New favourite object category: Matchsafes!
Most acquired in 1978, Gift of Stephen W. Brener and Carol B. Brener
From the Cooper Hewitt Museum, Department of Product Design and Decorative Arts
New favourite object category: Matchsafes!
Most acquired in 1978, Gift of Stephen W. Brener and Carol B. Brener
From the Cooper Hewitt Museum, Department of Product Design and Decorative Arts
Solaris / Солярис (1972) dir. Andrei Tarkovsky
It may seem that the nature scenes that introduce the film are too lengthy, but the layering of these scenes, which depict a certain farewell to nature on Earth, creates the emotional basis of the story after the main character is sent up to the space station, and tortures the viewer with an incredible nostalgia for Earth’s nature, a feeling akin to being homesick. Without this long introduction, you cannot make the audience experience the actual desperation felt by the people trapped on the Solaris station.
I saw this film late one night at a screening room in Moscow, but while I was watching it, my heart was aching from an incredible longing to return to Earth. Just where is scientific progress leading mankind? This film manages to capture perfectly the sheer fearfulness. Without it, science fiction becomes mere fancy.
These thoughts were racing through my mind while I was a captive of the screen.
Tarkovsky was sitting in the corner of the screening room watching the film with me, but he got up as soon as the film was over, and looked at me with a shy smile. I said to him, “It’s very good. It’s a frightening movie.” He seemed embarrassed, but smiled happily. Then the two of us went to a film union restaurant and toasted with vodka.
Tarkovsky, who does not usually drink, got completely drunk and cut off the speakers at the restaurant, then began singing the theme of Seven Samurai at the top of his lungs. I joined in, eager to keep up.
At that moment, I was very happy to be on Earth. — Akira Kurosawa
UPTOWN GIRLS dir. Boaz Yakin, 2003
the thing about house md is that house is attracted to men but would never admit that, not because hes ashamed or repressed, but because if that fact became known chase specifically would start being really weird about it and would start awkwardly saying "or ... it could be hiv?" during differentials because he thinks its inclusive to suggest it
MULHOLLAND DRIVE (2001) dir. David Lynch
David Lynch, selected paintings and lithographs.
“When I’m not painting, I’m thinking about painting.”-David
Mulholland Drive (2001) David Lynch
"Something's wrong. My right eye can't seem to focus."
- Uzumaki (2024) | Episode 1
meow. sound of the summer
Stuart Dunkel - Jelly Belly, 2021
so true bestie what did you say btw i wasn't paying attention
RIZ AHMED
by NOUA UNU for CLASH MAGAZINE (January 2021)