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Writing for Eternity

@tabswrites

Tess▪️she/her▪️Fantasy writer. I follow from @obviousknife.

Writeblr Intro 2.0

Hello again, it’s still me. I’m Tess, I’m 27 and I am an aspiring fantasy author. I finished the first draft of my new adult fantasy book, The Tomb’s Whisper, and have begun my first round of edits.

This blog will be a place to share my thoughts, ideas and inspirations as well as any great writing I come across.

You can also find me on Bluesky!

Asks/tags are always welcome :)

Current WIPs

The Forest’s Embrace (Guardians of Eternity, Book 2) DRAFTING

  • Plot-driven
  • Multiple POV
  • Antihero+antagonist MCs
  • Lots of magic, lots of creatures
  • Queer cast

The Tomb’s Whisper formerly The Tomb of Light (Guardians of Eternity, Book 1) EDITING

  • Character-driven
  • Multiple POV
  • Hero—>Antagonist
  • Hero—>Antihero
  • Magic/magical creatures
  • Queer cast

DRAFTING

  • YA Supernatural/mystery
  • 2 POV
  • Episodic
  • Growing cast of characters
  • Queer cast

[image id:] Mushu the tiny dragon from Mulan rises dramatically from a cloud of smoke. Caption below reads, “I live!!!” [end id]

Hello, friends! It is I, your very tired and stressed fellow writer. Just a few updates:

  • I have begun my apprenticeship with a pet groomer, a fun yet tiring job that sucks up a lot of my brainpower and energy.
  • The rewrites for TTW are ONE chapter away from being done and damn it, I’m finishing it tonight.
  • I will be making a post within the next week for my official alpha reader search. I’ll be looking for around 5 people so please reach out if you or anyone you know is interested!
  • I’m going to attempt to dip my toe back into Writeblr. If you have tagged me in anything within the last few months, I love and appreciate you, but I can’t guarantee I will get to every single tag.
  • I’ve noticed that engagement has been a little sad lately, so I’m going to try and come up with a couple new tag/ask games to spice things up. Any ideas, drop them in the comments!

See you all again soon!

Who you got that has SUPERPOWERS and is SAD ABOUT IT? (all forms of angst may count as sad for the purposes of this ask)

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Thanks for asking! Everyone :)

No really, every magic wielder in The Tomb’s Whisper and The Forest’s Embrace is big sad. This has more to do with the source of their powers than anything else—they love the magic, but they don’t want to pay the price.

Mara and Adrin see it as a form of punishment to be bound to something horrific.

Lasya and Hettie are uhhh slightly addicted to it? That’s the best way I can describe it without spoiling anything.

Happy STS!! How do you come up with names for your characters? Do you look at baby name lists, base them on words, make them up? What reasoning, if any, do you employ when choosing a name to fit a character?

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Happy late STS!

The names for the TTW cast came to me very easily, for sentimental reasons or I just liked the way it sounded.

Mara: If I had done my research I would have realized that there are a lot of red-haired Maras in the fantasy genre. Oh well. Mine is named after Mara Jade from the Star Wars EU. I just think she’s neat.

Oliver: Named after one of my old OCs back when I used to roleplay a lot. Also because Oliver happens to be a common name for dogs, and Mara often refers to men who simp for her as “loyal hounds”.

Adrin: Named after one of my favorite book characters from years ago, I just removed a letter to make it more unique.

Hettie: I honestly don’t remember. I think I just liked the way it sounded.

Killian: Yikes! I named him after Captain Hook in Once Upon a Time. An homage to my childhood love of stories and hot men.

Lasya: I wanted something with South Indian roots, and Lasya is also a type of dance believed to be created by the goddess Pavarti. It is associated with grace, and Adrin often describes her as “dancing in the trees”.

Flora: Named after a character in The Haunting of Bly Manor, because I take a lot of inspiration from Mike Flanagan’s storytelling. (The same reason there is a side character named Viola in Book 1).

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Reblogged
Official WIP Intro Post
General Stuff:

Working title: Lambswool

Genre: dark fantasy, gothic horror, folk horror, historical fiction

Quick run down: In regency England, a misfit half-demon child belonging to a species of beings who guard the doors between the world(s) of the living and the dead enters the mortal world. An amateur magician unleashes an entity determined to tear apart the delicate balance between realms. Shit hits the fan.

