as a plot device, other children are more interesting. Maybe I'm just expecting a lot more considering it is called one of the best. It may be influential ... and even nostalgic for most people but reading it now late in the game just didn't worked for me. If you like post apocalyptic cyberpunk artwork with lame story then this is for you.

If Akira was published today, I very much doubt it would get a fraction of the praise it now gets (even if it was updated to the "present time").
The good about this manga has already been told extensively, so I will talk about the bad.

Kaneda, one the main characters, is a normal human being, yet somehow he can wrestle with Superman, outsmart Batman, and overcome the Fates and the angels of Death. Additionally, he drives the fanciest motorcycles (and is the best rider, obviously), and gets the girl (another obviously, as all good heroes are supposed to get the girl). By the way, Kaneda is ... a teenager, like many of the readers to whom the manga was targeted. Coincidence?

There is supposed to be a relationship between two characters like the one you can find in Berserk and other manga. But here the relationship is poorly developed - okay, maybe I am being too soft here. The relationsihip is rather not developed (a couple of drawings to tell a sotry which, admittedly, didnt need more because it was cliché even back in the day).

Wondering whats behind the powers of some of the characters? Well, dont. It is just military experimentation and that kind of stuff. You do not need to know more, and you wouldnt understand it anyway. Think of it as a world with magic, but no rules, so the author can have whatever they want, and need, any time.

There are characters that can read the thoughts of other characters, fly, survive in space, cause explosions more destructive than the bombs of Hiroshima and Nagasaki. But, a regular Joe can kick their asses.

There is no consistency as to what sort of skill can is a "power" mastered by a character. In Akira, we may find a characer than can simply jump very high, another that can move objects with their mind, yet another that can apparently see what is going on everywhere in the world and, further, has the ability to direct that vision to precisely what is of interest to them - instantly.

Etc. etc.

If you are not bothered by thinks like those above, then Akira is a great read. Otherwise, dont waster your time.