70s small town aesthetic

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The Stephen Shore exhibition at the Museum of Modern Art casts a wide net, including the anomalous periods when Shore worked abroad, but its main focus is his many photographs of hyper-quotidian America, our stalest shades of red, white, and blue. These quiet and straightforward pictures—of food, buildings, cars, and toilets—show that Shore is best understood as a photographer uninterested in photographing what is agreed to be worthy of capture.

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