Vibes: Jonathan Strange & Mr. Norrell, Over the Garden Wall, The Witch, Interview With the Vampire (movie), The Company of Wolves, The Secret Garden, Sleepy Hollow, Valerie and Her Week of Wonders, Labyrinth, Return To Oz

POV: Multiple POVs, third person, interlaced with diary entries and letters--so partially an epistolary novel

Some themes: death, breaking the cycle of generational trauma, forging one's own identity, adolescence, being the black sheep, being the sacrificial lamb, found family, isolation, anti-capitalism/colonialism, queerness, oppression, the "other", inversion of normativity, the predator archetype, "the empowered child", control/power, grappling with fate and history, making the future, etc...

Features: character driven, nobody's really the "hero" or "good guy" (whole point is everyone's a person/being the world traditionally sees as "wicked" or "evil"), fairies, witchcraft, sorcery, Stonehenge, romanticism, castles, ruined monasteries, graveyards, magic lantern shows, hearth cooking, early industrial revolution, early science, ballrooms, candelabras, desolate moors, ghosts, demons, consumption, melancholia, friends who are each others' beloathed, souling/trick-or-treating, dandies, dying 19th century waifs taking control of their own destiny, time travel, pretty dresses, the taste of butter, deals with the devil AND MORE

Story:

Set-up: England, 1810. The nation has reached a strength and prosperity never before seen, and advancements in technology and science are rapidly pushing the 18th century into the dizzying 19th. Industrialization is changing the fabric of life in hardly conceivable ways, and amidst the rise of capitalistic modernity it seems the belief in a lively and ever-present spirit world --so ubiquitous in previous centuries-- is under serious threat. But with upsets like mass crop failures, the ongoing Napoleonic wars, and multiple uprisings in recent memory, anxieties in this rapidly changing world are high, with some turning to evangelicalism and reactionary moralizing. Many believe the end of the world must be near arrival. Meanwhile, the world continues to largely be lit by fire, and one must still use the moon to light their way on a country road at night. And in the country there are those who still believe in quaint things like the Fair Folk and practice primitive charms. And in these dark places, in these cracks between the veil, tucked in the corners of the tangible, there are ancient supernatural forces yet lying in wait to stake their claim on the land of the living once again.

Plot (will change/be added to as I develop more): A dying child summons a demon in his bedroom to help him run away from home and finds himself bound to serve the spirit. After spending his whole life within the walls of his family's mansion, he's simultaneously thrust into both the mortal world of his time and into that of the Other Side. After some time spent feverishly drinking from the cup of life to the point of excess with the encouragement of his new demon companion and plunging headfirst into delicious immoral behavior that flies in the face of the oppressive society of his time, he thinks he's made himself a pretty good deal. But soon he learns that the demon is interested in involving him in more than just juvenile delinquency, and in fact intends to usher in a new era where evil spirits, the dead, and Other Things will freely meddle with and torment the living. What's more, there's a species of guardian spirits who have previously prevented this from happening--ones who open and close the door between worlds in a controlled manner, ones who, particularly, steward the yearly lifting of the veil that occurs on Halloween/Samhain. And the demon intends to destroy them all, starting with a young member of their race who has foolishly entered the mortal realm, thus breaking an ancient covenant. The child is sent to search for and manipulate this being into the demon's clutches, which he finds more difficult than he anticipated when he accidentally makes the first friend he's ever had in the process. The two then journey around England, with the human child acting as the being's guide through messy mortal life. Together they survive off of the victuals they scare out of hapless cottagers they haunt along the way while the demon works to recruit more earthly and unearthly helpers to its scheme. It all leads up to a climax where the fate of the worlds, and of Halloween, is decided. There's also definitely going to be subplots and backstories.

Characters (so far) with example images:

I’m genuinely asking how I’m supposed to write a book and go about publishing it when I’m terrified of the state of the world.

Like I know “art is a form of protest”, blah, but writing a fantasy novel feels so completely pointless right now.

Who cares if a bunch of people release ancient magic? I might be homeless in a year.

Honestly, I need to see more of the “MC does not so great thing in a worse situation in order to survive” trope. Like listen—the thing about people doing things to survive is that survival is not always moral, and yet in media I see characters like this villainized or the MC always gets to do the moral thing.

Here’s the thing: a lot of times, our options don’t include the moral thing. So let your MC choose between one bad thing and another. Let them decide which one they can live with.

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